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mackie control going back.

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Archived from groups: rec.audio.pro (More info?)

 

Faders are not reliable enough for production work. it seems that the
faders use your bodys contact to ground itself and begin sending
feedback to the software, but it seems that the faders have a tendency
of dropping out data or getting stuck ruining your mix and having to go
back and do another take. This was confirmed with 2 boards.

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Archived from groups: rec.audio.pro (More info?)

 

"jdobb2001" <jdobbs2001@yahoo.com> wrote in message
news:1106028803.134460.300220@f14g2000cwb.googlegroups.com...
> Faders are not reliable enough for production work. it seems that the
> faders use your bodys contact to ground itself and begin sending
> feedback to the software, but it seems that the faders have a tendency
> of dropping out data or getting stuck ruining your mix and having to go
> back and do another take. This was confirmed with 2 boards.

Confirmed with two Mackie controllers (I assume is what you mean) but what about
with different computers? And with what software were you trying this out? There
are a lot of variables between touching a fader and getting usable results in a
DAW. Not all of them are Mackie's fault.

John LeBlanc
Houston, TX

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

jdobb2001 wrote:
> it seems that the
> faders use your bodys contact to ground itself and begin sending
> feedback to the software,

This is how most, if not all pro moving fader systems work. Neve Flying
Faders, for example, uses this method.


--
Eric

www.Raw-Tracks.com

Reply to erick

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"jdobb2001" <jdobbs2001@yahoo.com> wrote in message
news:1106028803.134460.300220@f14g2000cwb.googlegroups.com

> Faders are not reliable enough for production work. it seems that the
> faders use your bodys contact to ground itself and begin sending
> feedback to the software, but it seems that the faders have a tendency
> of dropping out data or getting stuck ruining your mix and having to
> go back and do another take. This was confirmed with 2 boards.

Sounds like you're mixing in real time on a DAW?

Yecch!

You never heard of volume envelopes, I take it.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

jdobb2001 wrote:
> Faders are not reliable enough for production work. it seems that the
> faders use your bodys contact to ground itself and begin sending
> feedback to the software, but it seems that the faders have a
tendency
> of dropping out data or getting stuck ruining your mix and having to
go
> back and do another take. This was confirmed with 2 boards.

I thought the same thing about this one SSL G once upon a time.
Real dog that console, and they couldn't figure out why the automation
was so messed up on it either.


Will Miho
NY Music & TV Audio Guy
Staff Audio / Fox News / M-AES
"The large print giveth and the small print taketh away..." Tom Waits

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

I use the volume envelopes etc via mouse.. but I wanted to use faders,
yes I would prefer mixing realtime and have sammy record my fader
volumes it feels more like the way things used to be and I can get a
much better feel VS mousing.

when I mouse it takes me longer, I was really hoping this board would
be solid since I really felt at home when it worked fine.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Samplitude and I tested 2 boards on 2 of our samplitude workstations.
same thing I was told to look at the midi controller incoming data and
it confirmed it. you can see where it drops midi sometimes etc..

It was working okay initially but then a few days later it seemed like
the faders got jumpy. I loved it when it was working but I cannot feel
confident working on something that might or might not be 100%
Back to the mouse.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Cool never knew this. Interesting to learn.

Reply to Anonymous

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"jdobb2001" <jdobbs2001@yahoo.com> wrote in message
news:1106091058.309779.236160@f14g2000cwb.googlegroups.com...
> Samplitude and I tested 2 boards on 2 of our samplitude workstations.
> same thing I was told to look at the midi controller incoming data and
> it confirmed it. you can see where it drops midi sometimes etc..
>
> It was working okay initially but then a few days later it seemed like
> the faders got jumpy. I loved it when it was working but I cannot feel
> confident working on something that might or might not be 100%
> Back to the mouse.

Oh. Well, if you check the Samplitude forums in the hardware area you'll see
this was discussed. There's an issue with the data rate between the computer and
the Mackie Controller and this issue is impacted by latency. The lower your
buffer, the better it tracks. But lower buffer means you cannot use a whole
bunch of plugins, tracks, or both, or you'll have a totally different problem to
deal with.

I talked with Dan at Synthax a week or so ago about the Mackie Controller and
Samplitude. He said they were going to cover this territory at the show this
week. I remember someone (don't recall who) stating that version 8.x of
Samplitude was going to straighten out some of the controlling issues.

I hope so, because I've yet to get any surface working adequately with
Samplitude, including an 01V. This is even more annoying since twice weekly I
sit in another studio that uses Nuendo and a Yamaha DM2000 as the control
surface and it works exceptionally well.

Finally, you could always don your moonsuit and ask in the Samplitude forums.

John LeBlanc
Houston, TX

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

In article <1106091058.309779.236160@f14g2000cwb.googlegroups.com> jdobbs2001@yahoo.com writes:

> It was working okay initially but then a few days later it seemed like
> the faders got jumpy. I loved it when it was working but I cannot feel
> confident working on something that might or might not be 100%
> Back to the mouse.

Back to the analog console!

--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"jdobb2001" <jdobbs2001@yahoo.com> wrote in message
news:1106090851.629134.221360@f14g2000cwb.googlegroups.com
> I use the volume envelopes etc via mouse.. but I wanted to use faders,
> yes I would prefer mixing realtime and have sammy record my fader
> volumes it feels more like the way things used to be and I can get a
> much better feel VS mousing.
>
> when I mouse it takes me longer, I was really hoping this board would
> be solid since I really felt at home when it worked fine.

No way is drawing envelopes slower than moving faders in real time.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Arny Krueger wrote:
>
> No way is drawing envelopes slower than moving faders in real time.
>

But you have to be listening to the track to know how much louder or
softer it needs to be, relative to the other tracks. If you are drawing
envelopes, you aren't listening to the track. Don't get me wrong,
drawing envelopes can have it's place, but for me, I much prefer riding
the fader/mouse in real time, while doing vocal rides.

--
Eric

www.Raw-Tracks.com

Reply to erick

Archived from groups: rec.audio.pro (More info?)

 

In article <u8WdnSvsRp4Ez3PcRVn-3w@comcast.com> arnyk@hotpop.com writes:

> No way is drawing envelopes slower than moving faders in real time.

Sure, once you know where to draw something, and how much. That's fine
if you need to mute or duck something, but if you're actually mixing
music, faster or not, there's no substitute for hearing what happens
when you move a fader.

Of course given the latency of many DAWs, moving the faders doesn't
always work like a real console.


--
I'm really Mike Rivers - (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

"EricK" <eric@Raw-Tracks.com> wrote in message
news:3579q0F4iickgU1@individual.net
> Arny Krueger wrote:
>>
>> No way is drawing envelopes slower than moving faders in real time.
>>
>
> But you have to be listening to the track to know how much louder or
> softer it needs to be, relative to the other tracks.

Of course. If I've got well-behaved musicians, I set the sliders once for
the whole song. They've got effective monitoring, and they balance
themselves to each other through the monitors. All I have to do is get the
gains set right once for the session.

OK, I don't have well-behaved musicians. They still have some consistency to
what they do. Occasionally, I have to raise or lower gains over periods of
time with ramps where they change.

Or, I have musicians that get keyed up every once and a while and I have to
draw some pretty jaggy curves to level out what they do.

>If you are drawing envelopes, you aren't listening to the track.

Some editing is visual and some is based on sonic memory.

If things get really nasty I may end up working almost a syllable at a time.
I can see the height of the envelope jagging all over the place and
basically all I have to do is draw a volume envelope that backs out most of
the bigger jaggies. I listen to detect the problem and I listen to verify
that I addressed it and move on, thankful that the whole track wasn't like
this.

BTW, nobody can run a fader as fast and as accurately as you can draw volume
envelopes in a time-magnified viewing/editing mode.

> Don't get me wrong, drawing envelopes can have it's place, but for me, I
> much
> prefer riding the fader/mouse in real time, while doing vocal rides.

I prefer to get the best job done as quickly as reasonably possible. ;-)

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

I've got a Mackie Control and an XT unit (actually they started life as
Logic Controls but got the chip upgrade to make them MC Universal). I
use them with both Pro Tools and Digital Performer through an Opcode
Studio 4 midi interface. They work flawlessly in PT (aside from the HUI
profile's lack of implementation of auxes in any but the first 8
channels). In DP however, all else being the same aside from using the
Mackie Control profile, the fader data glitches sporadically on input,
generating brief, random maximum or minimum fader values. So it appears
the problem in my case is in the software, not the hardware. Might be
for you too.

Ted Spencer, NYC




John_LeBlanc wrote:
> "jdobb2001" <jdobbs2001@yahoo.com> wrote in message
> news:1106091058.309779.236160@f14g2000cwb.googlegroups.com...
> > Samplitude and I tested 2 boards on 2 of our samplitude
workstations.
> > same thing I was told to look at the midi controller incoming data
and
> > it confirmed it. you can see where it drops midi sometimes etc..
> >
> > It was working okay initially but then a few days later it seemed
like
> > the faders got jumpy. I loved it when it was working but I cannot
feel
> > confident working on something that might or might not be 100%
> > Back to the mouse.
>
> Oh. Well, if you check the Samplitude forums in the hardware area
you'll see
> this was discussed. There's an issue with the data rate between the
computer and
> the Mackie Controller and this issue is impacted by latency. The
lower your
> buffer, the better it tracks. But lower buffer means you cannot use a
whole
> bunch of plugins, tracks, or both, or you'll have a totally different
problem to
> deal with.
>
> I talked with Dan at Synthax a week or so ago about the Mackie
Controller and
> Samplitude. He said they were going to cover this territory at the
show this
> week. I remember someone (don't recall who) stating that version 8.x
of
> Samplitude was going to straighten out some of the controlling
issues.
>
> I hope so, because I've yet to get any surface working adequately
with
> Samplitude, including an 01V. This is even more annoying since twice
weekly I
> sit in another studio that uses Nuendo and a Yamaha DM2000 as the
control
> surface and it works exceptionally well.
>
> Finally, you could always don your moonsuit and ask in the Samplitude
forums.
>
> John LeBlanc
> Houston, TX

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