I am currently in the process of buying a digital rocroding system for our
church. I am planning on getting a Yamaha 01V96 for mixing, it will have to
double as the live sound board as well. I will be recording from 8 mics. I
am considering getting a RME DIGI9636 Hammerhall Light soundcard, which has
only digtal inputs. This is fine for recording live from the 01V which has
optical out, but I also wish to convert some old reel-to-reel and cassette
recordings to CD. Can I easily route these through the 01V into the sound
card when I am not using the mics, or is it an elaborate process? For
playback from the computer, can I just plug my headphones into the 01V?
This will be my first digital desk, an upgrade from a Mackie 1404, so I am
really not sure how it all works.
If there is a different sound card that would be better, or you have any
other advise, please let me know - I really don't want to learn the hard
way!
"Arny Krueger" <arnyk@hotpop.com> wrote in message
news:EoidnZcft6e9aQDcRVn-2w@comcast.com
> Agreed. Recording through a mixing board is needless to say, a very
> viable approach. Arguably, recording-through is one of the three
> major reasons mixing boards exist! ;-)
I should add that while I have a couple of boards available for mixing
recordings, mixing recordings on a board is something I only do under
duress.
Primary reason is the fact that when I mix on the PC I have in essence an
automated board. I can't afford to have an REAL automated board at my
disposal.
Secondary reason is that mixing on a REAL board has to be done in real time,
while mixing on a DAW can range from lots faster than real time for actual
track mixing, to near-instantaneous.
If you mix a worship service on a DAW, you can do a lot of it by sight. This
saves tons of time.
Until the first time I audition a test recording, I may have never listened
to the entire service during mixdown. Maybe just 10-20% of it. That's how
you get the whole job done in the equivalent of real time.
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