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I have 5 camera angles from 5 different camers of an event last weekend.
I will have all 5 submissions so I can put together the full video but one of
these people are stuck on that stupid widescreen format and had their camera on
that setting.
Can Premiere handle this odd ball stupid camera shot and not have those black
lines which would rouin the whole flow of the video? I would normally just
garbage those shots but she was set up at a crutial corner when everyone came
around the bend and the shots look pretty good.
BTW, the TV I played the camera shots through automatally adjusted the inputs
from this particular camera and there were no black lines. Hoping Premiere can
do this with minimal effort.
Archived from groups: rec.video.desktop (More info?)
No.
"Deomo" <d@e.0> wrote in message
news:j47ag1h01qh114rq6af0o120ced94lms0a@4ax.com...
>I have 5 camera angles from 5 different camers of an event last weekend.
>
> I will have all 5 submissions so I can put together the full video but one
> of
> these people are stuck on that stupid widescreen format and had their
> camera on
> that setting.
>
> Can Premiere handle this odd ball stupid camera shot and not have those
> black
> lines which would rouin the whole flow of the video? I would normally
> just
> garbage those shots but she was set up at a crutial corner when everyone
> came
> around the bend and the shots look pretty good.
>
> BTW, the TV I played the camera shots through automatally adjusted the
> inputs
> from this particular camera and there were no black lines. Hoping
> Premiere can
> do this with minimal effort.
>
>
>
>
Archived from groups: rec.video.desktop (More info?)
Thats too bad. Funny how a $199 TV from Walmart can do something automatically
that a $800 Adobe product can not.
>No.
>>I have 5 camera angles from 5 different camers of an event last weekend.
>>
>> I will have all 5 submissions so I can put together the full video but one
>> of
>> these people are stuck on that stupid widescreen format and had their
>> camera on
>> that setting.
>>
>> Can Premiere handle this odd ball stupid camera shot and not have those
>> black
>> lines which would rouin the whole flow of the video? I would normally
>> just
>> garbage those shots but she was set up at a crutial corner when everyone
>> came
>> around the bend and the shots look pretty good.
>>
>> BTW, the TV I played the camera shots through automatally adjusted the
>> inputs
>> from this particular camera and there were no black lines. Hoping
>> Premiere can
>> do this with minimal effort.
Archived from groups: rec.video.desktop (More info?)
On Thu, 18 Aug 2005 19:48:35 -0600, Deomo <d@e.0> wrote:
>Thats too bad. Funny how a $199 TV from Walmart can do something automatically
>that a $800 Adobe product can not.
Yeah, weird, isn't it? Basically you can put mixed material in there,
but you'll have to adjust how Premiere handles it. To have it back to 4:3
video, you will have to enlarge it, which will make it quite unsharp, and
you'll loose part of the edges obviously.
I would work around this with 4 PIP's from 4 different angles.
Archived from groups: rec.video.desktop (More info?)
"Alpha" <logos1@trip.net> wrote in message
news:11gb061ng8b74f1@corp.supernews.com...
>> "Beer is life!"
>
> Finally, truth in a newsgroup >
>
>
Alpha,
I have purchased all the adobe video collection and upgrade to latest, so I
am always hoping my adobe stuff can do everything, or at least keep up with
competition. But recently i was at a video expo and seen the demo for the
new Pinnacle Liquard edition 6, he put everytype of mixed file on that
timeline, not only different types, mixed HDV, SD a little low rez avi, and
MPEG and then even different size avi's, it all just worked, allowing easy
adjustment for the resolution, he made them all blend and look good, and so
easy.
Anyway, made me come home feeling a little blue about my fancy adobe suite
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