Archived from groups: rec.photo.digital (More info?)
See how this photo has sort of a "framed" effect being darker around
the edges (kind of leading your eye in to the subject) - do you think
this was done in photoshop? If so, how? If not, how do you think it
was done? It doesn't look like something a polarizer would accomplish
especially given the distribution of tones across the image.
Archived from groups: rec.photo.digital (More info?)
Brian wrote:
> See how this photo has sort of a "framed" effect being darker around
> the edges (kind of leading your eye in to the subject) - do you think
> this was done in photoshop? If so, how? If not, how do you think it
> was done? It doesn't look like something a polarizer would accomplish
> especially given the distribution of tones across the image.
>
> http://www.pbase.com/staticimage/image/28704902 >
> Thanks,
>
It's called vignetting and it happens with poorly made, wide angle
lenses. You can also mimic the effect in Photoshop.
--
Douglas,
Zero care factor for negative responses
from anonymous posters.
Archived from groups: rec.photo.digital (More info?)
"Brian" <ripcurl187@yahoo.com> a écrit dans le message de news:
1123092621.059035.15790@o13g2000cwo.googlegroups.com...
> See how this photo has sort of a "framed" effect being darker around
> the edges (kind of leading your eye in to the subject) - do you think
> this was done in photoshop? If so, how? If not, how do you think it
> was done? It doesn't look like something a polarizer would accomplish
> especially given the distribution of tones across the image.
>
> http://www.pbase.com/staticimage/image/28704902 >
> Thanks,
>
Archived from groups: rec.photo.digital (More info?)
It looks like vignetting to me, probably due to the combined effects of a
wide angle and a (grey?) filter... but
I am not an authority.
Jean.
"Brian" <ripcurl187@yahoo.com> a écrit dans le message de news:
1123092621.059035.15790@o13g2000cwo.googlegroups.com...
> See how this photo has sort of a "framed" effect being darker around
> the edges (kind of leading your eye in to the subject) - do you think
> this was done in photoshop? If so, how? If not, how do you think it
> was done? It doesn't look like something a polarizer would accomplish
> especially given the distribution of tones across the image.
>
> http://www.pbase.com/staticimage/image/28704902 >
> Thanks,
>
Archived from groups: rec.photo.digital (More info?)
In article <42f12102$1@dnews.tpgi.com.au>, pixby_douglas@hotmail.com says...
>
>Brian wrote:
>> See how this photo has sort of a "framed" effect being darker around
>> the edges (kind of leading your eye in to the subject) - do you think
>> this was done in photoshop? If so, how? If not, how do you think it
>> was done? It doesn't look like something a polarizer would accomplish
>> especially given the distribution of tones across the image.
>>
>> http://www.pbase.com/staticimage/image/28704902 >>
>> Thanks,
>>
>It's called vignetting and it happens with poorly made, wide angle
>lenses. You can also mimic the effect in Photoshop.
>
>--
>Douglas
Yes, this looks like lens vignetting. Probably the easiest way to attain it
with digital is to use a negative "correction" in the PS RAW converter. Next,
a radial gradient mask and Curves, or Levels in an Adjustment Layer. In this
case, I agree that it was probably just the lens.
I get this quite often with my 105mm f/3.5 Nikkor on 4x5. It was originally
designed as a 3.25x4.25 "press camera" lens, and Nikkor released it for 4x5.
It limits the movement in the camera, but I needed something between 90mm and
135mm in my system, so I live with the limitations. While not really a "cheap"
lens, it has mechanical/optical limitations and vignetting can occur without
warning. In this Web image, it appears that the vignetting is more prevalent
on the right-hand of the shot, especially the upper. The photographer probably
had a tilt going to get the DOF and didn't mind the darkening. As the OP
stated, it helps draw the eye to the rock.
Archived from groups: rec.photo.digital (More info?)
Thanks! I don't think it's a bad thing in this case (and definately
see where it could be). I've seen this effect used successfully in
many images for drawing attention to a particular part of the subject -
although I'm pretty sure it was intentional.
Archived from groups: rec.photo.digital (More info?)
Brian <ripcurl187@yahoo.com> wrote:
: Thanks! I don't think it's a bad thing in this case (and definately
: see where it could be). I've seen this effect used successfully in
: many images for drawing attention to a particular part of the subject -
: although I'm pretty sure it was intentional.
: Anyway, thanks again for the comments!
One other thought. Since this is obviously a planned shot, this effect
could have been intentional and caused by a "spot filter". This filter
has a clear center spot on the filter and a gradual darkening toward the
edges. These spot filters come in colors in addition to ND and Grey so
with a color image the edges could fade to an orange cast (for example),
and such an image converted to B&W would have a similar effect to the
image you referenced.
Archived from groups: rec.photo.digital (More info?)
In article <1123104766.852572.170180@g49g2000cwa.googlegroups.com>, ripcurl
187@yahoo.com says...
>
>Thanks! I don't think it's a bad thing in this case (and definately
>see where it could be). I've seen this effect used successfully in
>many images for drawing attention to a particular part of the subject -
>although I'm pretty sure it was intentional.
>
>Anyway, thanks again for the comments!
One place that the vignetting from a wide-angle lens can be a "bad thing," is
if you are shoot a panorama. Think about the having to correct a dozen wide-
angle shots that darken noticeably at the corners to make the skies in all
images blend! Whoa, a lot of work. If one shoots RAW and processes in
Photoshop CS/CS2 with the latest Adobe RAW converter module (and probably many
other RAW converters, but I don't use any others), one can do a fairly good
job of correcting between RAW and their TIFF, or PSD files for use in the
pano. In the days of film, one had to do all sorts of radial gradient masks
and either adjust the image via levels/curves, until about PS 4, when
Adjustment Layers were added, so you could easily tweak and then go back and
tweak some more.
As Randy Berbaum pointed out, the photographer might well have introduced the
effect of vignetting via a radial graduated filter exactly for the purpose of
this effect, or even burned the edges of the print in the darkroom.
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