Archived from groups: rec.photo.digital (More info?)
I'm shooting on the beach in brilliant sunshine. Slight haze with a
POL filter and a low sun behind me. I'm taking a picture of a white
sailboat on blue water. The POL filter knocks out any reflections
from the water.
The RAW histogram is compressed. The toe is very short at both ends of
the curve. I can play with the over/under compensation to get the
bright end of the toe close the right of the scale.
It's a nice picture but I wonder if there isn't something to make it
better in the camera.
Archived from groups: rec.photo.digital (More info?)
In article <dc186b$ecg$1@panix5.panix.com>, adykes@panix.com says...
>
> I'm shooting on the beach in brilliant sunshine. Slight haze with a
> POL filter and a low sun behind me. I'm taking a picture of a white
> sailboat on blue water. The POL filter knocks out any reflections
> from the water.
>
> The RAW histogram is compressed. The toe is very short at both ends of
> the curve. I can play with the over/under compensation to get the
> bright end of the toe close the right of the scale.
>
> It's a nice picture but I wonder if there isn't something to make it
> better in the camera.
Without looking at it I can't really say.
It would be like critiquing a painting by feeling the surface of the
canvas.
Archived from groups: rec.photo.digital (More info?)
"Al Dykes" <adykes@panix.com> wrote in message
newsc186b$ecg$1@panix5.panix.com...
>
> I'm shooting on the beach in brilliant sunshine. Slight haze with a
> POL filter and a low sun behind me. I'm taking a picture of a white
> sailboat on blue water. The POL filter knocks out any reflections
> from the water.
>
> The RAW histogram is compressed. The toe is very short at both ends of
> the curve. I can play with the over/under compensation to get the
> bright end of the toe close the right of the scale.
>
> It's a nice picture but I wonder if there isn't something to make it
> better in the camera.
>
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