My wife is "staging an old radio play" . .yeah, makes no sense to me
either.
They're trying to get the look and feel of a radio broadcast session,
with character players shifting between roles before the audience's
eyes, bratty child stars with an entourage . . and a foley man smashing
glass and slamming doors.
Couple things have me stumped:
We need a man jumping into the Genesee river.
Footsteps (literally)--walk shoes on a plank?
Mealtime
Barroom
And anything evocative of heaven.
It's a period piece done in full view of the audience, so "Hit the key
that plays the sample," is pretty much out of the question. 8-)
On Mon, 18 Oct 2004 13:09:24 GMT, "U-CDK_CHARLES\\Charles" <"Charles
Krug"@cdksystems.com> wrote:
>List:
>
>My wife is "staging an old radio play" . .yeah, makes no sense to me
>either. >
>They're trying to get the look and feel of a radio broadcast session,
>with character players shifting between roles before the audience's
>eyes, bratty child stars with an entourage . . and a foley man smashing
>glass and slamming doors.
>
>Couple things have me stumped:
>
>We need a man jumping into the Genesee river. -
Wading Pool - drop a (full of water) giant gas can in. Don't allow any
air in the can or it will resonate.
>Footsteps (literally)--walk shoes on a plank?
Hard soles.
>Mealtime
plates, silverware, slasses, chairs on floor
>Barroom
Mostly semi grumbly voices muttering "Rhubarb" and small classes
>And anything evocative of heaven.
Light wind (mouth generated whistles) and wind chimes
Or just wintchimes alone. Better than windchimes are strands of keys
on fishing line.
>
>It's a period piece done in full view of the audience, so "Hit the key
>that plays the sample," is pretty much out of the question. 8-)
>
>
<Kurt Riemann> wrote in message
news:rsh8n0pa1ehpm29ruhnmq18clgki66kgdj@4ax.com...
> On Mon, 18 Oct 2004 13:09:24 GMT, "U-CDK_CHARLES\\Charles" <"Charles
> Krug"@cdksystems.com> wrote:
>
> >List:
> >
> >My wife is "staging an old radio play" . .yeah, makes no sense to me
> >either. > >
> >They're trying to get the look and feel of a radio broadcast session,
> >with character players shifting between roles before the audience's
> >eyes, bratty child stars with an entourage . . and a foley man smashing
> >glass and slamming doors.
> >
> >Couple things have me stumped:
> >
>
>
> >We need a man jumping into the Genesee river. -
>
> Wading Pool - drop a (full of water) giant gas can in. Don't allow any
> air in the can or it will resonate.
>
> >Footsteps (literally)--walk shoes on a plank?
>
> Hard soles.
>
> >Mealtime
>
> plates, silverware, slasses, chairs on floor
>
> >Barroom
>
> Mostly semi grumbly voices muttering "Rhubarb" and small classes
>
> >And anything evocative of heaven.
>
> Light wind (mouth generated whistles) and wind chimes
> Or just wintchimes alone. Better than windchimes are strands of keys
> on fishing line.
>
> >
>
>
>
>
> >It's a period piece done in full view of the audience, so "Hit the key
> >that plays the sample," is pretty much out of the question. 8-)
> >
> >
elsewhere on the web people have spent a lot of time covering Foley studios.
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