"david" <ihate@spamo.com> wrote in message
news:021120040438560181%ihate@spamo.com...
> In article <20041031164647.05436.00001909@mb-m20.aol.com>, JWelsh3374
> <jwelsh3374@aol.comnojunk> wrote:
>
> > Still curious. I see they added total recall @AES.
> >
> > Anyone??
> >
>
>
> I quickly read a review of it somewhere and I think for your $90K you
> get 8 busses and no automated faders. Duhh.
>
>
>
>
> David Correia
> Celebration Sound
> Warren, Rhode Island
>
> CelebrationSound@aol.com
> www.CelebrationSound.com
From SSL Website :
SuperAnalogueT Console
<SNIP>
Signal routing, inputs/outputs, monitoring and signal processing are all
permanently available on the console. Top quality motorised faders provide
conventional audio level control as well as controlling the recording and
replay levels in your DAW.
<SNIP>
High quality motorised faders to write/replay level moves in your DAW
<SNIP>
Maybe they missed it in the review, but it seems to have motorised /
automatable faders.
Probably will get SSL into lots of mid-sized project facilities that would
otherwise not have had one.
Probably sounds similar to a 9000k. Anyone heard one of those?
Geoff
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In article <I0Jhd.29150$mZ2.937406@news02.tsnz.net> nacnud@paradise.net.nz writes:
> Maybe they missed it in the review, but it seems to have motorised /
> automatable faders.
The motorized faders are indicators of the DAW fader positon. While
you can indeed route audio through them for mixdown, you'd need to
automate them through a DAW program that can send the appropriate MIDI
controller messages back to the faders. You'd also need (up to) 24
analog outputs from your DAW and you'd need to patch those into the
line inputs of the mixer.
The concept is that you move the faders to record automation into the
DAW's mixer. Then when you play the recording, the DAW does the
mixing, sends the stereo or surround mix back to the console's
monitoring section, and makes the console's faders follow the DAW's
mix moves. If you want to change the mix, what you do is punch in to
the DAW's automation (there's probably some automation control so that
the DAW goes into automation update mode when you grab a fader) and
update the mix by moving a fader on the SSL.
It can all work, but it takes a different way of thinking about how to
use a console.
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In article <021120040438560181%ihate@spamo.com> ihate@spamo.com writes:
> I quickly read a review of it somewhere and I think for your $90K you
> get 8 busses and no automated faders. Duhh.
That's correct. But you also get 24 channels of SSL mic preamp and EQ,
and the famous SSL bus compressor, plus controls for a DAW. Frankly I
think it has limited applications but for those who need 24 mic
inputs, a control surface, and the option of mixing the DAW tracks
through SSL channel strips, I suppose it's a more attractive package
at a more attractive price than buying that many SSL rack modules and
installing them.
--
I'm really Mike Rivers - (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo
<< While
you can indeed route audio through them for mixdown, you'd need to
automate them through a DAW program that can send the appropriate MIDI
controller messages back to the faders. >>
That doesn't sound too different from other automation software programs-
except you also get a recorder/editor with your automation software.
<< Probably sounds similar to a 9000k. Anyone heard one of those? >>
Yes. After mixing entirely in a computer the last few years, it was a
refreshing change to put hands on faders & knobs again with a 9000 recently.
Damn convenient having a compressor on every channel.
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