Tom's Hardware > Forum > Audio > Pro Audio > Cassette Tracking Question (Azimuth & Horizontal)

Cassette Tracking Question (Azimuth & Horizontal)

Forum Audio : Pro Audio - Cassette Tracking Question (Azimuth & Horizontal)

Tom's Hardware: Over 1.4 million members in 6 different countries available to answer all your high-tech questions. Sign up now! Its free!
Word :    Username :           
 

Archived from groups: rec.audio.pro (More info?)

 

Because there don't seem to be any solutions to my problem in the
consumer electronics realm, I'm hoping one might exist in pro land.

As everyone knows, audio cassette deck heads normally can only be
adjusted for azimuth -- by twisting the left screw on the head (the
right screw merely being a fixed support screw).

Unfortunately, I have a box full of audio cassette tapes recorded
long ago using a Sanyo deck whose head wasn't kosher in terms of
*horizontal* alignment. As a result, when they are played in any
other cassette deck, no matter how much I adjust the azimuth screw,
the frequency response curve is very flat. Visual example:

http://img73.exs.cx/img73/6549/cassette-response.gif

In order to properly track these tapes, I'll obviously need a deck
whose head features TWO adjustable screws -- i.e. where I can twist
the left AND right screws to achieve proper horizontal alignment.

The problem is, I don't know where to find such a deck. Suggestions?

Sponsored Links
Register or log in to remove.

Archived from groups: rec.audio.pro (More info?)

 

Sam Etic <sametic@thespamhole.nospam> wrote:
>
>In order to properly track these tapes, I'll obviously need a deck
>whose head features TWO adjustable screws -- i.e. where I can twist
>the left AND right screws to achieve proper horizontal alignment.

Horizontal alignment won't affect response, but it WILL affect separation
between channels (and between the front and back passes) and signal to noise
ratio.

>The problem is, I don't know where to find such a deck. Suggestions?

Use metal shims. Ask your local auto parts store for shim stock. Add and
remove it from behind the head or head mount.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

>
>Because there don't seem to be any solutions to my problem in the
>consumer electronics realm, I'm hoping one might exist in pro land.
>
>As everyone knows, audio cassette deck heads normally can only be
>adjusted for azimuth -- by twisting the left screw on the head (the
>right screw merely being a fixed support screw).
>
>Unfortunately, I have a box full of audio cassette tapes recorded
>long ago using a Sanyo deck whose head wasn't kosher in terms of
>*horizontal* alignment. As a result, when they are played in any
>other cassette deck, no matter how much I adjust the azimuth screw,
>the frequency response curve is very flat. Visual example:
>
>http://img73.exs.cx/img73/6549/cassette-response.gif
>
>In order to properly track these tapes, I'll obviously need a deck
>whose head features TWO adjustable screws -- i.e. where I can twist
>the left AND right screws to achieve proper horizontal alignment.
>
>The problem is, I don't know where to find such a deck. Suggestions?
>
s

I assume by horizontal, you mean vertical adjustment or head height.

One problem with (most)cassette decks is that there are guides built onto the
heads that limit how much vertical adjustment you have.

Head height problems are manifest in channel crosstalk.

The only decks I have seen with head height adjustment without tape guides are
the three head Nakamichis.

If you mess with the head height on those, you had better have a Nak test tape
to readjust it after your transfers.

The third adjustment, though I have never seen it on a cassette deck. is head
zenith. This is the adjustment that allows the gap to be centered in the tape
wrap on the head.

Excessive wear on a head could cause this problem.

Richard H. Kuschel
"I canna change the law of physics."-----Scotty

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

rickpv8945@aol.com (Richard Kuschel) wrote:

> > Unfortunately, I have a box full of audio cassette tapes recorded
> > long ago using a Sanyo deck whose head wasn't kosher in terms of
> > *horizontal* alignment. As a result, when they are played in any
> > other cassette deck, no matter how much I adjust the azimuth screw,
> > the frequency response curve is very flat. Visual example:
> >
> > http://img73.exs.cx/img73/6549/cassette-response.gif
> >
> > In order to properly track these tapes, I'll obviously need a deck
> > whose head features TWO adjustable screws -- i.e. where I can twist
> > the left AND right screws to achieve proper horizontal alignment.
>
> I assume by horizontal, you mean vertical adjustment or head height.

Possibly. I'm not sure which is correct, since I'm not sure of the
point perspective used when defining "vertical" and "horizontal" in
reference to heads. :-) I was thinking of "horizontal" as compared
to the direction of tape travel. I.e.:

http://img73.exs.cx/img73/3496/adj [...] ation1.gif

Of course, this illustration is just for clarification; I obviously
wouldn't be vertically adjusting the head *that* much.

> One problem with (most)cassette decks is that there are guides
> built onto the heads that limit how much vertical adjustment you
> have.

My thinking is that the original Sanyo deck's vertical head alignment
was only off by a hair. So, assuming I can acquire a deck where both
head screws served as tracking adjustments, I'd make the greatest
adjustment to the left (azimuth) adjustment screw (the one all decks
allow you to twist), and then only need to very slightly turn the
right screw (the one normally unmovable on most decks) to bring the
head into perfect alignment with the tracks.

That is to say, I can't think of any other explanation for why my
Sanyo-recorded tapes have such a flat head alignment response curve
in all other decks. When I play them in the Sanyo deck (I still
have it -- it's really a bookshelf stereo), I hear *all* the highs
quite fine. So there's nothing wrong with the tapes, nor the
recordings. The problem is, the Sanyo is unusable as a source for
playback during transfer -- it's got no line-outs, and is very old
and foobar (AC hums, subtle fluttering from a dying motor, etc.)

> Head height problems are manifest in channel crosstalk.

I hear no L/R crosstalk. *shrug* (Many of these tapes contain old
radio broadcasts from classic rock stations -- lots of songs that
feature portions where all audio is on one channel, and the stereo
separation is as good as the original FM carrier offered.)

> The only decks I have seen with head height adjustment without
> tape guides are the three head Nakamichis.

I'll look into them. Thanks.

> If you mess with the head height on those, you had better have a
> Nak test tape to readjust it after your transfers.

Or just record a ~12 kHz tone on a blank tape with the deck before
adjusting anything, and using it to re-align after?

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

kludge@panix.com (Scott Dorsey) wrote:

> > In order to properly track these tapes, I'll obviously need a deck
> > whose head features TWO adjustable screws -- i.e. where I can twist
> > the left AND right screws to achieve proper horizontal alignment.
>
> Horizontal alignment won't affect response, but it WILL affect
> separation between channels (and between the front and back passes)
> and signal to noise ratio.

Really?

Then as I pondered in my response to Richard Kuschel in this thread,
I'm mystified as to what other alignment problem could be causing my
woes. As I mentioned in that post, the Sanyo these tapes were made
in still plays them back with bright, full high frequency response.
Sadly, the deck doesn't offer line outputs, which is why I'm looking
for an alternative.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Sam Etic <sametic@thespamhole.nospam> wrote:
>
>Then as I pondered in my response to Richard Kuschel in this thread,
>I'm mystified as to what other alignment problem could be causing my
>woes. As I mentioned in that post, the Sanyo these tapes were made
>in still plays them back with bright, full high frequency response.
>Sadly, the deck doesn't offer line outputs, which is why I'm looking
>for an alternative.

Look at the tape as it goes over the head. Is it seating through the
guides properly at all or is it running overtop of the guides? Does
shifting the cassette around with your fingers do anything?

Change the pressure pad on the cassette. Poor tape to head contact is
a big problem on older cassettes.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Sam Etic wrote:

> As I mentioned in that post, the Sanyo these tapes were made
> in still plays them back with bright, full high frequency response.
> Sadly, the deck doesn't offer line outputs, which is why I'm looking
> for an alternative.

It must at least have RCA outputs, consumer -10 dB unblanced. There is
nothing wrong with using those if the deck is delivering the goods
sound-wise. Are there interfacing obstacles I'm not grokking here?

I'm concerned that the deck you're using might be erasing those high
freqs due to something in the tape path that has gotten magnetized. Have
you played those tapes on the Sanyo after playing them on the dull deck?

--
ha

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On 01 Oct 2004 01:55:00 EDT, "Sam Etic" <sametic@thespamhole.nospam>
wrote:

>> The only decks I have seen with head height adjustment without
>> tape guides are the three head Nakamichis.

>> If you mess with the head height on those, you had better have a
>> Nak test tape to readjust it after your transfers.
>
>Or just record a ~12 kHz tone on a blank tape with the deck before
>adjusting anything, and using it to re-align after?

The Nakamichi's really require an alignment jig to get the
head geometry right. But I don't think any misalignment
will help with your problem.

Chris Hornbeck

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

walkinay@thegrid.net (hank alrich) wrote:

> > As I mentioned in that post, the Sanyo these tapes were made
> > in still plays them back with bright, full high frequency response.
> > Sadly, the deck doesn't offer line outputs, which is why I'm looking
> > for an alternative.
>
> It must at least have RCA outputs, consumer -10 dB unblanced. There is
> nothing wrong with using those if the deck is delivering the goods
> sound-wise. Are there interfacing obstacles I'm not grokking here?

It's not delivering the goods sound-wise. Dying capstan motor (flutter
in playback), and something's foobar inside causing AC hums. The thing
is so old, it's unrepairable AFAIK. (And no, no baseband outputs; it's
a POS bookshelf stereo with a line in, but no line out.)

> I'm concerned that the deck you're using might be erasing those high
> freqs due to something in the tape path that has gotten magnetized. Have
> you played those tapes on the Sanyo after playing them on the dull deck?

Yes. When played back in the Sanyo after using them in the other decks,
they still boast all their high frequencies.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

If the Sanyo produces good sound, why not just transfer the tapes from the
Sanyo?

...the lady from Philadelphia

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

>
>Look at the tape as it goes over the head. Is it seating through the
>guides properly at all or is it running overtop of the guides? Does
>shifting the cassette around with your fingers do anything?
>
>Change the pressure pad on the cassette. Poor tape to head contact is
>a big problem on older cassettes.
>--scott
>--
>"C'est un Nagra. C'est suisse, et tres, tres precis."
>
>
>
>
>

Or find somebody with a 3 head Nak that doesn't use pressure pads.

It could also be that the tape used in the Sanyo was slit slightly wider than
correct and that the head on your reproduce deck has heavy grooves in the head
from extended use which might cause aproblem with HF response.

Also check out playback EQ on your playback deck. It might be ok with its own
tapes, if the record bias were wrong enough, but might be dull on those
recorded on the Sanyo.
Richard H. Kuschel
"I canna change the law of physics."-----Scotty

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Sam Etic" <sametic@thespamhole.nospam> wrote in message news:<cjk9j1$4rt$1@bob.news.rcn.net>...
> walkinay@thegrid.net (hank alrich) wrote:
>
> > > As I mentioned in that post, the Sanyo these tapes were made
> > > in still plays them back with bright, full high frequency response.
> > > Sadly, the deck doesn't offer line outputs, which is why I'm looking
> > > for an alternative.
> >
> > It must at least have RCA outputs, consumer -10 dB unblanced. There is
> > nothing wrong with using those if the deck is delivering the goods
> > sound-wise. Are there interfacing obstacles I'm not grokking here?
>
> It's not delivering the goods sound-wise. Dying capstan motor (flutter
> in playback), and something's foobar inside causing AC hums. The thing
> is so old, it's unrepairable AFAIK. (And no, no baseband outputs; it's
> a POS bookshelf stereo with a line in, but no line out.)
>
> > I'm concerned that the deck you're using might be erasing those high
> > freqs due to something in the tape path that has gotten magnetized. Have
> > you played those tapes on the Sanyo after playing them on the dull deck?
>
> Yes. When played back in the Sanyo after using them in the other decks,
> they still boast all their high frequencies.


Maybe the Sanyo uses a non-standard equalization with more hi boost on
playback.

Maybe you are peaking the azimuth on a false peak, keep turning the
screw a bit further, sometimes there is a minor peak or sidelobe on
each side of the correct major peak.

Maybe the tape is creased in someway that it fits with the Sanyo and
not the others. Take a new tape and make a recording and see if the
same thing happens.

Is there Dolby involved?

Are you summing the L and R sides to mono. This makes the azimuth
much more critical.

Why not use the other machine, peak the azimuth as best you can then
EQ as required.

Mark

Reply to mark

Archived from groups: rec.audio.pro (More info?)

 

"William Sommerwerck" <williams@nwlink.com> wrote in message
news:10lreu43d3gmobb@corp.supernews.com...
> If the Sanyo produces good sound, why not just transfer the tapes from the
> Sanyo?

It doesn't. He said it produces full-range frequency response, but that the
flutter is too high and there's hum.

Someone suggested that the OP may be tweaking the azimuth on a false peak,
on one side of the real peak. Keep going past the peak you're getting and
see if you suddenly hear the highs increasing again. If not, go back the
other way, past the peak you've been tweaking on.

What Scott said about the pressure pads is right. Replace them. Or find a
3-head Nak that doesn't need 'em.

Oh, one other thing. What kind of tape is this? Type I, Type II or Type IV?
Is it possible that this is Type II tape recorded with Type I EQ, or
something close to it? If so, and if your playback machine has automatic EQ
switching, possibly it's going to Type II EQ (70uS) automatically, although
the tapes were made with Type I (120uS). If your tapes are Type II or Type
IV, try putting masking tape over the notches that cue the auto-EQ.

Peace,
Paul

Reply to Anonymous
Tom's Hardware > Forum > Audio > Pro Audio > Cassette Tracking Question (Azimuth & Horizontal)
Go to:

There are 1175 identified and unidentified users. To see the list of identified users, Click here.

Please mind

You are about to answer a thread that has been inactive for more than 6 months.
If you still wish to proceed, please ensure that your posting is original and does not duplicate or overlap any prior responses to this thread.

Add a reply Cancel
Sponsored links
  • Ask the community now
  • Publish
Ad
They won a badge
Join us in greeting them