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Audix 1290 O

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Archived from groups: rec.audio.pro (More info?)

 

Word of mouth told me to look after the Audix 1290 O (Omni) microphone.
I do mostly classical recordings and I'm looking for some candidates for
Decca Tree setup.
regards
GerhardS

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Archived from groups: rec.audio.pro (More info?)

 

In article <ced4fq$bfj$06$1@news.t-online.com>, GS <NoMail@nowhere.com> wrote:
>Word of mouth told me to look after the Audix 1290 O (Omni) microphone.
>I do mostly classical recordings and I'm looking for some candidates for
>Decca Tree setup.

I think you'll find it too omni for a decca tree. You might look at some
of the larger Microtech Gefell omnis, some of which are beamy enough to be
useful.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Scott Dorsey wrote:
> In article <ced4fq$bfj$06$1@news.t-online.com>, GS <NoMail@nowhere.com> wrote:
>
>>Word of mouth told me to look after the Audix 1290 O (Omni) microphone.
>>I do mostly classical recordings and I'm looking for some candidates for
>>Decca Tree setup.
>
>
> I think you'll find it too omni for a decca tree. You might look at some
> of the larger Microtech Gefell omnis, some of which are beamy enough to be
> useful.
> --scott

Hi Scott,
sorry for my bad english, but what do you mean with 'beamy'?
Does it mean the directivity at higher frequencies - which is more or
less present with all omnis and was very prominent with the M50's (those
were used in the original Decca setup)?
regards
GS

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

>Scott Dorsey wrote:
>sorry for my bad english, but what do you mean with 'beamy'?
>Does it mean the directivity at higher frequencies - which is more or
>less present with all omnis and was very prominent with the M50's (those
>were used in the original Decca setup)?

Right. That directivity is what makes the Decca tree work.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous
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