I think one of the gaping holes no one has touched in regards to this movie is this: Mulder is wanted by the FBI, hiding in recluse over the past six years for (supposedly) killing a man. He was sentenced to death but was broken free by Skinner and Scully. However Mulder isn't alone in his recluse; he's shacked up with Scully after all this time who, in turn, is a highly-respectable surgeon at Lady of Sorrows Hospital. So the big question is this: did no one at the FBI ever think to follow her back to the house? Scully said the FBI could have captured him long ago, but chose to ignore him. That seemed like a plot progression cop-out.
This I didn't get, nor did I understand her whining about his involvement with the case after pushing him into it. It reminded me of a girlfriend giving me a game, and then compain about me playing it. HELLO??
The problem with "I Want to Believe" is that it fizzled out at the end; you don't get the sense of protagonist vs. antagonist. There's no real struggle between good guy and bad guy, and for X-Files fans who already know how Mulder will eventually die (
3x04), the one small nugget of conflict is utterly pointless.
The baseline of "I Want to Believe" is the relationship between Mulder and Scully, how the relationship has evolved, and where it lies beyond the film. It's a typical crime drama laced with hints of the supernatural and radical science. It's about obsession on both their parts (Mulder to save the FBI agents, Scully to save the boy that reminds her of her own son William), and how obsession can obliterate that relationship.
Unfortunately, the movie is just a drama, dwarfed by other blockbuster movies like The Dark Knight, Handcock, Hellboy II and Iron Man. We're accustomed to going to the movies and have our cages rattled by over-the-top visual effects and ear-popping explosive sounds. "I Want to Believe" dismisses all of that and offers a drama, a love-story.
As an X-Files fan, I'm naturally biased (if you couldn't already tell by my forum nick). I liked the movie overall despite the fizzled-out ending. It felt more like a minute reboot, re-introducing the characters before getting into the heavy mythology. The story gives you plenty of ideas to chew on as well: would God act through a convicted pedophile? The whole concept is great, especially Father Joseph's conflict with Scully and his psychic tie to the antagonist. It may take a bit of processing to unravel the plot progression and how everything comes together. Scully, who questions her faith, treats the dying boy for a reason. Father Joseph, who questions his gift despite molesting altar boys, knows the FBI agent is alive for a reason. It's all X-Files goodness with a cool Frankenstein twist.
"X-Files: I Want to Believe" is aptly named. Mulder wants to believe he can still alter the future events each case at a time. Scully wants to believe that she can save a boy's life. They both want to believe that their relationship can work despite their obsessions to make a difference. Roger Ebert nailed it right on the head (
review): "the movie works like thrillers used to work, before they were required to contain villains the size of buildings."