Archived from groups: rec.video.production,rec.video.desktop (
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> Big difference though, is that a local, self-respecting jazz musician
> will still give you better stuff than those libraries. ...
> Just out of curiousity, has anybody tried this? I am pretty sure I
> could pesonally hire a drummer, pianist, and bass for a few hundred
> bucks. Give them the video and half a day and I'm quite sure they could
> come up with a reasonably good sound track...
I mixed a film based on poetry of Jack Kerouac, read by Johnny Depp and
others, that had a score like that. It was free-form jazz - perfectly
appropriate for the subject.
But that's a specific structure (or lack thereof). In most cases,
performing jazz musicians riff on the changes, and sometimes melody, of
established songs. So you've got a copyright issue. They can do this live
because the venue pays a performance license. But if you're going to put
video to it, you need sync and repro licenses... even if you or they are
doing the recording.
And there's the issue of production. Just because someone can play, it
doesn't necessarily follow that they know how to record. And even if they
know how to record, they might not know how to shape a piece of music so
it supports the arc of a video.
In point of fact, some library music is very good, particularly if you go
to the better and larger needle-drop houses. If you then edit it to match
the video, it can be perfectly appropriate.
What I sometimes do is build the basic underscore with library music,
trimmed and tweaked to sound like something original. Then I bring in a
composer/keyboard player/arranger to do the more important cues, backing
into the things I've already cut.
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