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Connecting Mic Preamp to CD Recorder

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Archived from groups: rec.audio.pro (More info?)

 

I am attempting my first recording of a grand piano and have purchased
the following:
Two MXL 603 mics (phantom powered)
Symetrix 302 Dual Microphone Preamplifier
Would someone please suggest the best way to connect the output of
this preamp to CD recorder.
The preamp has 2 types of Balanced Line Outputs (I believe I need
balanced because of the phantom power)
A – TRS jacks – output 1, output 2
B – Euroblock connectors – output 1, output 1+2, output 2
The CD recorder is consumer grade and has RCA connectors
The preamp and recorder will be next to each other.
If you don't mind Dummying-it-down and let me know some obvious things
like:
Will such cables be Y-shaped?
Output goes into exactly which RCA jack in the back of the CD
recorder.
Thanks,
Paul

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"Paul" <pgruodis@yahoo.com> wrote in message
news:e1850e8c.0410130846.71163297@posting.google.com...
> I am attempting my first recording of a grand piano and have purchased
> the following:
> Two MXL 603 mics (phantom powered)
> Symetrix 302 Dual Microphone Preamplifier
> Would someone please suggest the best way to connect the output of
> this preamp to CD recorder.
> The preamp has 2 types of Balanced Line Outputs (I believe I need
> balanced because of the phantom power)

Only if you're planning to plug your microphones into the outputs. Are you
planning to do that?

> A - TRS jacks - output 1, output 2
> B - Euroblock connectors - output 1, output 1+2, output 2
> The CD recorder is consumer grade and has RCA connectors
> The preamp and recorder will be next to each other.
> If you don't mind Dummying-it-down and let me know some obvious things
> like:
> Will such cables be Y-shaped?
> Output goes into exactly which RCA jack in the back of the CD
> recorder.

You need a short cable with a TRS plug on one end and an RCA plug on the
other. No, actually you need two of them. Two channels. In each case the tip
of the TRS plug should connect to the pin of the RCA plug, the sleeve of the
TRS plug should connect to the sleeve of the RCA plug, and the ring of the
TRS plug should connect to nothing whatsoever.

An alternative, if you don't want to make up cables, is to get an adapter
(well, two of them) from Radio Shack. The adapter will have a TRS plug
(male) and two RCA jacks (female). Plug each of them into the TRS jacks on
the preamp. Then plug an RCA-RCA cable into the BLACK jack on the adapter
plugged into the left channel (ch. 1) of the preamp, and into the Line input
(Left or Channel 1) of the CD recorder. Do likewise with the right channel,
again plugging into the BLACK jack on the adapter. Don't plug anything into
the two red jacks on the adapters.

Peace,
Paul

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Paul wrote:
> I am attempting my first recording of a grand piano and have purchased
> the following:
> Two MXL 603 mics (phantom powered)
> Symetrix 302 Dual Microphone Preamplifier
> Would someone please suggest the best way to connect the output of
> this preamp to CD recorder.
> The preamp has 2 types of Balanced Line Outputs (I believe I need
> balanced because of the phantom power)
> A – TRS jacks – output 1, output 2
> B – Euroblock connectors – output 1, output 1+2, output 2
> The CD recorder is consumer grade and has RCA connectors
> The preamp and recorder will be next to each other.
> If you don't mind Dummying-it-down and let me know some obvious things
> like:
> Will such cables be Y-shaped?
> Output goes into exactly which RCA jack in the back of the CD
> recorder.
> Thanks,
> Paul


The phantom power goes to the mics so get regular XLR-XLR mic cables,
plug them in the only way you can, and turn phantom on. To unplug, turn
phantom off first.

Take the output from whichever connector is easiest for you to connect,
but only use the + (or TRS tip) and ground (TRS sleeve); that's probably
a straight 1/4" TS to RCA cable (or adaptors) - this is not balanced and
does not need to be.

If the left mic is in channel 1, connect the channel 1 output to the
Left RCA jack (sorry, "insufficient data for a meaningful answer" ).

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Paul Stamler wrote:

> Only if you're planning to plug your microphones into the outputs. Are you
> planning to do that?

Can't you get the same effect just by flipping the tape over?

--
ha

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Paul" <pgruodis@yahoo.com> wrote in message
news:e1850e8c.0410130846.71163297@posting.google.com
> I am attempting my first recording of a grand piano and have purchased
> the following:
> Two MXL 603 mics (phantom powered)
> Symetrix 302 Dual Microphone Preamplifier
> Would someone please suggest the best way to connect the output of
> this preamp to CD recorder.
> The preamp has 2 types of Balanced Line Outputs (I believe I need
> balanced because of the phantom power)
> A - TRS jacks - output 1, output 2
> B - Euroblock connectors - output 1, output 1+2, output 2
> The CD recorder is consumer grade and has RCA connectors

(1) Obtain a pair of 1/4" jack to RCA adaptors (e.g. Cat # 274-320) from
Radio Shack or equivalent (e.g. Hosa GPR123 )
(2) Plug the adaptors into the TRS output jacks on the Symetrix preamp
(3) Connect a pair of ordinary RCA - RCA (e.g.RS Catalog #: 42-2366) cables
or equivalent from the 1/4" to RCA adaptors to the RCA input jacks on the
recorder.

Reply to Anonymous
- 0 +

Archived from groups: rec.audio.pro (More info?)

 

hank alrich wrote:

> Paul Stamler wrote:
>
>> Only if you're planning to plug your microphones into the outputs. Are
>> you planning to do that?
>
> Can't you get the same effect just by flipping the tape over?

Careful. This close to Halloween, you start flipping tapes over & you
might hear Satan rapping at your door.

Reply to Agent86
- 0 +

Archived from groups: rec.audio.pro (More info?)

 

S O'Neill <nopsam@nospam.net> wrote in message news:<SOadnRwiaOMc8vDcRVn-rg@omsoft.com>...

> Take the output from whichever connector is easiest for you to connect,
> but only use the + (or TRS tip) and ground (TRS sleeve); that's probably
> a straight 1/4" TS to RCA cable (or adaptors) - this is not balanced and
> does not need to be.

Are there Pro's/Con's associated with Balanced/Unbalanced?

Reply to Paul

Archived from groups: rec.audio.pro (More info?)

 

Paul wrote:

> S O'Neill <nopsam@nospam.net> wrote in message news:<SOadnRwiaOMc8vDcRVn-rg@omsoft.com>...
>
>
>>Take the output from whichever connector is easiest for you to connect,
>>but only use the + (or TRS tip) and ground (TRS sleeve); that's probably
>>a straight 1/4" TS to RCA cable (or adaptors) - this is not balanced and
>>does not need to be.
>
>
> Are there Pro's/Con's associated with Balanced/Unbalanced?

Generally there are, but not in this case.

Reply to Anonymous
- 0 +

Archived from groups: rec.audio.pro (More info?)

 

Thanks Arny! Thats the kind of "Dummy" help I need!
The Cat#'s are Most appreciated
~Paul
>
> (1) Obtain a pair of 1/4" jack to RCA adaptors (e.g. Cat # 274-320) from
> Radio Shack or equivalent (e.g. Hosa GPR123 )
> (2) Plug the adaptors into the TRS output jacks on the Symetrix preamp
> (3) Connect a pair of ordinary RCA - RCA (e.g.RS Catalog #: 42-2366) cables
> or equivalent from the 1/4" to RCA adaptors to the RCA input jacks on the
> recorder.

Reply to Paul

Archived from groups: rec.audio.pro (More info?)

 

"Paul" <pgruodis@yahoo.com> wrote in message
news:e1850e8c.0410131613.60959d72@posting.google.com...
> S O'Neill <nopsam@nospam.net> wrote in message
news:<SOadnRwiaOMc8vDcRVn-rg@omsoft.com>...
>
> > Take the output from whichever connector is easiest for you to connect,
> > but only use the + (or TRS tip) and ground (TRS sleeve); that's probably
> > a straight 1/4" TS to RCA cable (or adaptors) - this is not balanced and
> > does not need to be.
>
> Are there Pro's/Con's associated with Balanced/Unbalanced?

Yes; in your case, though, there's one factor which vetoes the use of
balanced connections: your recorder's inputs are unbalanced.

Peace,
Paul

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Paul" <pgruodis@yahoo.com> wrote in message
news:e1850e8c.0410131954.3b092a67@posting.google.com...
> Thanks Arny! Thats the kind of "Dummy" help I need!
> The Cat#'s are Most appreciated
> ~Paul
> >
> > (1) Obtain a pair of 1/4" jack to RCA adaptors (e.g. Cat # 274-320) from
> > Radio Shack or equivalent (e.g. Hosa GPR123 )
> > (2) Plug the adaptors into the TRS output jacks on the Symetrix preamp
> > (3) Connect a pair of ordinary RCA - RCA (e.g.RS Catalog #: 42-2366)
cables
> > or equivalent from the 1/4" to RCA adaptors to the RCA input jacks on
the
> > recorder.

Unfortunately, this may or may not give good results. The 1/4" > RCA
adapters he mentions short out the ring connection to ground. On some
preamps this causes no problems; on others it causes severe distortion, even
on the tip connection. Try it and see, but if you get distorted-sounding
results, try the stereo-1/4">dual RCA adapters I mentioned.

Peace,
Paul

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Thu, 14 Oct 2004 06:13:01 GMT, "Paul Stamler"
<pstamlerhell@pobox.com> wrote:

>Unfortunately, this may or may not give good results. The 1/4" > RCA
>adapters he mentions short out the ring connection to ground. On some
>preamps this causes no problems; on others it causes severe distortion, even
>on the tip connection. Try it and see, but if you get distorted-sounding
>results, try the stereo-1/4">dual RCA adapters I mentioned.

God dwells in the details here, and She hasn't deigned to clue me in,
but I could offer this plea to future manufacturers of electronics
for general (some recording, some SR, some whatever) use:

If a piece of line level electronics must be able to interface with
a random installed system, and to guarantee (ISFAP) compatibility,
outputs should (ideally) maintain current pin conventions and
behave well into dead shorts.

Inputs should be three-pin differential. *All* inputs are
differential, so the most complete definition of the word is what we
want here: two active differential pins *not* referenced to a third.
Add a fourth for shield if you feel expansive.

Strange as it may seem, the answer to the OP's seemingly simple
question is difficult to know without knowing some deeper details.

Kinda the story of our times, I guess,

Chris Hornbeck

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Chris Hornbeck wrote:

> On Thu, 14 Oct 2004 06:13:01 GMT, "Paul Stamler"
> <pstamlerhell@pobox.com> wrote:
>
>
>>Unfortunately, this may or may not give good results. The 1/4" > RCA
>>adapters he mentions short out the ring connection to ground. On some
>>preamps this causes no problems; on others it causes severe distortion, even
>>on the tip connection. Try it and see, but if you get distorted-sounding
>>results, try the stereo-1/4">dual RCA adapters I mentioned.
>
>
> God dwells in the details here, ...

>
> Strange as it may seem, the answer to the OP's seemingly simple
> question is difficult to know without knowing some deeper details.
>
> Kinda the story of our times, I guess,


True, but the fact that the output Z of the preamp is 300 balanced and
150 unbalanced tells me that it's most likely just what it seems - he
needs the usual stereo cable with 1/4" instead of RCA at one end, and he
should try it before he needs it.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

In article <e1850e8c.0410131613.60959d72@posting.google.com> pgruodis@yahoo.com writes:

> Are there Pro's/Con's associated with Balanced/Unbalanced?

Yes.

Balanced = PROfessional
Unbalanced = CONsumer

But it's not really that definitive and not really that simple. If you
have balanced connections on both ends, use them. If you don't, then
don't think you have to buy something else. Unbalanced gets the signal
from here to there just fine under most conditions.


--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"S O'Neill" <nopsam@nospam.net> wrote in message
news:8cydncBwb9JKqPPcRVn-jA@omsoft.com
> Chris Hornbeck wrote:
>
>> On Thu, 14 Oct 2004 06:13:01 GMT, "Paul Stamler"
>> <pstamlerhell@pobox.com> wrote:
>>
>>
>>> Unfortunately, this may or may not give good results. The 1/4" > RCA
>>> adapters he mentions short out the ring connection to ground. On
>>> some preamps this causes no problems; on others it causes severe
>>> distortion, even on the tip connection. Try it and see, but if you
>>> get distorted-sounding results, try the stereo-1/4">dual RCA
>>> adapters I mentioned.
>>
>>
>> God dwells in the details here, ...

The details may be discernable by means of logical induction - the schematic
for the predecessor SX-201 can be found at
http://www.symetrixaudio.com/tech_ [...] 02_1A1.pdf .

My experience with this kind of balanced output says that the ring can
probably be grounded with good results in typical use, even though the opamp
that drives the ring and the tip amplifier will be loaded by only 300 ohms.

>> Strange as it may seem, the answer to the OP's seemingly simple
>> question is difficult to know without knowing some deeper details.

Given that a consumer CD recorder is the load, there is no need to provide
the full Monte +22 or whatever. I don't think that the opamp used can do a
full +22 or so into 300 ohms, but it will most likely do +4, or the -10 that
it will can be called upon for in this application.

Additional advice, keep the level controls on the preamp down, and keep the
input level control on the CD recorder up.


> Based on the fact that the output Z of the preamp is 300 balanced and
> 150 unbalanced tells me that it's most likely just what it seems - he
> needs the usual stereo cable with 1/4" instead of RCA at one end, and
> he should try it before he needs it.

Thanks.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Arny Krueger" <arnyk@hotpop.com> wrote in message
news:nZKdnc_kK9K67vPcRVn-hQ@comcast.com...
> "S O'Neill" <nopsam@nospam.net> wrote in message
> news:8cydncBwb9JKqPPcRVn-jA@omsoft.com
> > Chris Hornbeck wrote:
> >
> >> On Thu, 14 Oct 2004 06:13:01 GMT, "Paul Stamler"
> >> <pstamlerhell@pobox.com> wrote:
> >>
> >>
> >>> Unfortunately, this may or may not give good results. The 1/4" > RCA
> >>> adapters he mentions short out the ring connection to ground. On
> >>> some preamps this causes no problems; on others it causes severe
> >>> distortion, even on the tip connection. Try it and see, but if you
> >>> get distorted-sounding results, try the stereo-1/4">dual RCA
> >>> adapters I mentioned.
> >>
> >>
> >> God dwells in the details here, ...
>
> The details may be discernable by means of logical induction - the
schematic
> for the predecessor SX-201 can be found at
> http://www.symetrixaudio.com/tech_ [...] 02_1A1.pdf .

Okay, looking at the schematic tells me that the ring is connected to an
opamp which is downstream from the opamp to which the tip is connected. So
an unbalanced 1/4" adapter, as Arny suggested, should work fine.

My original concern, before seeing the schematic, is that some designs I've
seen do a balanced output by taking the signal from previous stages and
running it through an inverting amplifier, the output of which feeds the
ring of a TRS and/or pin 3 of an XLR via a build-out resistor. The output
also feeds a second inverter, the output of which feeds the tip and/or pin
2. Very nice design, since both sides are fed by essentially identical
amplifiers; only problem is that if the ring/pin 3 is shorted to ground,
that wipes out most of the signal from the first amplifier, so the second
amplifier gets a very low-level, distorted signal.

The Symetrix doesn't do this, though, so the OP should be fine. I would
second Arny's advice to keep the level control set highish on the recorder
and lower on the preamp.

Peace,
Paul

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