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Amp for a Telecaster?

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Archived from groups: rec.audio.pro (More info?)

 

What's a good amp for a telecaster? Studio use and small venues will be the
applications.

And would you use a modeling box with a more "ordinary", stripped down amp?

Thanks to all.

Tom eh!

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"Thomas Althouse" <talth@aci.on.ca> wrote in message
news:asydnQqz0_tulNTcRVn-tA@edaptivity.com...
> What's a good amp for a telecaster? Studio use and small venues will be
the
> applications.

What kind of music?

>
> And would you use a modeling box with a more "ordinary", stripped down
amp?

I probably wouldn't. But then I'm basically happy with the tone out of the
amp and don't really want it to be a different amp.

-jw

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< "Thomas Althouse" talth@aci.on.ca >>
<< What's a good amp for a telecaster? Studio use and small venues will be the
applications. >>

I'm a bit partial to a 4x10" Fender Bassman. I scored one of the
Silverface variety, a "Bassman Ten", 50 watts, closed back - sounds *great*
but not overbearing with the master on "10".

<< And would you use a modeling box with a more "ordinary", stripped down amp?
>>

No. But I would use a Tech 21 pedal like a Tri-OD, something like that
or an A/B box to go between the Fender's channels, or a MXR Dynacomp or
Microamp.

Will Miho
NY Music & TV Audio Guy
Off the Morning Show! & sleepin' In... / Fox News
"The large print giveth and the small print taketh away..." Tom Waits

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

A Vox AC-30 or something similar like a Matchless, etc is pretty much
tone heaven with a telecaster.

Al

On Wed, 15 Sep 2004 23:35:19 -0400, "Thomas Althouse"
<talth@aci.on.ca> wrote:

>What's a good amp for a telecaster? Studio use and small venues will be the
>applications.
>
>And would you use a modeling box with a more "ordinary", stripped down amp?
>
>Thanks to all.
>
>Tom eh!
>

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Buy a 1990's Vox AC-30 reissue.

Amp simulators live are for girls.


searching for peace, love and quality footwear
guido

http://www.guidotoons.com
http://www.theloniousmoog.com
http://www.luckymanclark.com

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

>What's a good amp for a telecaster? Studio use and small venues will be
>the
>application

An original Blackface Fender Deluxe Reverb. Or if you want more poop, a BF Pro
Reverb. $1500-$2000.

-jeff

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

I would *highly* recommend a narrow panel tweed Fender Deluxe (5E3).
Nothing like a Tele through a Fender Deluxe.

http://www.ampwares.com/ffg/

Reply to Anonymous

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I own all the amps listed in these threads so far .A good telecaster sounds
great in all of them.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

My favorite, however, is my Tele through a '64 JMI AC30 with top boost..

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Just about any vintage and variant of Fender Deluxe up to about 1980 or so
will give you wonderful results. Different from one another, but all
wonderful. For studio use (or miked on a stage), a very different animal but
one that has given me some fantastic sounds is the little Kalamazoo Model
One. I gather the Model Two is equally nice (it has tremolo), but haven't
tried it. Way different sounding than any Fender amp, but great in a
fundamentally different way.

Peace,
Paul

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

> For studio use (or miked on a stage), a very different animal but
>one that has given me some fantastic sounds is the little Kalamazoo Model
>One.

I would second this. A great amp, and one which, along with many
variants of the Fender Champ, also sounds great with a Telecaster (and most any
great guitar).

The Model One, which doesn't have the tremelo, is a better sounding amp
than the Model Two, IMO.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Hi-

"Thomas Althouse" <talth@aci.on.ca> wrote in message
news:asydnQqz0_tulNTcRVn-tA@edaptivity.com...
> What's a good amp for a telecaster? Studio use and small venues will be
the
> applications.
>
> And would you use a modeling box with a more "ordinary", stripped down
amp?
>
> Thanks to all.
>
> Tom eh!

Just to add a different opinion, an old Fender Pro ( 1 x 15", brown or
tweed, or clone) is very cool with a Tele.

Myles




>
>

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Thomas Althouse" <talth@aci.on.ca> wrote in message
news:asydnQqz0_tulNTcRVn-tA@edaptivity.com...
> What's a good amp for a telecaster? Studio use and small venues will be
the
> applications.
>
> And would you use a modeling box with a more "ordinary", stripped down
amp?
>
> Thanks to all.
>
> Tom eh!
>
>

I like the Peavey Delta Blues for new amps of good quality and reasonable
bucks.

I have a Pod 2 that I use with my SWR California Blond amp. It sounds like
a guitar through an amp for the most part, but doesn't have the richness of
real tubes. However, it IS much more flexible and easier to control then
most other amps...

So... tone or flexibility? You make the call! I don't think you're allowed
to have both. Closest I've found is the Fender Cybertwin... but that's too
big of a beast for me!

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Wed, 15 Sep 2004 23:35:19 -0400, "Thomas Althouse" <talth@aci.on.ca>
wrote:

>What's a good amp for a telecaster? Studio use and small venues will be the
>applications.
>
>And would you use a modeling box with a more "ordinary", stripped down amp?

Mine is just Squier, and "modeling box" is SE70, but in a sense, I do
just that.

Without processors involved, I had better luck with tube amps than solid
state. VOX type better than Marshall type.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

A Good Telecaster is so versatile, it'll sound good through just about
anything. It really depends on what you're after.
If you want a classic, Tele type of sound/tone, go Fender. Even the
new Deluxe RI amps are nice.
I'd imagine you'd sound great as well with any number of the new
boutique amps out there as well.
later,
m

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Wed, 15 Sep 2004 23:35:19 -0400, "Thomas Althouse"
<talth@aci.on.ca> wrote:

>What's a good amp for a telecaster? Studio use and small venues will be the
>applications.
>
>And would you use a modeling box with a more "ordinary", stripped down amp?


I guess the classic answer is a Vox AC-30.

CubaseFAQ www.laurencepayne.co.uk/CubaseFAQ.htm
"Possibly the world's least impressive web site": George Perfect

Reply to Anonymous
- 0 +

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"Myles" <spam@mylescochran.com> writes:

>Just to add a different opinion, an old Fender Pro ( 1 x 15", brown or
>tweed, or clone) is very cool with a Tele.

As luck would have it, I have a blackface Pro with a 15" Jensen for
sale. It's been recapped by one of the top Detroit area techs.
Speaker is a c15P IIRC, but it's a few yrs newer (circa 1967
I think) than the 1963 amp. Tolex and grill cloth are VERY clean
for its age. I'd be looking in the 1k range if anyone's interested.

Reply to GeorgeH

Archived from groups: rec.audio.pro (More info?)

 

"Thomas Althouse" <talth@aci.on.ca> wrote in message news:<asydnQqz0_tulNTcRVn-tA@edaptivity.com>...
> What's a good amp for a telecaster? Studio use and small venues will be the
> applications.
>
> And would you use a modeling box with a more "ordinary", stripped down amp?


The Vox AC30 has been mentioned here a lot, but you DID specify
"Studio use and small venues."

You'll find the AC15 reissues are less expensive, easier-to-carry, and
probably a bit easier to manage in terms of volume. AC30's are really
loud. They are also HEAVY.

I have both, and use both extensively live and in studio productions.
I would say the AC15 gets more studio-use because I can overdrive it
at a lower volume. My AC30 rules for live work, and I may prefer its
top-end for recording my Rickenbacker 12-string over the AC15; but
that might be imaginary.

A Fender Deluxe Reverb will sing nicely with a Telecaster too.

Avoid using digital modelers. I've never heard one sound great, and
keep asking for examples of where I can hear a great digitally modeled
tone.

-dave
www.themoodrings.com

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On 16 Sep 2004 07:45:18 -0700, ebz@one.net (Geetar Dave) wrote:

>but you DID specify
>"Studio use and small venues."

I have a tweed Fender blues deluxe 40 watt all tube 12" speaker which
sounds fantastic, not a Matchless but a really nice amp which I leave
in the studio because I don't want to carry 40 lbs any where I don't
have to. For the gigs around town in small venues I have a tweed
Fender Pro Junior. It is also all tube has a 10" speaker Sounds great
and can be listened to beyond 2 on the volume control without ear
damage. In fact it start to shred nicely at a reasonable volume if
your head isn't right next to the speaker. It weighs 20lbs and I got
it on ebay reasonably cheap .
It is as you mentioned stripped down, it comes with nothing but a
volume and a single tone control.
For effects I'm using a Pod 2. Not because I love it, but because I
have it with all the sounds for all the songs I do from years on the
road where it was convenient to fly with. I'd like to get a Tone Bone
pedal and something else which I have't investigated enough to decide
on.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< Buy a 1990's Vox AC-30 reissue. >>

The AC15 reissue is pretty great as well. Either 1 12" or 2 10".



---------------------------------------
"I know enough to know I don't know enough"

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< Or if you want more poop, a BF Pro
Reverb. >>

There is something about the black face Pro Reverb that is magic. Very fat
sounding.



---------------------------------------
"I know enough to know I don't know enough"

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Thu, 16 Sep 2004 09:33:51 GMT, "Particle Salad"
<mark@particlesalad.com> wrote:

>"Thomas Althouse" <talth@aci.on.ca> wrote in message
>news:asydnQqz0_tulNTcRVn-tA@edaptivity.com...
>> What's a good amp for a telecaster? Studio use and small venues will be
>the
>> applications.
>>
>> And would you use a modeling box with a more "ordinary", stripped down
>amp?
>>
>> Thanks to all.
>>
>> Tom eh!
>>
>>
>
>I like the Peavey Delta Blues for new amps of good quality and reasonable
>bucks.

Amen! $400 and they rock! I use expensive boutique amps but tried
the Peavey delta while sitting in with a pal's band and was knocked
out. A single 15 does sound good with a Tele.

Al

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

i'd modestly propose the Peavey Classic 30 if you're really hard up for $$
under $300 used). Replace bad tubes as needed and, if you can find one,
the matching 1x12 closed back ext. cab. Oh, and a Voodoo Lab Sparkle
Drive...

SRS

Reply to Anonymous
- 0 +

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SRS wrote:

>Oh, and a Voodoo Lab Sparkle
> Drive...

You got THAT right!

Reply to Agent86

Archived from groups: rec.audio.pro (More info?)

 

egghd@aol.com (EggHd) wrote in message news:<20040916122137.07582.00000762@mb-m11.aol.com>...
> << Or if you want more poop, a BF Pro
> Reverb. >>
>
> There is something about the black face Pro Reverb that is magic. Very fat
> sounding.
>
I absolutely agree...it's a real three dimensional sound. I dig it
more for cleaner tones, however. My particular amp needs some
attention from a good amp tech, though.

Tom

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Thomas Althouse" <talth@aci.on.ca> wrote in message news:<asydnQqz0_tulNTcRVn-tA@edaptivity.com>...
> What's a good amp for a telecaster? Studio use and small venues will be the
> applications.
>
> And would you use a modeling box with a more "ordinary", stripped down amp?
>
> Thanks to all.
>
> Tom eh!

Depends on the kind of music but with my '65 Tele, the original Black
Face Twin Reverb is the one. I have both that and an original black
face Deluxe Reverb and they're both great but the Twin has a clearer,
glassier sound and can really cut if you need it to and yet still be
made to sound as fat and warm as you'd like.

For a clean sound, the Twin's definitely the one!

Only thing is Twin Reverbs are HEAVY...get a hand truck so you don't
arrive at the gig too tired to play!

Audy O

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

I've got a lot of the aforementioned amps (a 3-10" Bandmaster hasn't
been mentioned and is a killer with a Tele), but my fav is the Ampeg
B-12XT...
Check one out here:

http://home.comcast.net/~ggjaguar/b-12xt.htm

They are kinda hard to find (they only made them for one year I
think), but well worth it.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

>From: tonewoods@rockisland.com (MandoBazaaro)

>I've got a lot of the aforementioned amps (a 3-10" Bandmaster hasn't
>been mentioned and is a killer with a Tele), but my fav is the Ampeg
>B-12XT...

One more brand:

There's a Music Man site, but not fully functional. Model chart here:

http://pacair.com/mmamps/Misc__Inf [...] chart.html

Gibson Skylark? --TP

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< (a 3-10" Bandmaster hasn't
been mentioned and is a killer with a Tele) >>


Great amp, pretty rare.


---------------------------------------
"I know enough to know I don't know enough"

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Sat, 18 Sep 2004 17:39:24 -0400, Audy wrote
(in article <6e9dc628.0409181339.1e77d16d@posting.google.com> ):

> "Thomas Althouse" <talth@aci.on.ca> wrote in message
> news:<asydnQqz0_tulNTcRVn-tA@edaptivity.com>...
>> What's a good amp for a telecaster? Studio use and small venues will be the
>> applications.
>>
>> And would you use a modeling box with a more "ordinary", stripped down amp?
>>
>> Thanks to all.
>>
>> Tom eh!
>
> Depends on the kind of music but with my '65 Tele, the original Black
> Face Twin Reverb is the one. I have both that and an original black
> face Deluxe Reverb and they're both great but the Twin has a clearer,
> glassier sound and can really cut if you need it to and yet still be
> made to sound as fat and warm as you'd like.
>
> For a clean sound, the Twin's definitely the one!
>
> Only thing is Twin Reverbs are HEAVY...get a hand truck so you don't
> arrive at the gig too tired to play!
>
> Audy O

I have a 65 vibrolux and a 67 super reverb; both recently recapped and re
tubed. I had forgotten how good they once sounded. I have a 72 thinline telly
with humbucking pickups I had put in back in 73. A nice match.

Ty Ford




-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< I have a 65 vibrolux >>

Another great fender amp. The piggy back tremolux in blonde (white) is another
killer,



---------------------------------------
"I know enough to know I don't know enough"

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

audy@audykimura.com (Audy) wrote in message news:<6e9dc628.0409181339.1e77d16d@posting.google.com>...
> "Thomas Althouse" <talth@aci.on.ca> wrote in message news:<asydnQqz0_tulNTcRVn-tA@edaptivity.com>...
> > What's a good amp for a telecaster? Studio use and small venues will be the
> > applications.
> >
> > And would you use a modeling box with a more "ordinary", stripped down amp?
> >
> > Thanks to all.
> >
> > Tom eh!
>
> Depends on the kind of music but with my '65 Tele, the original Black
> Face Twin Reverb is the one. I have both that and an original black
> face Deluxe Reverb and they're both great but the Twin has a clearer,
> glassier sound and can really cut if you need it to and yet still be
> made to sound as fat and warm as you'd like.
>
> For a clean sound, the Twin's definitely the one!
>
> Only thing is Twin Reverbs are HEAVY...get a hand truck so you don't
> arrive at the gig too tired to play!
>
> Audy O


Try a twin loaded with JBL K120s for Heavy!!!! I've got a Silverface,
no master volume like that weighs a ton.

AC-15 is a good choice, for a 'dirty' sound. Also keep an eye out for
that single 12" Hi-Watt combo. I haven't seen one in a while, but they
are portable, abd have a nice 'bite' to em.

If you are going for a clean sound, check out the little Fender amps.
Princeton Reverb, Deluxe, Vibrolux.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Nmm wrote:

> Try a twin loaded with JBL K120s for Heavy!!!! I've got a Silverface,
> no master volume like that weighs a ton.


85 pounds.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< Try a twin loaded with JBL K120s for Heavy!!!! I've got a Silverface,
no master volume like that weighs a ton. >>

Problem is they get so heavy they can break. I mixed a tour many years back
where the pianist used a Twin loaded with some ultra heavy EV's. About a week
into the tour, the speakers had broken the baffle, which is just particle
board. Dumb configuration.



Scott Fraser

Reply to Anonymous
- 0 +

Archived from groups: rec.audio.pro (More info?)

 

I'm very pleased with my THD Univalve (JJ ecc82/ecc83/6v6 tubes) with
Weber blue dog alnico speakers. It gives me a gutsy sound with a lot
of detail and shimmering highs. Especially the alnico type speakers
work very well with a telecaster.
Playing style is with a little distortion, Tele With SD Jerry Donahue
bridge Pickup.

Robert.


On 18 Sep 2004 14:39:24 -0700, audy@audykimura.com (Audy) wrote:

>"Thomas Althouse" <talth@aci.on.ca> wrote in message news:<asydnQqz0_tulNTcRVn-tA@edaptivity.com>...
>> What's a good amp for a telecaster? Studio use and small venues will be the
>> applications.
>>
>> And would you use a modeling box with a more "ordinary", stripped down amp?
>>
>> Thanks to all.
>>
>> Tom eh!
>
>Depends on the kind of music but with my '65 Tele, the original Black
>Face Twin Reverb is the one. I have both that and an original black
>face Deluxe Reverb and they're both great but the Twin has a clearer,
>glassier sound and can really cut if you need it to and yet still be
>made to sound as fat and warm as you'd like.
>
>For a clean sound, the Twin's definitely the one!
>
>Only thing is Twin Reverbs are HEAVY...get a hand truck so you don't
>arrive at the gig too tired to play!
>
>Audy O

Reply to Robert

Archived from groups: rec.audio.pro (More info?)

 

><< Try a twin loaded with JBL K120s for Heavy!!!! I've got a Silverface,
>no master volume like that weighs a ton. >>
>
>Problem is they get so heavy they can break. I mixed a tour many years back
>where the pianist used a Twin loaded with some ultra heavy EV's. About a week
>into the tour, the speakers had broken the baffle, which is just particle
>board. Dumb configuration.
>
>
>
>Scott Fraser
>
>
I've got an old '65 blackface Twin with two JBL D120's and it will put your
grapes on the ground if you try to carry it very far. First thing I did after
I put in the JBL's was install four (4) heavy duty casters. Still had to lift
it, but eliminated the carrying deal. If you use big enough wheels, you can
still negotiate grave (hah).

--Wayne

-"sounded good to me"-

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

P.S.

Original twins used plywood.

Wayne

>About a week
>into the tour, the speakers had broken the baffle, which is just particle
>board. Dumb configuration.
>
>
>
>Scott Fraser
>
>

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

I use a blackface Super, does the job.
Tom
"Nmm" <voxman@arvotek.net> wrote in message
news:d1a1b33a.0409191352.10f2648e@posting.google.com...
> audy@audykimura.com (Audy) wrote in message
news:<6e9dc628.0409181339.1e77d16d@posting.google.com>...
> > "Thomas Althouse" <talth@aci.on.ca> wrote in message
news:<asydnQqz0_tulNTcRVn-tA@edaptivity.com>...
> > > What's a good amp for a telecaster? Studio use and small venues will
be the
> > > applications.
> > >
> > > And would you use a modeling box with a more "ordinary", stripped down
amp?
> > >
> > > Thanks to all.
> > >
> > > Tom eh!
> >
> > Depends on the kind of music but with my '65 Tele, the original Black
> > Face Twin Reverb is the one. I have both that and an original black
> > face Deluxe Reverb and they're both great but the Twin has a clearer,
> > glassier sound and can really cut if you need it to and yet still be
> > made to sound as fat and warm as you'd like.
> >
> > For a clean sound, the Twin's definitely the one!
> >
> > Only thing is Twin Reverbs are HEAVY...get a hand truck so you don't
> > arrive at the gig too tired to play!
> >
> > Audy O
>
>
> Try a twin loaded with JBL K120s for Heavy!!!! I've got a Silverface,
> no master volume like that weighs a ton.
>
> AC-15 is a good choice, for a 'dirty' sound. Also keep an eye out for
> that single 12" Hi-Watt combo. I haven't seen one in a while, but they
> are portable, abd have a nice 'bite' to em.
>
> If you are going for a clean sound, check out the little Fender amps.
> Princeton Reverb, Deluxe, Vibrolux.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< I've got an old '65 blackface Twin with two JBL D120's and it will put your
grapes on the ground if you try to carry it very far. First thing I did after
I put in the JBL's was install four (4) heavy duty casters. Still had to lift
it, but eliminated the carrying deal. If you use big enough wheels, you can
still negotiate grave (hah). >>

 



Unless you have the luxury of a crew on tour, some amps were made to stay at
home. These days my Marshall 2 x 12 combo never leaves the studio & either of
the 1 x 12s go out on the rare gig.

Scott Fraser

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< P.S.

Original twins used plywood. >>

 



That's what I thought, so I was really surprised to see the jumble of broken
particle board inside the rental 80s Twin.

Scott Fraser

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Wayne wrote:

>
> I've got an old '65 blackface Twin with two JBL D120's and it will put your
> grapes on the ground if you try to carry it very far. First thing I did after
> I put in the JBL's was install four (4) heavy duty casters. Still had to lift
> it, but eliminated the carrying deal. If you use big enough wheels, you can
> still negotiate grave (hah).


I took up pedal steel. It and the Twin balance each other and now I
just get shorter and shorter as I walk in.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

>Wayne wrote:
>>
>> I've got an old '65 blackface Twin with two JBL D120's and it will put your
>> grapes on the ground if you try to carry it very far. First thing I did
>after
>> I put in the JBL's was install four (4) heavy duty casters. Still had to
>lift
>> it, but eliminated the carrying deal. If you use big enough wheels, you
>can
>> still negotiate grave (hah).
>
>
sowhat wrote;
>I took up pedal steel. It and the Twin balance each other and now I
>just get shorter and shorter as I walk in.
>
>
I'm a pedal pusher too. The cure for all that is no road work, no one
nighters. Nothing but sit downs. The last 10-12 years I played a lot were all
sit downs. It adds to the age and not to the aging process. Of course the
cigarettes, booze and etc didn't help. After listening to that Twin in my ear
for all those 30 years has 'em ringin' a little.

When I started, it wasn't so bad because the loudness thingy hadn't caught on.
You could actually hear the singer and we didn't have floor monitors either.
The last ten years, I could see his lips move but no sound. With some of the
singers, that was a good thing.


--Wayne

-"sounded good to me"-

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< scotfraser@aol.com (ScotFraser) >>

<< << P.S.

Original twins used plywood. >>

That's what I thought, so I was really surprised to see the jumble of broken
particle board inside the rental 80s Twin.
>>

But it was "vintage" particle board, right?


Will Miho
NY Music & TV Audio Guy
Off the Morning Show! & sleepin' In... / Fox News
"The large print giveth and the small print taketh away..." Tom Waits

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

WillStG wrote:

> << (ScotFraser) >>

> << << P.S.

> >>Original twins used plywood. >>

> > That's what I thought, so I was really surprised to see the jumble of broken
> >particle board inside the rental 80s Twin.

> But it was "vintage" particle board, right?

LOL! Probably. That's why it returned to its natural state: particles.

--
ha

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< But it was "vintage" particle board, right? >>

 



Yeah, vintage, busted up junk.

Scott Fraser

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Since everyone seems to be voting in with their favorite amps here...

Been using the Badcat Mini Cat lately for recording and it's just
great. The whole Badcat line is terrific. Not cheap, but great sounds
and build quality.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Is that what happens to particle board, when the particles get bored?
Not particularly, is the correct anwser. ;-)

I sure do enjoy my blackface Super, traded an Ampeg Reverb Rocket for it in
'67, and had it ever since.
I play it on 2 ! Never take it anywhere,except if it gets sick. I made a
living as a singer, and when people used to ask me what was the best thing
about my job, I would smile and say, "cartage.

Tom




"hank alrich" <walkinay@thegrid.net> wrote in message
news:1gkflhg.x91g9fgv7t1cN%walkinay@thegrid.net...
> WillStG wrote:
>
> > << (ScotFraser) >>
>
> > << << P.S.
>
> > >>Original twins used plywood. >>
>
> > > That's what I thought, so I was really surprised to see the jumble of
broken
> > >particle board inside the rental 80s Twin.
>
> > But it was "vintage" particle board, right?
>
> LOL! Probably. That's why it returned to its natural state: particles.
>
> --
> ha

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

<< : "Tommy B" mrtomm@earthlink.net >>
<< I made a
living as a singer, and when people used to ask me what was the best thing
about my job, I would smile and say, "cartage. >>

How much did they charge to throw you onto the skid and dolly you around?


Will Miho
NY Music & TV Audio Guy
Off the Morning Show! & sleepin' In... / Fox News
"The large print giveth and the small print taketh away..." Tom Waits

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

> How much did they charge to throw you onto the >skid and dolly you
around?

It depended how drunk I was. ;-)



"WillStG" <willstg@aol.comnospam> wrote in message
news:20040922032514.08200.00001000@mb-m06.aol.com...
> << : "Tommy B" mrtomm@earthlink.net >>
> << I made a
> living as a singer, and when people used to ask me what was the best thing
> about my job, I would smile and say, "cartage. >>
>
> How much did they charge to throw you onto the skid and dolly you
around?
>
>
> Will Miho
> NY Music & TV Audio Guy
> Off the Morning Show! & sleepin' In... / Fox News
> "The large print giveth and the small print taketh away..." Tom Waits
>
>
>

Reply to Anonymous
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