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XM Raido (AUDIO QUALITY SUXXOR)

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XM RADIO sound quality sux

So bad so so bad.

I was really hoping to be able to do some a/b with modern recordings.. no
chance.

Sounds like mp3 but u can hear the cymbols a bit better..

Absolutly NO HI FREQ past 15-16k sounds like someone took a dehisser and
maxed it, thus squashing anything that was shimmery in the sound ! The
stereo image sounds phony! Almost like the signal was orginaly mono and
they added some algorythm to try and fool us into thinking it was stereo.

Nothing compared to local FM radio or CD's ..


Good news is I heard it can update its codecs automaticaly.. I hope some
day they get it up to par. to day its only good for talk radio...


Side note the top 20 channel sounded much more HI-FI than the rest of the
channles. not sure if they get more bandwidth or what.


Regards

Leon

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In article <VUEVc.119679$sh.25040@fed1read06> leonshouse@hotmail.com writes:

> XM RADIO sound quality sux

I had a rental car with a Sirius radio recently and I thought the
audio quality of that was pretty poor, but then it wasn't really all
that different from "commercially processed" FM broadcast.

I've been told that XM sounds better than Sirius.

> Sounds like mp3 but u can hear the cymbols a bit better..

Well, it sort of is. They use a data reduction algorithm.

> Absolutly NO HI FREQ past 15-16k

Who needs it? This is radio, not 96 kHz audio in your studio.

> sounds like someone took a dehisser and
> maxed it, thus squashing anything that was shimmery in the sound ! The
> stereo image sounds phony!

Stereo image does tend to get a bit funky with data reduction. I
notice this a lot when listening to radio-over-Internet. My solution
is to listen in mono, but sometimes the channels are far enough out of
phase so that important things get lost. My solution to that is to not
care because it's free and I'm not in a serious listening session,
it's just interesting music to have on while I'm doing something more
productive than listening.

> Nothing compared to local FM radio or CD's ..

Not being comparable to local FM radio except for one classical
station and one public station that plays bluegrass over the weekend
would be a blessing. I wouldn't expect it to be comparable to a CD,
assuming it's a good sounding CD. But where do you find those any
more? Particularly CDs that anyone would play on the radio?

> Side note the top 20 channel sounded much more HI-FI than the rest of the
> channles. not sure if they get more bandwidth or what.

More processing, so you get more artificial separation, shimmering
highs, and throbbing bass.


--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo

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>Side note the top 20 channel sounded much more HI-FI than the rest of the
>channles. not sure if they get more bandwidth or what.

It's my understanding, while I admittedly don't own a SAT radio system myself,
is that like digital cable TV (which I do have), they do just that. The most
"important" channels, like the top 20 one you mention on XM, or HBO, Showtime
etc. on digital TV do indeed get more bandwidth, and thus better quality.
*Much* better than the least "important" channels.

These types of systems have a fixed amount of bandwidth at any given time in
their development, so it's divided between channels with a very carefully
calculated tradeoff formula for quality vs quantity. By lowering the quality of
lesser channels they can have more of them.

The people who make these decisions try to figure out what the audience's
hunger-for-channels to digust-at-poor-quality ratio is, and deliver that. They
know that many more people will buy the service for the most popular channels
than the more obscure ones, so they weigh the quality scale accordingly. I'm
not sure of the exact math, but it wouldn't surprise me if there's a 10:1 ratio
bandwith-wise between the best and worst channels.


Ted Spencer, NYC

"No amount of classical training will ever teach you what's so cool about
"Tighten Up" by Archie Bell And The Drells" -author unknown

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Ted Spencer <prestokid@aol.com> wrote:
>
>The people who make these decisions try to figure out what the audience's
>hunger-for-channels to digust-at-poor-quality ratio is, and deliver that. They
>know that many more people will buy the service for the most popular channels
>than the more obscure ones, so they weigh the quality scale accordingly. I'm
>not sure of the exact math, but it wouldn't surprise me if there's a 10:1 ratio
>bandwith-wise between the best and worst channels.

The problem is that the least popular channels are probably acoustic music
that needs more bandwidth to get an acceptable sound quality. God knows
that the Slavic Opera Channel can't be among the top ten, but it's one of
the things that will fall apart most quickly with compression. Not to
mention the All-Balalaika-All-The-Time Channel.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

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Just curios, how do you get Broadcast FM multiplexed stereo to have response
past 15KHZ ?

Rgds:
Eric

> XM RADIO sound quality sux
>
> Absolutly NO HI FREQ past 15-16k sounds like someone took a dehisser and
> maxed it, thus squashing anything that was shimmery in the sound ! The
> stereo image sounds phony! Almost like the signal was orginaly mono and
> they added some algorythm to try and fool us into thinking it was stereo.
>
> Nothing compared to local FM radio or CD's ..
>
> Regards
>
> Leon
>
>

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>> Absolutly NO HI FREQ past 15-16k

Well neither TV or FM go past 15kHz.


-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com

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Eric K. Weber <eric-nospam@webermusic.com> wrote:
>Just curios, how do you get Broadcast FM multiplexed stereo to have response
>past 15KHZ ?

You can actually do surprisingly well with the newer digital exciters that
use some very sharp cutoff filters. The old RCA MUX-1 used to be down a
whole lot at 15 KHz in order to be 40 dB down at 19 KHz, and the resulting
group delay wasn't a good thing. Throwing DSP at the problem helps a lot.
Unfortunately you won't find many radios with decent reconstruction...
even so, I am shocked at how good my old Citation III sounds. It uses really
no filtering so it produces a huge amount of ultrasonic trash on the outputs.
--scott


--
"C'est un Nagra. C'est suisse, et tres, tres precis."

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"D Ray" <david@timecalc.com> wrote in message
news:eaf9681.0408220707.141fb833@posting.google.com...
>
> This is nonsense. You've never heard FM sound as good as XM.
> Anytime, anyplace.

I've heard FM sound BETTER than any CD! Unfortunately this was 40 years ago
when even the best AM sounded better than XM if you had a good enough
receiver.

I'm a happy XM subscriber but I wish they'd stuck with straight limited
bandwidth AAC instead of the synthesized high frequencies of AAC-plus. And
yes, their competition sounds even worse.

--
Bob Olhsson Audio Mastery, Nashville TN
Mastering, Audio for Picture, Mix Evaluation and Quality Control
Over 40 years making people sound better than they ever imagined!
615.385.8051 http://www.hyperback.com

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david@timecalc.com (D Ray) wrote in message news:<eaf9681.0408220707.141fb833@posting.google.com>...

>
> This is nonsense. You've never heard FM sound as good as XM.
> Anytime, anyplace.


OK I'll take the challenge. I have both FM and XM set up in my garage.
The receiver is an old Zenith I bought from a thrift store for $15.
The speakers are mid 90's Bose 301's. The two together represent the
one most innaccurate 'hi-fi' systems around. FM will somewhat image
and XM will not on this system.

In visual terms XM sound is like a picture made from an assortment of
solid colored bathroom wall tiles and viewed from three meters away (I
have the same problem with MP3 sound). These differences are obvious
(to me at least) even on this bad system. When a comparison is made on
a good stereo system, XM sounds even worse next to FM. I can't
complain about the commercial free aspect of it though.



It's a good thing we have so many ways to playback sound. 'Good' sound
has as many definitions as there are listeners. For me FM is above XM.

Peter

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Marc Wielage <mfw@mmusictrax.com> wrote:
>On Aug 22, 2004, D Ray <david@timecalc.com> commented:
>
>> This is nonsense. You've never heard FM sound as good as XM.
>> Anytime, anyplace.
>>--------------------------------snip----------------------------------<
>
>Back off, dude. Don't tell me what I have or haven't heard. You don't have
>my ears; you haven't lived my life; you don't know what I know; and you don't
>hear what I hear.

I have no idea what anyone has heard, but if you want to hear FM that
sounds way better than XM, come and visit me. I got a local station with
minimal processing (just an Optimod that is set very conservatively) and
a very short air chain and I think you'll be shocked at how clean it is.

Hell, I have heard AM that sounded better than XM, but not since the
NRSC standards came out....

>All I know is, if local (Los Angeles) FM radio is up on my speakers, I can
>instantly tell the difference on my modest office system. FM sounds better
>and cleaner to me than XM -- not lightyears better, but it's audible. It
>depends on the specific music being played.

If LA stations sound better than XM, that _is_ a pretty bad sign....
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

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Why do i think this guy buys all his audio equipment in the "pro audio"
section at guitar center.


<snicker>

Leon



> This is nonsense. You've never heard FM sound as good as XM. > Anytime,
anyplace.
>

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In article <qsdWc.127175$sh.30853@fed1read06>, leonshouse@hotmail.com
says...
> Why do i think this guy buys all his audio equipment in the "pro audio"
> section at guitar center.

Actually, our local GC carries and displays Manley, BLUE, Neumann,
Universal Audio, and the like... surprised the hell out of me. They had
a refurb U47 one time.

--
Jay Levitt |
Wellesley, MA | Hi!
Faster: jay at jay dot eff-em | Where are we going?
http://www.jay.fm | Why am I in this handbasket?

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>Actually, our local GC carries and displays Manley, BLUE, Neumann,
>Universal Audio, and the like... surprised the hell out of me. They had
>a refurb U47 one time.
>
>--
>Jay Levitt

Right. GC has done a great job of designing impressive interior layouts and
displays, and obtaining quality product lines. In addition to the ones you
mention there are Avalon, Apogee, Oram, Digidesign and numerous others. The
stores I've been to (Larchmont, NY and Manhattan) also generally have a pretty
nice collection of vintage guitars on hand.

The biggest problem in the "pro audio" department is that *no one* I've
encountered in either of the two locations has a hint of a semblance of a clue
about what he's selling. They appear to be about as well informed as your
typical fast food restaurant employee. My interactions with them invariably
consist of educating them about the basics of whatever I happen to be looking
at. Every time...

As to the guitar section, the stores are not humidified at all as far as I can
tell, so all the instruments hanging on the wall (hundreds and hundreds of
them) quickly pucker into guitaraisins in the winter; necks warping wildly and
frets popping out of the sides of the fingerboards from dryness. This would be
sort of like a meat market failing to refrigerate the meat except that the
damage takes place more slowly, and the results aren't life-threatening, at
least not to the consumer (the guitars are another matter). Of course, the most
expensive guitars tend to stay on the arid sales floor longer, so the nicest
ones get hammered much worse than the high sales volume cheapies. At least they
do humidify the acoustic guitar room, although it often appears to be quite
sporadically maintained. And in fairness, Sam Ash in NYC doesn't appear to
humidify the store at all either, including the acoustic department (last time
I checked anyway).

Going to a Guitar Center is sort of like a visit to Disneyland. It's visually
dazzling, but when you look behind the facade there's nothing there...


Ted Spencer, NYC

"No amount of classical training will ever teach you what's so cool about
"Tighten Up" by Archie Bell And The Drells" -author unknown

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In article <20040823115239.04837.00001732@mb-m12.aol.com>,
prestokid@aol.com says...
> The biggest problem in the "pro audio" department is that *no one* I've
> encountered in either of the two locations has a hint of a semblance of a clue
> about what he's selling. They appear to be about as well informed as your
> typical fast food restaurant employee. My interactions with them invariably
> consist of educating them about the basics of whatever I happen to be looking
> at. Every time...

Yeah, that's typically true at most of the GCs in Boston, too. The one
near BU seems to be an exception; I know my old sales guy was a Berklee
grad who'd done some actual time in studios, and seemed to know his
stuff fairly well.

> As to the guitar section, the stores are not humidified at all as far as I can
> tell, so all the instruments hanging on the wall

You know, as an acoustic-only player (and player being a strong word),
it never occurred to me that electrics would need humidification too,
simply *because* they're always out in the main room on the walls.

--
Jay Levitt |
Wellesley, MA | Hi!
Faster: jay at jay dot eff-em | Where are we going?
http://www.jay.fm | Why am I in this handbasket?

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On Aug 22, 2004, Peter B. <thecatspjamas@aol.com> commented:

> In visual terms XM sound is like a picture made from an assortment of
> solid colored bathroom wall tiles and viewed from three meters away (I
> have the same problem with MP3 sound). These differences are obvious
> (to me at least) even on this bad system.
>--------------------------------snip----------------------------------<

Very well said, Peter. Again, I want to point out that I understand XM's
problems, and I think they provide adequate quality for casual listening.
But it's not even close to high-quality sound.

Too many people, like David Ray, seem to think that just because something is
"digital," it must sound good -- or it sounds equivalent to a decent CD.
Obviously, that's not true. These compression schemes have some really odd,
non-linear performance flaws that are sometimes hard to describe and
difficult to articulate. "Grainy and gritty" come pretty close.

--MFW
[remove the extra M above for email]

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On Aug 22, 2004, Scott Dorsey <kludge@panix.com> commented:

> I have no idea what anyone has heard, but if you want to hear FM that
> sounds way better than XM, come and visit me. I got a local station with
> minimal processing (just an Optimod that is set very conservatively) and
> a very short air chain and I think you'll be shocked at how clean it is.
>--------------------------------snip----------------------------------<

There are a few LA stations, particularly the public and/or jazz stations at
the bottom of the dial, that have pretty minimal processing. Their overall
level is about 10 dB lower than the hyper-compressed pop/rock stations, so
they kinda stand out on the dial. But with a good antenna, they're
remarkably transparent, at least as far as FM goes.

But average rock & pop stations that use Orban or Omnia or any of those
processors are pretty much constricted in dynamic range. The talk stations
are even worse. But even given the signal path, going through STL microwave
links and so on, I think the quality of the FM radio I hear is typically
better than what I hear on XM, on a modest home system. Not gigantically
better, but audibly better.




> If LA stations sound better than XM, that _is_ a pretty bad sign....
>--------------------------------snip----------------------------------<

It depends on the local station. Some of them are guilty of over-processing
-- the sub-harmonic enhancement going on over at KRTH-FM is pretty awful, and
is audible even on a $49 clock radio -- but even with that, I don't hear the
typical XM "MP3-ish" compression artifacts like that metallic, swirly/phasey
distortion that pops up occasionally.

Again, I don't want to give the impression that XM is unlistenable garbage.
It's not nearly that bad. It's OK as background music, and I don't think
their target audience (mostly car listeners) hate it or even notice a lot of
these flaws. But XM does have some very obvious sonic flaws, and Mr. Ray is
wrong to think XM sounds better than good FM. People who care about good
sound and want a serious listening source will be bothered by the sonic
limitations of XM or Sirius satellite broadcasts. I'd be annoyed as hell if
I had to listen to XM at loud levels, without any distractions.

Of course, if Mr. Ray lives in a bad reception area and is listening to FM on
a cheap tuner with a 50-cent dipole antenna, inside a concrete metal-frame
building (or in a moving car in an urban environment), with tons of multipath
and RFI... yeah, XM might then sound better than FM. Lots better, actually.

--MFW
[remove the extra M above for email]

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in article eaf9681.0408220707.141fb833@posting.google.com, D Ray at
david@timecalc.com wrote on 8/22/04 11:07 AM:

>>
>> The bottom line: to me, XM doesn't sound as good as decent FM reception,...

> This is nonsense. You've never heard FM sound as good as XM.
> Anytime, anyplace.

WFMT

lotsa stations in major markets pre-70's loudness wars.


>> If you want to hear the most horrendous data compression you've ever
>> heard in your life, check out XM channels 210 and above, for the voice-only
>> local traffic info. I bet it's close to 48K/4-bit processing, with
>> worse-than-telephone quality response. <yeeesh!>
>>
>
> It doesn't matter. The heavy compression on the weather channels is
> totally appropriate for the underlying material. It would be
> ridiculous to waste precious bandwidth on these channels.

Bingo. information/news channels should be as
overtly-intelligibility-processed as possible. THis isn;t as easy as it
sounds witness the dearth of truly GOOD sounding AM talk stations (WTOP-news
in DC is a winner while WMAL-talk here isn;t... they have both been the way
they are for ages so it's clearly a choice on both parts)

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JoVee <ten.nozirev@dlywsinhoj.com> wrote in message news:<BD541FC0.1938%ten.nozirev@dlywsinhoj.com>...

> WFMT
>
> lotsa stations in major markets pre-70's loudness wars.
>


I was thinking of WFMT when writing about FM sounding better than XM.
Are they known all over the land for the sound they have?

Peter

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