City of the Dead Mission request spoiler

Archived from groups: alt.games.operation-flashpoint (More info?)

I've killed about every thing in sight. I can't find those danged computers.
I've a hunch they were in the area where the crawling training is located but I
might have destroyed them with a satchel charge trying to blow my way into the
building before I noticed the open gate. I noticed that a dialog box opened up
to tell me to go to the pick up point while in a room with scaffolding leading
up to the roof so I wonder if I screwed the thing up.

I'm tired of running in circles. Where are those blasted beasts?

--
Dave Modisette

http://web.tampabay.rr.com/cmodiset/webpage/Index.html
www.soundclick.com/davemodisette
www.soundclick.com/frenz4fr (**Christian Content**)

Archived from groups: alt.games.operation-flashpoint (More info?)

> I have absolutely no idea what you are talking about ;P don't know the
> mission I'm afraid, it's not a standard stock one or a popular co-op so I
> doubt you'll get a reply


I replied to him privately. I think he blew up the building with the
computers and can't get inside.

Archived from groups: alt.games.operation-flashpoint (More info?)

On 4-Jun-2004, "Liddle Feesh" <l@f.com> wrote:

> Nice music by the way. Sort of like a modern Garth Brooks. I'd upgrade the
> synthesiser pronto though, it sounds a bit low res.

Thanks. Which tune with the synth? I hardly use synth any more. If it was the
song "Grounded" it was all bass guitar.
--
Dave Modisette

http://web.tampabay.rr.com/cmodiset/webpage/Index.html
www.soundclick.com/davemodisette
www.soundclick.com/frenz4fr (**Christian Content**)

Archived from groups: alt.games.operation-flashpoint (More info?)

"Dave Modisette" <dmodisette@tampabay.rr.com> wrote in message
>
> On 4-Jun-2004, "Liddle Feesh" <l@f.com> wrote:
>
> > Nice music by the way. Sort of like a modern Garth Brooks. I'd upgrade
the
> > synthesiser pronto though, it sounds a bit low res.
>
> Thanks. Which tune with the synth? I hardly use synth any more. If it
was the
> song "Grounded" it was all bass guitar.

I think the song I heard was, "Never Looking Back".

It was good, until the dodgy brass pads I dunno, about 30 seconds in. The
hammond/rotary organ is well used, but if I can say so - just upgrade the
synth. The guitar solo was unexpectadely good, but unfortunately this song
lost credibility for me with the synth. It was too overpowered and plastic -
and I think it was also used to do a "brass/orch hit" at the end. Sort of
spoilt the song for me really, unless Sunday School/Sesame Street style was
originally what you had planned

--

Liddle Feesh
*fap fap fap fap*
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Archived from groups: alt.games.operation-flashpoint (More info?)

"Dave Modisette" <dmodisette@tampabay.rr.com> wrote in message
>
> On 6-Jun-2004, "Liddle Feesh" <l@f.com> wrote:
>
> > I think the song I heard was, "Never Looking Back".
> >
> > It was good, until the dodgy brass pads I dunno, about 30 seconds in.
The
> > hammond/rotary organ is well used, but if I can say so - just upgrade
the
> > synth. The guitar solo was unexpectadely good, but unfortunately this
song
> > lost credibility for me with the synth. It was too overpowered and
plastic -
> > and I think it was also used to do a "brass/orch hit" at the end. Sort
of
> > spoilt the song for me really, unless Sunday School/Sesame Street style
was
> > originally what you had planned
>
> Whhooosssttt. That part wasn't my work. That's my "stuck in the
eighties"
> buddy Rudy Ramos. He did the music on the track and I wrote the lyrics,
melody
> and did the recording on the vocals and played the bass parts.

LOL, blame the other member

> Yeah, you're
> absolutely right about the brass. I mixed them down as low as I thought I
could
> get away with. Rudy's into that Puerto Rican/ funky vibe with heavily
> compressed guitars and stuff.

The compression on the guitars actually sounded quite good. Very bluesy.

> Major influence was Toto. I use a lot less
> compression on my other stuff.

After the compression got a bit too much, it felt like it (the guitar) was
compressed to hide a multitude of sins (i.e. bad mistakes). It's a bit like
(but not as bad as) "rock kid" guitarists turning up the distortion - you
can't tell one note or chord from the next!

> Give me another shot at it and listen to a couple of the other tunes.
Keep in
> mind, I'm an old codger of 50 and it's hard to teach an old dog new
tricks.

Don't rework it for my benefit! Many of the best musicians and giggers I
know are over 50, and can still keep going for long sets than youngsters
can!


--

Liddle Feesh
*fap fap fap fap*
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