The guy who created these pages did an interesting but admittedly
UNscientific comparison of digital vs. film quality. Actually, what he did
was a comparison of digital images to SCANS of film images, even in the
third link above.
My question is, has anyone compared the PRINTED output of a digital image to
a straight film PRINT, without first scanning the film image to create a
digital copy to use as a basis of comparison? It seems like that would be a
useful real-world analysis for those whose ultimate goal is physical prints
on paper.
As I am new to this group (and thus have something like 20,000 back-posts to
wade through), my apologies if this has been thoroughly covered, and feel
free to direct me to any relevant FAQ/webpage!
Archived from groups: rec.photo.digital (More info?)
My Cibachromes, of which I was extremely proud, look like
oversaturated cartoons compared to my digital prints. They were
so bad that I've scanned them and desaturated by 20%. The
re-prints look great.
I don't want to give the impression that I was useless at wet printing.
I've done the same (just as an experiment) with a couple of the
prints in Colin Prior's great book of Scottish panoramics. They too
look much better with 20% or so desat.
Graham
"Greg Evans" <gregIGNOREevans@charter.BLATHER.net> wrote in message
news:31a48gF38in3bU1@individual.net...
> I have a question...
>
> Recently someone posted a link to one of the following web pages:
>
> http://www.photographical.net/canon_1ds_35mm.html > http://www.photographical.net/canon_1ds_mf.html > http://www.photographical.net/canon_1ds_prints.html >
> The guy who created these pages did an interesting but admittedly
> UNscientific comparison of digital vs. film quality. Actually, what he
did
> was a comparison of digital images to SCANS of film images, even in the
> third link above.
>
> My question is, has anyone compared the PRINTED output of a digital image
to
> a straight film PRINT, without first scanning the film image to create a
> digital copy to use as a basis of comparison? It seems like that would be
a
> useful real-world analysis for those whose ultimate goal is physical
prints
> on paper.
>
> As I am new to this group (and thus have something like 20,000 back-posts
to
> wade through), my apologies if this has been thoroughly covered, and feel
> free to direct me to any relevant FAQ/webpage!
>
>
> The guy who created these pages did an interesting but admittedly
> UNscientific comparison of digital vs. film quality. Actually, what
> he did was a comparison of digital images to SCANS of film images,
> even in the third link above.
> My question is, has anyone compared the PRINTED output of a digital
> image to a straight film PRINT, without first scanning the film
> image to create a digital copy to use as a basis of comparison? It
> seems like that would be a useful real-world analysis for those
> whose ultimate goal is physical prints on paper.
This has been done a little, but is very much complicated by the fact
that most of the printing that is done today uses digital scanners and
digital printers. There are labs that will do you a real hand print
through a real enlarger lens, but these are uncommon.
Archived from groups: rec.photo.digital (More info?)
Andrew wrote:
>> My question is, has anyone compared the PRINTED output of a digital
>> image to a straight film PRINT, without first scanning the film
>> image to create a digital copy to use as a basis of comparison? It
>> seems like that would be a useful real-world analysis for those
>> whose ultimate goal is physical prints on paper.
>
> This has been done a little, but is very much complicated by the fact
> that most of the printing that is done today uses digital scanners and
> digital printers. There are labs that will do you a real hand print
> through a real enlarger lens, but these are uncommon.
Interesting, I didn't know that. So do people generally think that the
comparison I posted the links to is probably a realistic one?
Archived from groups: rec.photo.digital (More info?)
Greg Evans <gregIGNOREevans@charter.blather.net> wrote:
> Andrew wrote:
>>> My question is, has anyone compared the PRINTED output of a digital
>>> image to a straight film PRINT, without first scanning the film
>>> image to create a digital copy to use as a basis of comparison? It
>>> seems like that would be a useful real-world analysis for those
>>> whose ultimate goal is physical prints on paper.
>>
>> This has been done a little, but is very much complicated by the fact
>> that most of the printing that is done today uses digital scanners and
>> digital printers. There are labs that will do you a real hand print
>> through a real enlarger lens, but these are uncommon.
> Interesting, I didn't know that. So do people generally think that the
> comparison I posted the links to is probably a realistic one?
Kinda. His printer isn't the best and using Photoshop bicubic
interpolation to reample isn't a very clever thing to do either.
Astia would probably have been a better choice of film. However, his
results agree pretty well with my and other people's experience.
Archived from groups: rec.photo.digital (More info?)
"Greg Evans" <gregIGNOREevans@charter.BLATHER.net> wrote in
news:31b5ekF34o30jU1@individual.net:
> Interesting, I didn't know that. So do people generally think that the
> comparison I posted the links to is probably a realistic one?
Yepp.
There might be some virtues with photographing all analog,
from the subject down to the print. But ... the possibilites
to improve the picture when it is inside a computer are
tremendous. Hard to see how you can beat that with some
(now arcane) tricks in the wet darkroom.
Still - well done large format film photography is hard to beat.
Look at this one http://www.gigapxl.org/.
Archived from groups: rec.photo.digital (More info?)
Roland Karlsson <roland_dot_karlsson@bonetmail.com> wrote in
news:Xns95B4CD6ECAD05klotjohan@130.133.1.4:
> There might be some virtues with photographing all analog,
> from the subject down to the print. But ... the possibilites
>
I think that might be particularly true when working in B&W. I haven't seen
any digital prints in B&W that are as compelling as well done film and
paper.
Archived from groups: rec.photo.digital (More info?)
bob <usenetMAPS@2fiddles.com> wrote in
news:Xns95B4986D7FCBFbobatcarolnet@216.196.97.142:
> I think that might be particularly true when working in B&W. I haven't
> seen any digital prints in B&W that are as compelling as well done
> film and paper.
>
> Especially, as you say, in large format.
One of the virtues of B&W lies in the usage of photographic
papers of high quality. It is not easy to match those papers
with your inkjet printer. Large format negatives gives you even
smoother pictures than digital cameras.
Digital in this test looks much better than 35mm film.
However, for me shutter lag delay is still a main concern. I had tried out a
few digital P&S and DSLR at the store, and the delay between photos was just
too unbearable.
> >> http://www.photographical.net/canon_1ds_35mm.html >
> Digital in this test looks much better than 35mm film.
> However, for me shutter lag delay is still a main concern. I had tried
out a
> few digital P&S and DSLR at the store, and the delay between photos was
just
> too unbearable.
While you've called it right on the P&S cameras, you've missed something:
namely that the dSLRs have the same AF performance and shutter lag as
current film SLRs.
Archived from groups: rec.photo.digital (More info?)
Developwebsites wrote:
> Digital in this test looks much better than 35mm film.
> However, for me shutter lag delay is still a main concern. I had
> tried out a few digital P&S and DSLR at the store, and the delay
> between photos was just too unbearable.
Yes, but there are ways round that - pre-focussing and digital motor drive
(for want of a better phrase) of up to several frames per second being
two....
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