Mercenary has these posted for about 1600 a module. I'm interested.
From article:
After 20 years, the API 550A discrete, three-band equalizer will
start rolling off the production line.
API's Saul Walker designed the 550A in the late 60s. Originally a
modular OEM equalizer, the 550A quickly found it's way into many
custom console designs by Frank DeMedio and other leading engineers,
many of which are still in use today. This often-copied equalizer
became API's standard channel module EQ when they started
manufacturing consoles in 1971.
Providing a true replica of the famed API 550A equalizer was no small
undertaking for API. Jeffrey Bork, head API engineer, comments: "We've
gone to great lengths to ensure that the new 550As are exactly (and I
mean exactly) the same as the original. For starters, API constructed
exact duplicates of the metal work and circuit boards from the
original artwork. We made silk screens from the same original artwork
for the new front panels. The 550A uses the same output transformer
that API has used throughout the years. And to keep everything exactly
the same, we went to the original manufacturer for the exact same
rotary switches and the same Schadow switches for the bypass. What
you end up with is an exact replica even down to the gauge of the
wiring and the harnessing- even the original documentation is
included. Everything is so exact that people with older 550A EQs will
now be able to buy matching units or purchase parts to refurbish and
fix their older units."
"It's basically the next production run of API units from the early
eighties. And its worth mentioning that we never even considered
trying to make the 550A 'better,'" added Bork.
In article <a727dac5.0410211314.25380ef7@posting.google.com> garrcox@yahoo.com writes:
> Mercenary has these posted for about 1600 a module. I'm interested.
Is that DOLLAR$? Well, maybe it's worth it for someone who always
wanted an API channel, and maybe it really costs that much to build
(and make a profit) but it seems like just one more extravagance to
me.
Paul Wolf, who brought API back from a near death 20 years ago, now
has a new company, Tonelux. At AES, he'll be showing a new 4-band
equalizer that appears to have the soul of the API but it isn't a
copy, maybe a mic preamp as well.
--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo
Garrett Cox wrote:
> Sorry if this is a repost...
>
> Mercenary has these posted for about 1600 a module. I'm interested.
>
> From article:
>
> After 20 years, the API 550A discrete, three-band equalizer will
> start rolling off the production line.
>
sales info snipped...
I'm really interested to see how this pans out,
especially at that price point, and how it effects the
market price of the originals. I have an original 550a
and a pair of 550b's. I end up using the b's more
often. I think they sound just as good and offer more
versatility.
--
--
John Noll
Retromedia Sound Studios
Red Bank, NJ
I agree on the price but would like to hear it none-the-less. I'm
curious how much like the original it will sound. Rarely when
something is reintroduced does it sound like the original.
cheers
garrett
mrivers@d-and-d.com (Mike Rivers) wrote in message news:<znr1098402133k@trad>...
> In article <a727dac5.0410211314.25380ef7@posting.google.com> garrcox@yahoo.com writes:
>
> > Mercenary has these posted for about 1600 a module. I'm interested.
>
> Is that DOLLAR$? Well, maybe it's worth it for someone who always
> wanted an API channel, and maybe it really costs that much to build
> (and make a profit) but it seems like just one more extravagance to
> me.
>
> Paul Wolf, who brought API back from a near death 20 years ago, now
> has a new company, Tonelux. At AES, he'll be showing a new 4-band
> equalizer that appears to have the soul of the API but it isn't a
> copy, maybe a mic preamp as well.
> Is that DOLLAR$? Well, maybe it's worth it for someone who always
> wanted an API channel, and maybe it really costs that much to build
> (and make a profit) but it seems like just one more extravagance to
> me.
I used to have 16 of those 550a's. I sold them when I left Austin and
for a long time I regreeted that and wanted some. Now I have the Speck
ASC's and I no longer lust for the API's. The API's are wonderful but
less versatile.
In article <a727dac5.0410221917.2ec56241@posting.google.com> garrcox@yahoo.com writes:
> I agree on the price but would like to hear it none-the-less. I'm
> curious how much like the original it will sound. Rarely when
> something is reintroduced does it sound like the original.
When "sounds like the original" is your criteria for acceptance, it
begs the qustions "which original?" Alternately, just what about the
original does it sound like (and what doesn't it sound like)? Why buy
an equalizer just because it's an API 550A? Why not buy an equalizer
because it seems like it would be useful to you?
Listening, and actually using it on a number of sessions, is the way
to find out. Reading the ad copy isn't. I trust that if Fletcher sells
a product, he has heard it and has found it to be useful, perhaps in
many of the same places as the original product would be. Frankly, I
don't think that having a few of these equalizers around would change
my life in audio measurably. Your mileage and bank account may differ.
--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo
> When "sounds like the original" is your criteria for acceptance, it
> begs the qustions "which original?" Alternately, just what about the
> original does it sound like (and what doesn't it sound like)? Why buy
> an equalizer just because it's an API 550A? Why not buy an equalizer
> because it seems like it would be useful to you?
Without articulating it too much, to me it sounds like a very usable
EQ. I've enjoyed using them at other studios and really would just
like to pick up a couple. I have service concerns with old gear. So if
I'm going to drop 1600 on an EQ I'd just like it work, no surprises. I
would have no problem using a Behringer EQ if it worked. The 550a
doesn't sound like a Behringer EQ, to my ears anyway. And I like that
about it. Thats not to say there is no use for a Behringer EQ, and
sometimes it's not appropriate to use a 550a. I'm no "fan-boy". I have
no brand loyalty. I just like things that work.
>
> Listening, and actually using it on a number of sessions, is the way
> to find out. Reading the ad copy isn't. I trust that if Fletcher sells
> a product, he has heard it and has found it to be useful, perhaps in
> many of the same places as the original product would be. Frankly, I
> don't think that having a few of these equalizers around would change
> my life in audio measurably. Your mileage and bank account may differ.
Agreed. Fletcher sells everything with a great return policy and I'll
likely be purchasing from him and thats great peace of mind. If it
doesn't work in my studio, which is a possibility, I can send it back
and only be out the shipping. I could benefit from some good sounding
EQ (the 550a is good sounding EQ IMHO) I wish my bank account did
differ.
why not get a 550b and get the other mid band?
--Lou Gimenez
The Music Lab
2" 24track w all the Goodies
www.musiclabnyc.com
> From: garrcox@yahoo.com (Garrett Cox)
> Organization: http://groups.google.com > Newsgroups: rec.audio.pro
> Date: 25 Oct 2004 22:19:22 -0700
> Subject: Re: Reissue the API 550A EQ
>
>> When "sounds like the original" is your criteria for acceptance, it
>> begs the qustions "which original?" Alternately, just what about the
>> original does it sound like (and what doesn't it sound like)? Why buy
>> an equalizer just because it's an API 550A? Why not buy an equalizer
>> because it seems like it would be useful to you?
>
> Without articulating it too much, to me it sounds like a very usable
> EQ. I've enjoyed using them at other studios and really would just
> like to pick up a couple. I have service concerns with old gear. So if
> I'm going to drop 1600 on an EQ I'd just like it work, no surprises. I
> would have no problem using a Behringer EQ if it worked. The 550a
> doesn't sound like a Behringer EQ, to my ears anyway. And I like that
> about it. Thats not to say there is no use for a Behringer EQ, and
> sometimes it's not appropriate to use a 550a. I'm no "fan-boy". I have
> no brand loyalty. I just like things that work.
>
>
>>
>> Listening, and actually using it on a number of sessions, is the way
>> to find out. Reading the ad copy isn't. I trust that if Fletcher sells
>> a product, he has heard it and has found it to be useful, perhaps in
>> many of the same places as the original product would be. Frankly, I
>> don't think that having a few of these equalizers around would change
>> my life in audio measurably. Your mileage and bank account may differ.
>
>
> Agreed. Fletcher sells everything with a great return policy and I'll
> likely be purchasing from him and thats great peace of mind. If it
> doesn't work in my studio, which is a possibility, I can send it back
> and only be out the shipping. I could benefit from some good sounding
> EQ (the 550a is good sounding EQ IMHO) I wish my bank account did
> differ.
>
> cheers
>
> garrett
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