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Best tape for Studer B 67?

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I just picked up a Studer B67 1/4" 2-track on eBay. Can anyone
recommend the best brand and type of tape to use with this deck? I'm
new to analog recorders.

Thanks,
-g i n o

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"Gino Nave"
>I just picked up a Studer B67 1/4" 2-track on eBay. Can anyone
> recommend the best brand and type of tape to use with this deck? I'm
> new to analog recorders.
>


** How many brands of 1/4 inch tape have you found available ?

Besides Quantegy 456.




........... Phil

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Gino Nave wrote:
> I just picked up a Studer B67 1/4" 2-track on eBay. Can anyone
> recommend the best brand and type of tape to use with this deck? I'm
> new to analog recorders.

I would suggest either Quantegy 456, 499, or GP9 or Emtec 900, 911.
Those are the most commonly used tapes. Not too sure what the status is
on Emtec, they might not be readily available. I prefer the Quantegy tapes.

--
Eric

Practice Your Mixing Skills
Multi-Track Masters on CD-ROM
www.Raw-Tracks.com

Reply to erick

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Gino Nave <junkbank@comcast.net> wrote:
>I just picked up a Studer B67 1/4" 2-track on eBay. Can anyone
>recommend the best brand and type of tape to use with this deck? I'm
>new to analog recorders.

For brand, your choice is Quantegy or Quantegy. Nobody else out there
is making 1/4" tape (other than Hanny Magnetics in Korea which OEMS for
Radio Shack, and a company called JAI in India). BASF is gone, Zonal is
gone, 3M is gone. Maxell stopped six months back.

Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
one of those machines and 456 is just going to give you extra headroom
that you won't be able to use. You should be able to bias 406 up.

Use the modern overbias method. The manual will tell you to peak for
tone at 1 KC, which is reasonable for red oxide tapes (and you can try
Quantegy 641 if you want to try an old-style red oxide tape), but not so
effective for a modern mastering tape.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

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Scott Dorsey wrote:

>
> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
> one of those machines and 456 is just going to give you extra headroom
> that you won't be able to use. You should be able to bias 406 up.

All of the B67's I've used could bias 499 and GP9 just fine.


--
Eric

Practice Your Mixing Skills
Multi-Track Masters on CD-ROM
www.Raw-Tracks.com

Reply to erick

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Scott Dorsey wrote:
> Gino Nave <junkbank@comcast.net> wrote:
>
>>I just picked up a Studer B67 1/4" 2-track on eBay. Can anyone
>>recommend the best brand and type of tape to use with this deck? I'm
>>new to analog recorders.
>
>
> For brand, your choice is Quantegy or Quantegy. Nobody else out there
> is making 1/4" tape (other than Hanny Magnetics in Korea which OEMS for
> Radio Shack, and a company called JAI in India). BASF is gone, Zonal is
> gone, 3M is gone. Maxell stopped six months back.
>
> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
> one of those machines and 456 is just going to give you extra headroom
> that you won't be able to use. You should be able to bias 406 up.
>
> Use the modern overbias method. The manual will tell you to peak for
> tone at 1 KC, which is reasonable for red oxide tapes (and you can try
> Quantegy 641 if you want to try an old-style red oxide tape), but not so
> effective for a modern mastering tape.
> --scott

We use 456 and 499 on our B67 with great results. Most
often we run 499 @15ips +9 over 185. 456 @15ips can be
a bit noisy on quiet passages but isn't an issue @30ips.
Never experienced any headroom problems.

--
--
John Noll
Retromedia Sound Studios
Red Bank, NJ

jn145_deletethisfirst_@verizon.net

http://www.retromedia.net

Reply to Anonymous

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EricK <eric@Raw-Tracks.com> wrote:
>Scott Dorsey wrote:
>
>> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
>> one of those machines and 456 is just going to give you extra headroom
>> that you won't be able to use. You should be able to bias 406 up.
>
>All of the B67's I've used could bias 499 and GP9 just fine.

Wow! That's impressive... even a 440 can't really handle GP9 properly.
How does the B67 compare with the older A67 model?
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

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Scott Dorsey wrote:
> EricK <eric@Raw-Tracks.com> wrote:
>
>>Scott Dorsey wrote:
>>
>>
>>>Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
>>>one of those machines and 456 is just going to give you extra headroom
>>>that you won't be able to use. You should be able to bias 406 up.
>>
>>All of the B67's I've used could bias 499 and GP9 just fine.
>
>
> Wow! That's impressive... even a 440 can't really handle GP9 properly.
> How does the B67 compare with the older A67 model?
> --scott
>

I don't know a thing about the A67's. Sorry.

--
Eric

Practice Your Mixing Skills
Multi-Track Masters on CD-ROM
www.Raw-Tracks.com

Reply to erick

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"Scott Dorsey" <kludge@panix.com> wrote in message
news:cjm71f$e0k$1@panix2.panix.com...

> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
> one of those machines and 456 is just going to give you extra headroom
> that you won't be able to use. You should be able to bias 406 up.

406 certainly will work. But I suspect you can use 456 too; I used to use
Scotch 250 on a B67 all the time, and was able to use all of its dynamic
range. 3% HD on the tape was still a good 10dB below clipping in the
electronics. (This was, I should add, a B67 Mk II; can't speak for the Mark
I).

Of course, I hate 456 anyway, so that's a recommendation included only for
the sake of completeness. I like 406 a lot more. And I like Agfa/BASF/EMTEC
468 better'n any of them.

Any chance EMTEC will ever go back into the tape business, or sell the
factory to someone who will?

Peace,
Paul

Reply to Anonymous

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Scott Dorsey wrote:

> EricK wrote:
> >Scott Dorsey wrote:

> >> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
> >> one of those machines and 456 is just going to give you extra headroom
> >> that you won't be able to use. You should be able to bias 406 up.

> >All of the B67's I've used could bias 499 and GP9 just fine.

> Wow! That's impressive... even a 440 can't really handle GP9 properly.
> How does the B67 compare with the older A67 model?

I don't know, but I do know that Agfa PEM 468 was my favorite for my
B67. We used Ampex 456 before we found the Agfa.

--
ha

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Paul Stamler <pstamlerhell@pobox.com> wrote:
>
>Of course, I hate 456 anyway, so that's a recommendation included only for
>the sake of completeness. I like 406 a lot more. And I like Agfa/BASF/EMTEC
>468 better'n any of them.

406 and 456 have the same coating formulation, but the coating on 456 is
thicker. This changes the top end a little bit. I think if you run them
both at 250 nW/m, there isn't much difference between the two, but if you
follow Quantegy's recommendation of elevated levels on 456, it sounds really
glassy. That seems to be a popular rock sound but I don't much like it
either. And if you aren't going to run at elevated levels, 406 is cheaper.

>Any chance EMTEC will ever go back into the tape business, or sell the
>factory to someone who will?

The factory has been pretty much parted out. There was some talk recently
about Zonal having some of their older tape formulations made for them on
contract by a Mexican videotape plant, but I don't think anything ever came
of that. The EMTEC plant was very modern and certainly the highest precision
tape facility around and it is now gone.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

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hank alrich <walkinay@thegrid.net> wrote:
>Scott Dorsey wrote:
>> EricK wrote:
>> >Scott Dorsey wrote:
>
>> >> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
>> >> one of those machines and 456 is just going to give you extra headroom
>> >> that you won't be able to use. You should be able to bias 406 up.
>
>> >All of the B67's I've used could bias 499 and GP9 just fine.
>
>> Wow! That's impressive... even a 440 can't really handle GP9 properly.
>> How does the B67 compare with the older A67 model?
>
>I don't know, but I do know that Agfa PEM 468 was my favorite for my
>B67. We used Ampex 456 before we found the Agfa.

468 is one of my favorite tapes on anything, and it requires less bias
than 456 or 406 does, too. It'll even bias up on a Nagra III with a little
tweaking. And it's gone and not coming back.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

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In article <7GA7d.656440$Gx4.428468@bgtnsc04-news.ops.worldnet.att.net> pstamlerhell@pobox.com writes:

> Any chance EMTEC will ever go back into the tape business, or sell the
> factory to someone who will?

Reports are that they won't be back in the tape business and nobody
wants to buy the factory. Too bad. It was good stuff.

--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo

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kludge@panix.com (Scott Dorsey) wrote in message news:<cjmmu9$psn$1@panix3.panix.com>...
> hank alrich <walkinay@thegrid.net> wrote:
> >Scott Dorsey wrote:
> >> EricK wrote:
> >> >Scott Dorsey wrote:
>
> >> >> Try Quantegy 406 to begin with. I am pretty sure you can't bias 499 with
> >> >> one of those machines and 456 is just going to give you extra headroom
> >> >> that you won't be able to use. You should be able to bias 406 up.
>
> >> >All of the B67's I've used could bias 499 and GP9 just fine.
>
> >> Wow! That's impressive... even a 440 can't really handle GP9 properly.
> >> How does the B67 compare with the older A67 model?
> >
> >I don't know, but I do know that Agfa PEM 468 was my favorite for my
> >B67. We used Ampex 456 before we found the Agfa.
>
> 468 is one of my favorite tapes on anything, and it requires less bias
> than 456 or 406 does, too. It'll even bias up on a Nagra III with a little
> tweaking. And it's gone and not coming back.
> --scott

Wow. My tascam 48 came with 2 brand new reels of 468 and a new reel of
469. I tried one of the 468's and it was kinda mushy, I didn't like
it, but then I did not rebias for it. I ended up giving the other 2
reels away, since 456 sounds great to my ears. I had no idea it was
highly regarded tape.

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"Scott Dorsey" <kludge@panix.com> wrote in message
news:cjmmr9$pn4$1@panix3.panix.com...
> Paul Stamler <pstamlerhell@pobox.com> wrote:
> >
> >Of course, I hate 456 anyway, so that's a recommendation included only
for
> >the sake of completeness. I like 406 a lot more. And I like
Agfa/BASF/EMTEC
> >468 better'n any of them.
>
> 406 and 456 have the same coating formulation, but the coating on 456 is
> thicker. This changes the top end a little bit. I think if you run them
> both at 250 nW/m, there isn't much difference between the two, but if you
> follow Quantegy's recommendation of elevated levels on 456, it sounds
really
> glassy. That seems to be a popular rock sound but I don't much like it
> either. And if you aren't going to run at elevated levels, 406 is
cheaper.

Interesting. I did tests on several tapes one time, and found that 406 (and
Scotch 206) had a "soft-clipping" characteristic while 456 and 250 had a
"hard-clipping" characteristic as level increased. In other words, adjusting
each so that +8 VU equalled 3% harmonic distortion, at 8 dB below that
point, 406 would have more distortion than 456; it would increase slowly to
the 3% point and beyond. 456 would stay quite low until just below the 3%
point, then shoot up. Above the 3% point, 456 would have a good deal more
distortion at any given level.

The other thing I despised about 456 was the way the highs went soft and
mushy after about a week. Agfa 468 would change very little.

Peace,
Paul

Reply to Anonymous

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Paul Stamler <pstamlerhell@pobox.com> wrote:
>
>Interesting. I did tests on several tapes one time, and found that 406 (and
>Scotch 206) had a "soft-clipping" characteristic while 456 and 250 had a
>"hard-clipping" characteristic as level increased. In other words, adjusting
>each so that +8 VU equalled 3% harmonic distortion, at 8 dB below that
>point, 406 would have more distortion than 456; it would increase slowly to
>the 3% point and beyond. 456 would stay quite low until just below the 3%
>point, then shoot up. Above the 3% point, 456 would have a good deal more
>distortion at any given level.

That makes perfect sense, and basically correlates well with what I heard.
Were you doing these at 1 KC? Something interesting about a lot of these
tapes is that the MOL at 1 KC is often very different than the MOL at 20 KC,
so it will saturate at some frequencies faster than others, resulting in a
change in frequency response at very high levels.

>The other thing I despised about 456 was the way the highs went soft and
>mushy after about a week. Agfa 468 would change very little.

406 seems to do that for me too. I tend to align the record high end EQ
up a little bit to compensate.
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Scott Dorsey" <kludge@panix.com> wrote in message
news:cjp0jt$m7q$1@panix2.panix.com...
> Paul Stamler <pstamlerhell@pobox.com> wrote:
> >
> >Interesting. I did tests on several tapes one time, and found that 406
(and
> >Scotch 206) had a "soft-clipping" characteristic while 456 and 250 had a
> >"hard-clipping" characteristic as level increased. In other words,
adjusting
> >each so that +8 VU equalled 3% harmonic distortion, at 8 dB below that
> >point, 406 would have more distortion than 456; it would increase slowly
to
> >the 3% point and beyond. 456 would stay quite low until just below the 3%
> >point, then shoot up. Above the 3% point, 456 would have a good deal more
> >distortion at any given level.
>
> That makes perfect sense, and basically correlates well with what I heard.
> Were you doing these at 1 KC? Something interesting about a lot of these
> tapes is that the MOL at 1 KC is often very different than the MOL at 20
KC,
> so it will saturate at some frequencies faster than others, resulting in a
> change in frequency response at very high levels.

I did my tests at 440Hz, also measured MOL at 20kHz. Most tapes saturated
below the canonical +8VU level at 20kHz, but now, decades after I ran the
tests, I'm not sure whether 406 or 456 was better in this regard.

> >The other thing I despised about 456 was the way the highs went soft and
> >mushy after about a week. Agfa 468 would change very little.
>
> 406 seems to do that for me too. I tend to align the record high end EQ
> up a little bit to compensate.

That never worked for me; the mushiness didn't come off aurally as a *loss*
of highs, so much as a lack of definition in the high frequencies. If I
recorded brighter, I just got recordings that were mushy and bright at the
same time. Yes, 406 did that for me too, but not nearly as badly as 456.
Eventually I switched to Maxell UD-XL, then Agfa 468. Sigh.

Peace,
Paul

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Scott Dorsey wrote:
>
> hank alrich <walkinay@thegrid.net> wrote:

> >I don't know, but I do know that Agfa PEM 468 was my favorite for my
> >B67. We used Ampex 456 before we found the Agfa.
>
> 468 is one of my favorite tapes on anything, and it requires less bias
> than 456 or 406 does, too. It'll even bias up on a Nagra III with a little
> tweaking. And it's gone and not coming back.

If you really want some 468 then I'm sure I saw one UK dealer
advertising some. Try www.svsmedia.com - although I've no idea how much
they actually have.

Cheers.

James.

Reply to Anonymous

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Mike Rivers wrote:
>
> In article <7GA7d.656440$Gx4.428468@bgtnsc04-news.ops.worldnet.att.net> pstamlerhell@pobox.com writes:
>
> > Any chance EMTEC will ever go back into the tape business, or sell the
> > factory to someone who will?
>
> Reports are that they won't be back in the tape business and nobody
> wants to buy the factory. Too bad. It was good stuff.
>

There is an online auction going on for some of their machinery at
http://www.angermann-lueders.de/en [...] kt=5064805

Cheers.

James.

Reply to Anonymous

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Paul Stamler <pstamlerhell@pobox.com> wrote:
>"Scott Dorsey" <kludge@panix.com> wrote in message
>
>Scott, we're disappointed. We were kinda hoping you'd buy the machinery and
>go into production.

I don't think Chakaal would let me.
--scott


--
"C'est un Nagra. C'est suisse, et tres, tres precis."

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