I hate to say this, but they haven't sounded very good in years, at least
when I heard them on TV.
They sure were great at the Greek theater in '69.
Tom
"Chris Hornbeck" <chrishornbeckremovethis@att.net> wrote in message
news:6rupl0lad8n6g45ohj9mb5043l3rhjscgd@4ax.com...
> SM58's all around. Sounded great.
>
> Chris Hornbeck
"Chris Hornbeck" <chrishornbeckremovethis@att.net> wrote in message
news:6rupl0lad8n6g45ohj9mb5043l3rhjscgd@4ax.com...
> SM58's all around. Sounded great.
>
> Chris Hornbeck
Actually was listening to the first CS&N album the other day. Who else
considers most of the acoustic guitar tones there contained something of
a holy grail for recording the instrument?
--
Jonathan Roberts * guitar, keyboards, vocals * North River Preservation
----------------------------------------------
To reach me reverse: moc(dot)xobop(at)ggestran
>
>I hate to say this, but they haven't sounded very good in years, at least
>when I heard them on TV.
>They sure were great at the Greek theater in '69.
>
>Tom
>
I think Nash has always kept himself pretty together, singing well all along.
It's Crosby and Stills who really lost it, Crosby most famously for his
virtual-suicide drug binges over an absolutely unimaginable number of years.
Such a shame. He had one of the best sounding high male voices ever (insert
"high" joke here). In addition to CSN, he was probably the biggest single
contributor to the distinctive sound of The Byrds next to Roger McGuinn's 12
string (and voice).
Ted Spencer, NYC
"No amount of classical training will ever teach you what's so cool about
"Tighten Up" by Archie Bell And The Drells" -author unknown
"Ted Spencer" <prestokid@aol.com> wrote in message
news:20041002090736.13201.00001466@mb-m11.aol.com...
>
> I think Nash has always kept himself pretty together, singing well all
> along.
I don't know much about CSN other than their music but from what I've
observed Nash seems to be the one keeping the whole thing "on track". There
was a few years ago on a show (possibly 20/20, etc.) that showed them in
rehearsal and Stills was excessively drunk and Nash was giving him hell
right on TV. I can't believe Stills allowed that to be aired (if he had any
choice).
Check out Crosby's singing on the CPR studio albums. He still sounds great (at
least in the studio)! I NEVER heard a live performance by CSN that sounded that
good. Of course this was before in-ear monitors wer available.
Jonathan Roberts <NotMe@NotMe.complex> wrote in message news:<1qo7d.2541$Pd2.891167@monger.newsread.com>...
> Chris Hornbeck wrote:
>
> > SM58's all around. Sounded great.
>
> Actually was listening to the first CS&N album the other day. Who else
> considers most of the acoustic guitar tones there contained something of
> a holy grail for recording the instrument?
I don't care for CSNY very much (I can't stand Stills..), but Crosby's
first solo album, If I Could Only Remember My Name, which was also
recorded by Stephen Barncard, sounds absolutely gorgeous.
You know term "egomanic with an iniferiority complex".
I think that discribes Mr. Stills to a tee.
Add lots of coke and booze, and you got one real swell guy. Never met David,
but talked with him on the phone a few years ago, he seemed ok.
From what I've heard, Graham is the saniest and nicest.
Tom
<tbogdon@hotmail.com> wrote in message
news:350f2714.0410040629.87f8b09@posting.google.com...
> Jonathan Roberts <NotMe@NotMe.complex> wrote in message
news:<1qo7d.2541$Pd2.891167@monger.newsread.com>...
> > Chris Hornbeck wrote:
> >
> > > SM58's all around. Sounded great.
> >
> > Actually was listening to the first CS&N album the other day. Who else
> > considers most of the acoustic guitar tones there contained something of
> > a holy grail for recording the instrument?
>
> I don't care for CSNY very much (I can't stand Stills..), but Crosby's
> first solo album, If I Could Only Remember My Name, which was also
> recorded by Stephen Barncard, sounds absolutely gorgeous.
> You know term "egomanic with an iniferiority complex".
> I think that discribes Mr. Stills to a tee.
> Add lots of coke and booze, and you got one real swell guy.
He is clean and sober these days.
> Never met David,
> but talked with him on the phone a few years ago, he seemed ok.
> From what I've heard, Graham is the saniest and nicest.
> Tom
I did sound for a CPR gig, and David was an absolute saint the entire time. He
also sounded amazingly good. And he seemed very happy to be alive and kicking.
--
Nathan
"Imagine if there were no Hypothetical Situations"
> He is clean and sober these days.
Good for Steven!
Tom
"Nathan West" <natewest@nc.rr.com> wrote in message
news:41617050.E741DFB1@nc.rr.com...
> Tommy B wrote:
>
> > You know term "egomanic with an iniferiority complex".
> > I think that discribes Mr. Stills to a tee.
> > Add lots of coke and booze, and you got one real swell guy.
>
> He is clean and sober these days.
>
> > Never met David,
> > but talked with him on the phone a few years ago, he seemed ok.
> > From what I've heard, Graham is the saniest and nicest.
> > Tom
>
> I did sound for a CPR gig, and David was an absolute saint the entire
time. He
> also sounded amazingly good. And he seemed very happy to be alive and
kicking.
> --
> Nathan
>
> "Imagine if there were no Hypothetical Situations"
>
>
> I don't care for CSNY very much (I can't stand Stills..)
For me it's the Nash compositions I can do without. <g>
> Crosby's
> first solo album, If I Could Only Remember My Name, which was also
> recorded by Stephen Barncard, sounds absolutely gorgeous.
That it is.
(Had a collaborator one day say, "I'd like to get that big Neil Young
acoustic guitar sound on this track." I said, "Me too -- but first we
gotta get some pre-war Martins ..." )
--
Jonathan Roberts * guitar, keyboards, vocals * North River Preservation
----------------------------------------------
To reach me reverse: moc(dot)xobop(at)ggestran
On Sat, 02 Oct 2004 02:31:25 GMT, Jonathan Roberts
<NotMe@NotMe.complex> wrote:
>
> Chris Hornbeck wrote:
>
>> SM58's all around. Sounded great.
>
>Actually was listening to the first CS&N album the other day. Who else
>considers most of the acoustic guitar tones there contained something of
>a holy grail for recording the instrument?
It's Deja Vu (okay, that's their second album) all over again:
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