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> I'm broke, and I'm cheap, but enough about me. I have a line6 POD for
> guitar. In the manual, line6 says you can use the guitar POD to record
> bass with, and that the "vaccuum tube" clean setting would be best for
> it. I've heard it's bad to play bass into a real guitar amp, but I
> always thought that was because the speaker cones in a guitar amp
> really can't handle what a bass would put it through. Since the PODs
> are all direct in and no speakers are involved, I figure this could be
> made to work. I want to start adding some wicked funk bass lines to my
> stuff. I figure you really can't do much better than A fender
> Precision for bass work, it's the classic sound. I'd like to be able
> to spend a decent amount of money on the Fender and not have to buy an
> amp or more likely, a bass POD. Anybody out there who's tried this?
As a bassist, I've plugged my Fender P-bass direct into many a desk's
line-in with serviceable results. In fact, I've found that I can get much
better control over my tone when going direct rather than close-micing
because I'm not limited to the tone of my amp/speaker combo this way. I can
EQ and compress to my liking. This is relatively important with a P-bass
because, although it has a great sound, it's hard to get that growl or
high-end you might find on other basses. But, a little EQ boost in certain
frequencies can dramatically add life and distinction to that P-bass I've
grown up with. Actually, other than some minor adjustments at the board,
most of this is done within Sonar using FX plugins.
I do own a Bass PodXT, and I enjoy working with it. I use it mostly for live
work (both with my P-bass, and my Spector 5 string). But, most of the FX on
that I rarely use during recording. What I find useful is the fact that I
can get a relatively hot signal, decent compression (without typical
artifacts you find on compressors with a bass signal), and good control of
the EQ. It's not perfect, but what it lacks I can usually make up for in
Sonar if I don't tweak it too much before laying down the tracks. I think
you can acheive most of this with a Guitar Pod as well. I wouldn't mess too
much with the amp sims, since you can probably adjust the tone to your
liking better after tracking. If you are not tracking, and planning to use
this DI approach for live work, just ask for a side-fill or wedge with your
bass accentuated on that monitor mix. It should do the trick.
Craig