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Line level attenuators

Forum Audio : Pro Audio - Line level attenuators

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Archived from groups: rec.audio.pro (More info?)

 

My question is:

Does the resistor value tolerance factor into the audio characteristics. i.e.
does a 1% resistor have an advantage over the 5%?

They would be used to attenuate the DI input on my VMP-2 and/or GR DI's down to
a usable line level. Because of the DI's being for instruments, I find a
normal +4 line level to sometimes be too high. The alternative is to run the
line level through a Countryman into the mic input and that seems like to much
processing to me.



--Wayne

-"sounded good to me"-

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Archived from groups: rec.audio.pro (More info?)

 

In article <20040907133846.20060.00001979@mb-m25.aol.com> ybstudios@aol.com writes:

> Does the resistor value tolerance factor into the audio characteristics. i.e.
> does a 1% resistor have an advantage over the 5%?

> They would be used to attenuate the DI input on my VMP-2 and/or GR DI's down to
> a usable line level.

You can look up the recent (maybe still current) thread about mic
attenuators and hear all sorts of arguements. The practical answer is
that this is not critical and you can use any resistors you can find.

A DI input is unbalanced so the issue of common mode rejection that is
a valid aruging point with a balanced mic line goes away.

Now, do you want someone to give you the values of resistors? You probably
want the series resistor to be somewhere between 10K and 20K ohms,
and cut-and-try shunt resistors until you cut the level down to what you
need. It will probably be around 3K to 5K.

Of course if you want a balanced line input, you'd best get that by
attenuating the signal by 30 dB or so and going into the mic input. In
which case tolerance, or at least matching of the series resistor in each
leg becomes more important.


--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Thanks Mike for the reply. That and the info I found on Google got my answer.

I'll let you get back to Phil now. :> )

Wayne

>In article <20040907133846.20060.00001979@mb-m25.aol.com> ybstudios@aol.com
>writes:
>
>> Does the resistor value tolerance factor into the audio characteristics.
>i.e.
>> does a 1% resistor have an advantage over the 5%?
>
>> They would be used to attenuate the DI input on my VMP-2 and/or GR DI's
>down to
>> a usable line level.
>
>You can look up the recent (maybe still current) thread about mic
>attenuators and hear all sorts of arguements. The practical answer is
>that this is not critical and you can use any resistors you can find.
>
>A DI input is unbalanced so the issue of common mode rejection that is
>a valid aruging point with a balanced mic line goes away.
>
>Now, do you want someone to give you the values of resistors? You probably
>want the series resistor to be somewhere between 10K and 20K ohms,
>and cut-and-try shunt resistors until you cut the level down to what you
>need. It will probably be around 3K to 5K.
>
>Of course if you want a balanced line input, you'd best get that by
>attenuating the signal by 30 dB or so and going into the mic input. In
>which case tolerance, or at least matching of the series resistor in each
>leg becomes more important.
>
>
>--
>I'm really Mike Rivers (mrivers@d-and-d.com)
>However, until the spam goes away or Hell freezes over,
>lots of IP addresses are blocked from this system. If
>you e-mail me and it bounces, use your secret decoder ring
>and reach me here: double-m-eleven-double-zero at yahoo
>
>
>
>
>
>
>

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