Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
Does anyone have any views on either of the following?
Numark CDN 88
Gemini CFX 40/50
any others in the £350 price range
in terms of features and reliability?
I'm looking for something for use in theatre, both for running shows
and for rehearsal. The Gemini has the nice user interface. The Numark
looks like it has a good feature set (assuming they work well), but the
user interface looks like something from a blind UNIX programmer! (I am
a UNIX programmer, but not blind ;-)
Most important to me for running a show is the ability to play a track
at a time:
It waits at the start of track 1.
I press PLAY. It plays track 1.
Then it waits at the start of track 2 for me to press PLAY
continue until run out of tracks.
When I press PLAY it must start instantly and reliably.
A big visible PLAY button would be nice for hitting in low light.
Ideally also it should wait at the start of the track when I press
NEXT, and be able to find that track quickly. For example I may have an
ambient effect which will be over-long and would want to skip to the
next at the end of the scene ready for an effect in the next scene.
Having researched DJ CD players I've found other features of interest
(especially for rehearsals):
Ability to change speed without changing the musical key
for practising dance routines. Both do this
Ability to change the key without changing the speed to help
out singers.
On the night the band will play in the right key.
I have an effects processor that can do this fairly well.
Gemini players can't do this? Numark can but is it any good?
Loops and hot starts - cue points - for more interesting effects
on the night.
Gemini has more cue points but I think it's two keypresses to
activate them from pause. Could this replace a sampling
keyboard?
Some way to quickly get to a bit of music for when they say "Can we
have the second verse again". Good searching on the jog wheel.
Gemini's direct track access helps here, and on the night.
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
You may want to consider an MD player.
You can do some editing of an MD without having to burn a new one, i.e.
you can revise the track order and change the content of the tracks
etc. without making a whole new disc. That is a nice feature when
there are lots of changes.
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
A rep theatre I used to work at had a very expensive Tascam MD player
which was excellent, but we could only afford one of them. "Tape 2"
remained just that - an old reel to reel tape deck. The only problem
we had with it was that after a while it would start saying "Edit not
possible" which would mean having to copy the data off and back on
again.
MDs seem to be less common a format nowadays though. I don't see units
in the shops any more.
I still use an older Sony MD for my church theatre (2 hour Easter
production). The 520 (consumer version of the E58), 530, and 9x0's all
retained the auto pause function, which somewhat simplifies scene
endings. The 510's I used seem to have typical transport problems.
Denon also had a DJ style dual MD system that had single track play mode.
Richard Corfield wrote:
>A rep theatre I used to work at had a very expensive Tascam MD player
>which was excellent, but we could only afford one of them. "Tape 2"
>remained just that - an old reel to reel tape deck. The only problem
>we had with it was that after a while it would start saying "Edit not
>possible" which would mean having to copy the data off and back on
>again.
>
>MDs seem to be less common a format nowadays though. I don't see units
>in the shops any more.
>
>I'll do some research though, so thanks for that.
>
>
>
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
what you want is this:
a dual cd player. what you do is cue up the second one in the
headphones while the other one is playing. then you can instantly
start it.
while #2 is going, you cue up #1. that's how dj's do it, over and over
and over again.
you should get two numark players. the lasers fail over time. you
don't want to be in a live situation and have it fail. the life will
be double anyway. so you're not wasting money.
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
Two players is a possibility. I can keep my very old single CD player
and add to it over time. It doesn't do auto-cue though. I lent that one
to my parents who still have it.
I've seen lasers fail on portable equipment but never on heavier fixed
equipment. (I've seen such equipment die of dust in other people's
setups).
Back on the subject of Minidisk, my concern is that the medium seems to
be going out of fashion. You just don't see it around. I can still find
blank disks - 75p each at one store but re-recordable so would be
cheaper over a show than CDs. I've seen DJs using minisk, but not
recently.
Something I've wondered about DJ-ing is how do you manage to get the
cueing to line up as surely you have a relatively short amount of space
to do it in, or does DJ music tend to come with long play-ins and
play-outs to help you? Perhaps it's just practise and skill :-)
Presumably you're synchronising phrases as well as just beats and bars,
so would have to be accurate to within 16 or 32 beats for a lot of
modern music. If you use pitch shifting to manage the cross fade do you
subsequently correct it, or does the entire show run at the same BPM?
I'd expect a pitch change within a song would be audible, unless it's
done as part of the effect, or you suddenly switch over to a new song
to change bpm.
I don't DJ at the moment, though I own equipment for my theatre work
that could be used for it, so it could be interesting to try (in the
safety of my own home at first). I have the luxury on the rare event we
use pre-recorded music to be able to put it all together on the
computer first rather than having to do it live. Most of my output is
effects, amblients, birdsong, passing cars, etc...
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
"Richard Corfield" <richard.corfield@gmail.com> wrote:
>
> Most important to me for running a show is the ability to play a
> track at a time:
>
> It waits at the start of track 1.
> I press PLAY. It plays track 1.
> Then it waits at the start of track 2 for me to press PLAY
> continue until run out of tracks.
>
> When I press PLAY it must start instantly and reliably.
> A big visible PLAY button would be nice for hitting in low light.
Would it be more practical to do this with iTunes rather than CD
players?
--
"It CAN'T be too loud... some of the red lights aren't even on yet!"
- Lorin David Schultz
in the control room
making even bad news sound good
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
I've tried running on a laptop, and it works, but I'm after a more
applicance like piece of kit that's designed to do that job. Laptop is
fiddly, but anyone can operate a CD player.
I've ordered the Numark which should come tomorrow I hope.
Archived from groups: uk.music.makers.dj,rec.audio.pro (More info?)
Now I have it, I can give an initial review:
First impression - very solidly made. It weighs a lot (10kg according
to the packaging). Disk trays are plastic, but aren't they all
nowadays. A lot of weight is in the controller which surprised me. I
expected that to be a dumb display device with buttons.
It does the cue-ing as required. If skipping to the next track best hit
pause first otherwise it will play straight away, but that's better
that way and more flexible.
Control layout is quite simple and works. On the night I'd put some
tape over the play LED to dim it a bit though. It's a very bright
blue/white one with quite a narrow beam so don't be looking into it
when you press play. The other LEDs are fine, ordinary diffuse
green/yellow ones.
It read disks well - even the "copy protected" BMG one I tried it on so
no need to make a copy of it to play. I don't think I've agreed with
the BeatKeeper yet, but perhaps I listen to the wrong type of music for
it. 3/4 time is definately out. Will have to try it on something more
disco-ey to see if it works. It doesn't try to beat-keep if there's no
beat, so shouldn't get in the way for effects.
Key changing works, a little mickey mousey but I expect formant aware
key shifting is still a very new and very expensive technology and this
is an older player. For small changes it's quite usable. Similarly key
lock is very usable up to +/-25% degrading as you get beyond that. For
rehearsal it will do the job. On the night - we just regulate the
caffiene intake of the drummer.
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