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Inline attenuators with RCA connectors?

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Archived from groups: rec.audio.tech (More info?)

 

I need some 10dB line level attenuation here and there in my home
systems(*). Before burning my fingers on the soldering irons, are
there any cheap reday-made solutions out there?

I would like something like this:
http://www.canford.co.uk/commerce/ [...] 01189.aspx, but I
don't like the 30 pounds (53 dollars) price tag.

Per

*) Why are all inputs so damn sensitive? Most of my systems clips at
around 12 o clock (or even less) on the volume control. It makes it
awkward to adjust the level.

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Archived from groups: rec.audio.tech (More info?)

 

"Per Stromgren" <per.stromgren@telia.com> wrote in message
news:gt25a0hluacts24dkrdch13vrgus1jub1t@4ax.com...
> *) Why are all inputs so damn sensitive? Most of my systems clips at
> around 12 o clock (or even less) on the volume control. It makes it
> awkward to adjust the level.

Don't insert attenuation on the inputs then, attenuate the pre-amp output
instead. The pre-amp may already have a low level attenuator you can use.
You will maintain a better S/N ratio by attenuating the pre-amp noise as
well as the signal. Many integrated amps have pre-out and power-in sockets
too.
The only time you should attenuate the input signal is if the pre-amp is
overloading.

This is quite normal unfortunately, most pre-amps have unity gain around the
12 o'clock position, and most power amps have a sensitivity of 1- 2V, or
the same as a CD player output without extra gain.

TonyP.

Reply to Anonymous

Archived from groups: rec.audio.tech (More info?)

 

On Fri, 14 May 2004 15:50:16 +1000, "TonyP" <TonyP@optus.net.com.au>
wrote:

>
>"Per Stromgren" <per.stromgren@telia.com> wrote in message
>news:gt25a0hluacts24dkrdch13vrgus1jub1t@4ax.com...
>> *) Why are all inputs so damn sensitive? Most of my systems clips at
>> around 12 o clock (or even less) on the volume control. It makes it
>> awkward to adjust the level.
>
>Don't insert attenuation on the inputs then, attenuate the pre-amp output
>instead.

I know. But these amplifiers that I use around the house are
integrated amps, and has no pre/power jumpers on them. I could of
course lift the hood on them and try to figure out where the prepower
interface is and fix it. But I'm lazy...

>You will maintain a better S/N ratio by attenuating the pre-amp noise as
>well as the signal.

Sure, but these systems are not used in way that it makes a lot of
difference. I can live with 10dB lower S/N. It will probably go from
perhaps 85 to 75dB, no big deal.

There is no need to adjust the main system, where the serious
listening is takong place, that one works fine.

>This is quite normal unfortunately, most pre-amps have unity gain around the
>12 o'clock position, and most power amps have a sensitivity of 1- 2V, or
>the same as a CD player output without extra gain.

Why is this, then? Don't we have a standard for this? Most tuners has
lower outputs than most CD players, for instance.
>
>TonyP.
>

But thanks!

Per.

Reply to Anonymous

Archived from groups: rec.audio.tech (More info?)

 

"Per Stromgren" <per.stromgren@telia.com> wrote in message
news:cu4aa05839ge9kjmankgj0dodukn6p2ble@4ax.com...
> >This is quite normal unfortunately, most pre-amps have unity gain around
the
> >12 o'clock position, and most power amps have a sensitivity of 1- 2V, or
> >the same as a CD player output without extra gain.
> Why is this, then? Don't we have a standard for this? Most tuners has
> lower outputs than most CD players, for instance.

It's simply historical usage. Most line level signals were around 0.775V pre
CD. This was in line with the telephone standard of 0dBm, or 1mW into 600
ohm.
With the advent of CD the pre-amps were hard pressed to give 96 dB S/N ref.
0.7V so it was decided to up the output to 2V, assuming the average levels
would be similar but with a larger dynamic range. In fact the reverse
happened and the dynamic range of the actual music has steadily reduced for
nearly all disks other than classical.

So now the average voltage levels you get from playing a recent CD are
usually much larger than what you get from a cassette player or tuner.
Many amplifiers have a "low level" switch or a "mute" switch. Depending on
the actual attenuation provided, they are often very useful for playing CD's
whilst being able to use more than a quarter of the volume control rotation.
The only problem is if you accidently switch it out :-)

TonyP.

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