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Beyer Ribbon Mic

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What is the model number of the ball-type Beyer ribbon mic?

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www.beyerdynamic.com for the entire line.
Currently, they're making the m130 fig 8, the m160 hypercard and the
m260 which is some sort of card, I forget exactly.
later,
m

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Archived from groups: rec.audio.pro (More info?)

 

<mwood5nospam@yahoo.com> wrote in message
news:1105202044.327151.307590@c13g2000cwb.googlegroups.com...
> www.beyerdynamic.com for the entire line.
> Currently, they're making the m130 fig 8, the m160 hypercard and the
> m260 which is some sort of card, I forget exactly.

Also hypercard.

Peace,
Paul

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Don't forget the M500, which is cardiod. Although they're out of
production, there's quite a few around

Wayne

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
mcp6453 <mcp6453@earthlink.net> wrote:
>What is the model number of the ball-type Beyer ribbon mic?

They make a lot. They make the M-130, which is a dual-ribbon figure-8.
They make the M-160, which is a hypercardioid version of the M-130. They
USED to make the M-260, which is a lower cost single-ribbon hypercardioid,
which sounds a little less flat in the midrange, and they still make the
M-260.80, which is an M-260 with a bass cut. They also used to make
something called the M-500, which was a dual ribbon with a huge presence
peak, sort of like an SM-57 sound but with a very clean top end, which was
different than all the others and sold as a stage vocal mike.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Scott Dorsey wrote:
> In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
> mcp6453 <mcp6453@earthlink.net> wrote:
>
>>What is the model number of the ball-type Beyer ribbon mic?
>
>
> They make a lot. They make the M-130, which is a dual-ribbon figure-8.
> They make the M-160, which is a hypercardioid version of the M-130. They
> USED to make the M-260, which is a lower cost single-ribbon hypercardioid,
> which sounds a little less flat in the midrange, and they still make the
> M-260.80, which is an M-260 with a bass cut. They also used to make
> something called the M-500, which was a dual ribbon with a huge presence
> peak, sort of like an SM-57 sound but with a very clean top end, which was
> different than all the others and sold as a stage vocal mike.
> --scott


The M500 is the one I was thinking about. I'm looking for one, for what
it's worth.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Sat, 08 Jan 2005 18:53:19 GMT, mcp6453 <mcp6453@earthlink.net>
wrote:

>Scott Dorsey wrote:
>> In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
>> mcp6453 <mcp6453@earthlink.net> wrote:
>>
>>>What is the model number of the ball-type Beyer ribbon mic?
>>
>>
>> They make a lot. They make the M-130, which is a dual-ribbon figure-8.
>> They make the M-160, which is a hypercardioid version of the M-130. They
>> USED to make the M-260, which is a lower cost single-ribbon hypercardioid,
>> which sounds a little less flat in the midrange, and they still make the
>> M-260.80, which is an M-260 with a bass cut. They also used to make
>> something called the M-500, which was a dual ribbon with a huge presence
>> peak, sort of like an SM-57 sound but with a very clean top end, which was
>> different than all the others and sold as a stage vocal mike.
>> --scott
>
>
>The M500 is the one I was thinking about. I'm looking for one, for what
>it's worth.

It's worth about $300 if it's like new.

Al

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"playon" <playonAT@comcast.net> wrote in message
news:gcf0u0ph0ecjcdovc8pns14l50ja61a9k7@4ax.com...
> On Sat, 08 Jan 2005 18:53:19 GMT, mcp6453 <mcp6453@earthlink.net>
> wrote:
>
> >Scott Dorsey wrote:
> >> In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
> >> mcp6453 <mcp6453@earthlink.net> wrote:
> >>
> >>>What is the model number of the ball-type Beyer ribbon mic?
> >>
> >>
> >> They make a lot. They make the M-130, which is a dual-ribbon figure-8.
> >> They make the M-160, which is a hypercardioid version of the M-130.
They
> >> USED to make the M-260, which is a lower cost single-ribbon
hypercardioid,
> >> which sounds a little less flat in the midrange, and they still make
the
> >> M-260.80, which is an M-260 with a bass cut. They also used to make
> >> something called the M-500, which was a dual ribbon with a huge
presence
> >> peak, sort of like an SM-57 sound but with a very clean top end, which
was
> >> different than all the others and sold as a stage vocal mike.
> >> --scott
> >
> >
> >The M500 is the one I was thinking about. I'm looking for one, for what
> >it's worth.
>
> It's worth about $300 if it's like new.


And I happen to have a pair of them. I'm selling one (I also have a pair of
M130s). They are both like new, but you're free to pick one anyway.

Predrag

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

playon wrote:

> On Sat, 08 Jan 2005 18:53:19 GMT, mcp6453 <mcp6453@earthlink.net>
> wrote:
>
>
>>Scott Dorsey wrote:
>>
>>>In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
>>>mcp6453 <mcp6453@earthlink.net> wrote:
>>>
>>>
>>>>What is the model number of the ball-type Beyer ribbon mic?
>>>
>>>
>>>They make a lot. They make the M-130, which is a dual-ribbon figure-8.
>>>They make the M-160, which is a hypercardioid version of the M-130. They
>>>USED to make the M-260, which is a lower cost single-ribbon hypercardioid,
>>>which sounds a little less flat in the midrange, and they still make the
>>>M-260.80, which is an M-260 with a bass cut. They also used to make
>>>something called the M-500, which was a dual ribbon with a huge presence
>>>peak, sort of like an SM-57 sound but with a very clean top end, which was
>>>different than all the others and sold as a stage vocal mike.
>>>--scott
>>
>>
>>The M500 is the one I was thinking about. I'm looking for one, for what
>>it's worth.
>
>
> It's worth about $300 if it's like new.


Long ago I had an M-500. I might view it differently now, but at the
time the lack of high end made it pretty useless for my purposes. I
didn't have any good mic pre's back then, that could make a difference I
suppose.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Joe Sensor" <crabcakes@emagic.net> wrote in message
news:34b0mkF48m9rpU1@individual.net...
> playon wrote:
>
> > On Sat, 08 Jan 2005 18:53:19 GMT, mcp6453 <mcp6453@earthlink.net>
> > wrote:
> >
> >
> >>Scott Dorsey wrote:
> >>
> >>>In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
> >>>mcp6453 <mcp6453@earthlink.net> wrote:
> >>>
> >>>
> >>>>What is the model number of the ball-type Beyer ribbon mic?
> >>>
> >>>
> >>>They make a lot. They make the M-130, which is a dual-ribbon figure-8.
> >>>They make the M-160, which is a hypercardioid version of the M-130.
They
> >>>USED to make the M-260, which is a lower cost single-ribbon
hypercardioid,
> >>>which sounds a little less flat in the midrange, and they still make
the
> >>>M-260.80, which is an M-260 with a bass cut. They also used to make
> >>>something called the M-500, which was a dual ribbon with a huge
presence
> >>>peak, sort of like an SM-57 sound but with a very clean top end, which
was
> >>>different than all the others and sold as a stage vocal mike.
> >>>--scott
> >>
> >>
> >>The M500 is the one I was thinking about. I'm looking for one, for what
> >>it's worth.
> >
> >
> > It's worth about $300 if it's like new.
>
>
> Long ago I had an M-500. I might view it differently now, but at the
> time the lack of high end made it pretty useless for my purposes. I
> didn't have any good mic pre's back then, that could make a difference I
> suppose.


The lack of high end? Hmmm... maybe you had a broken one.

The lack of nasality and harshness despite a very pronounced high end, that
sounds more like it.

Predrag

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

On Sat, 08 Jan 2005 15:12:52 -0600, Joe Sensor <crabcakes@emagic.net>
wrote:

>playon wrote:
>
>> On Sat, 08 Jan 2005 18:53:19 GMT, mcp6453 <mcp6453@earthlink.net>
>> wrote:
>>
>>
>>>Scott Dorsey wrote:
>>>
>>>>In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
>>>>mcp6453 <mcp6453@earthlink.net> wrote:
>>>>
>>>>
>>>>>What is the model number of the ball-type Beyer ribbon mic?
>>>>
>>>>
>>>>They make a lot. They make the M-130, which is a dual-ribbon figure-8.
>>>>They make the M-160, which is a hypercardioid version of the M-130. They
>>>>USED to make the M-260, which is a lower cost single-ribbon hypercardioid,
>>>>which sounds a little less flat in the midrange, and they still make the
>>>>M-260.80, which is an M-260 with a bass cut. They also used to make
>>>>something called the M-500, which was a dual ribbon with a huge presence
>>>>peak, sort of like an SM-57 sound but with a very clean top end, which was
>>>>different than all the others and sold as a stage vocal mike.
>>>>--scott
>>>
>>>
>>>The M500 is the one I was thinking about. I'm looking for one, for what
>>>it's worth.
>>
>>
>> It's worth about $300 if it's like new.
>
>
>Long ago I had an M-500. I might view it differently now, but at the
>time the lack of high end made it pretty useless for my purposes. I
>didn't have any good mic pre's back then, that could make a difference I
>suppose.

? Maybe yours needed attention, the M-500 is has a fair amount of
high-end for a ribbon mic, the M-260 sounds quite dark though.

Al

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Predrag Trpkov wrote:

> The lack of high end? Hmmm... maybe you had a broken one.

They pretty generally roll off above 10 kHz because the
response in a ribbon is mass controled above about there.
Plots usually show it to be greater than the -6 dB that
would be expected from that, though, and I'm not sure why
that is.


Bob
--

"Things should be described as simply as possible, but no
simpler."

A. Einstein

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"Bob Cain" <arcane@arcanemethods.com> wrote in message
news:crpoco02oah@enews1.newsguy.com...
>
>
> Predrag Trpkov wrote:
>
> > The lack of high end? Hmmm... maybe you had a broken one.
>
> They pretty generally roll off above 10 kHz because the
> response in a ribbon is mass controled above about there.
> Plots usually show it to be greater than the -6 dB that
> would be expected from that, though, and I'm not sure why
> that is.


There is indeed a rolloff starting from 10 kHz, but at that point the
response is several dB above zero level and it only falls below zero above
15 kHz. It's the end of a huge presence bump that starts at around 4 kHz.

Predrag

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Predrag Trpkov wrote:
> "playon" <playonAT@comcast.net> wrote in message
> news:gcf0u0ph0ecjcdovc8pns14l50ja61a9k7@4ax.com...
>
>>On Sat, 08 Jan 2005 18:53:19 GMT, mcp6453 <mcp6453@earthlink.net>
>>wrote:
>>
>>
>>>Scott Dorsey wrote:
>>>
>>>>In article <ERTDd.6113$fE4.602210@twister.southeast.rr.com>,
>>>>mcp6453 <mcp6453@earthlink.net> wrote:
>>>>
>>>>
>>>>>What is the model number of the ball-type Beyer ribbon mic?
>>>>
>>>>
>>>>They make a lot. They make the M-130, which is a dual-ribbon figure-8.
>>>>They make the M-160, which is a hypercardioid version of the M-130.
>
> They
>
>>>>USED to make the M-260, which is a lower cost single-ribbon
>
> hypercardioid,
>
>>>>which sounds a little less flat in the midrange, and they still make
>
> the
>
>>>>M-260.80, which is an M-260 with a bass cut. They also used to make
>>>>something called the M-500, which was a dual ribbon with a huge
>
> presence
>
>>>>peak, sort of like an SM-57 sound but with a very clean top end, which
>
> was
>
>>>>different than all the others and sold as a stage vocal mike.
>>>>--scott
>>>
>>>
>>>The M500 is the one I was thinking about. I'm looking for one, for what
>>>it's worth.
>>
>>It's worth about $300 if it's like new.
>
>
>
> And I happen to have a pair of them. I'm selling one (I also have a pair of
> M130s). They are both like new, but you're free to pick one anyway.
>
> Predrag
>
>


Send me an email with a valid email address. How much do you want for
the M500?

Reply to Anonymous
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