Tom's Hardware > Forum > Audio > Pro Audio > Pro-Tools DSP?
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A former assistant of mine posted this.
For those using pro-tools

Opening up huge audio files can often tap system horsepower and drain
resources. Many users know about freeing up DSP power by turning off
voices on unused tracks, but Brawley suggests going one step further
and completely turning off those unused tracks to free up even more
power.
"Holding down the control and shift keys in the Mix window, click on
the purple waveform at the bottom of the fader of the track you want to
disable," continues Brawley. "This not only turns off the voice but
also bypasses all the plug-ins on the track while still retaining each
effect's settings. Disabling the track in this way will free up even
more system resource power. The next screenshot shows the track on
before doing the control-shift and waveform click, and the one after
that is of the turned off track. Note the grayed-out indication of the
track compared to the enabled track to the right of it."
One of Brawley's admittedly simple Pro Tools tips is worth far more
than its weight in gold: Using Save As often during a session instead
of saving to the same session file name every time. Doing so provides
two advantages he puts to great use in working with the reigning King
of Pop.
"I'd quite often have 20 or 30 different versions of a song saved
along the way when working with Michael Jackson on Invincible,"
concludes Brawley. "If MJ asked me to pull up a sound or a part from an
earlier version, I didn't have to dig through hidden tracks or audio
file folders. I'd simply transfer the track from the other session into
my current session and continue. Everyone has done a vocal, drum, or
guitar edit only to wish they'd left it the way it was, so saving a
track as a new file name creates a copy of the file with the changes
while leaving the old version on the drive with its original name.
Working this way also provides a backup of your file, and we all know
you can never have too many copies of a song. If anything gets screwy
during an edit, rest assured you can always go back one level to the
most recent Save As."

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Archived from groups: rec.audio.pro (More info?)

 

Who doesn't do "Save As...."? Anyone who doesn't is a bit slow on the
uptake.

And the disabling tracks trick was maybe useful 3 or 4 years ago, but
these days, a modern computer with the modern hardware is going to be
enough horsepower for pretty much anything.

Cheers,
Trevor de Clercq

kevindoylemusic@rogers.com wrote:
> A former assistant of mine posted this.
> For those using pro-tools
>
> Opening up huge audio files can often tap system horsepower and drain
> resources. Many users know about freeing up DSP power by turning off
> voices on unused tracks, but Brawley suggests going one step further
> and completely turning off those unused tracks to free up even more
> power.
> "Holding down the control and shift keys in the Mix window, click on
> the purple waveform at the bottom of the fader of the track you want to
> disable," continues Brawley. "This not only turns off the voice but
> also bypasses all the plug-ins on the track while still retaining each
> effect's settings. Disabling the track in this way will free up even
> more system resource power. The next screenshot shows the track on
> before doing the control-shift and waveform click, and the one after
> that is of the turned off track. Note the grayed-out indication of the
> track compared to the enabled track to the right of it."
> One of Brawley's admittedly simple Pro Tools tips is worth far more
> than its weight in gold: Using Save As often during a session instead
> of saving to the same session file name every time. Doing so provides
> two advantages he puts to great use in working with the reigning King
> of Pop.
> "I'd quite often have 20 or 30 different versions of a song saved
> along the way when working with Michael Jackson on Invincible,"
> concludes Brawley. "If MJ asked me to pull up a sound or a part from an
> earlier version, I didn't have to dig through hidden tracks or audio
> file folders. I'd simply transfer the track from the other session into
> my current session and continue. Everyone has done a vocal, drum, or
> guitar edit only to wish they'd left it the way it was, so saving a
> track as a new file name creates a copy of the file with the changes
> while leaving the old version on the drive with its original name.
> Working this way also provides a backup of your file, and we all know
> you can never have too many copies of a song. If anything gets screwy
> during an edit, rest assured you can always go back one level to the
> most recent Save As."
>

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