Can anybody give me more information on how much attenuation to use on
mic inputs when recording direct to a DAT (tascam DAP 1) with phantom
power (and two omni mics?) I often get distortion on loud passages
(especially organ/piano) even though digital meters are well below 0db
(as low as -5db to -10db). attenuators or use of pads makes problem
better, but seems a rather haphazard solution. Maybe that's normal
though? Does using an attenuator simply match the output of the
microphone better to the mic input of the DAT? Do they degrade the
signal from the mic at all (in theory or in practice)
Which brand and model mics? If a pad doesn't help the problem it's possible
the mic just can't handle the SPL.
--
John L Rice
Drummer@ImJohn.com
"Andrew Post" <andrew@vif-records.demon.co.uk> wrote in message
news:nFa9qPGFWhoCFwmz@vif-records.demon.co.uk...
> Can anybody give me more information on how much attenuation to use on mic
> inputs when recording direct to a DAT (tascam DAP 1) with phantom power
> (and two omni mics?) I often get distortion on loud passages (especially
> organ/piano) even though digital meters are well below 0db (as low as -5db
> to -10db). attenuators or use of pads makes problem better, but seems a
> rather haphazard solution. Maybe that's normal though? Does using an
> attenuator simply match the output of the microphone better to the mic
> input of the DAT? Do they degrade the signal from the mic at all (in
> theory or in practice)
>
> any comments very gratefully received.
>
> Andrew
> --
> Andrew Post
> Can anybody give me more information on how much attenuation to use on
> mic inputs when recording direct to a DAT (tascam DAP 1) with phantom
> power (and two omni mics?) I often get distortion on loud passages
> (especially organ/piano) even though digital meters are well below 0db
> (as low as -5db to -10db). attenuators or use of pads makes problem
> better, but seems a rather haphazard solution. Maybe that's normal
> though? Does using an attenuator simply match the output of the
> microphone better to the mic input of the DAT? Do they degrade the
> signal from the mic at all (in theory or in practice)
Some mics just give more output than others. Best way is to experiment
until your issue is solved.
And no - an attenuator doesn't degrade the signal ( if properly designed
).
Can you guestimate how much 'over' the current signal is in dB ?
I'm guessing that you the DAP1's recording levl control turned way down.
Condenser mics are well known for high output ( you say you're using
phantom pwr I note ) and I suspect you're clipping the internal mic amps
*before* it gets to the rec level control.
Try your pads ( attenuators ) again. It's not haphazard at all - just a
case of a poorly designed mic amp !
Andrew Post <andrew@vif-records.demon.co.uk> wrote:
>Can anybody give me more information on how much attenuation to use on
>mic inputs when recording direct to a DAT (tascam DAP 1) with phantom
>power (and two omni mics?)
However much it takes to prevent clipping.
>I often get distortion on loud passages
>(especially organ/piano) even though digital meters are well below 0db
>(as low as -5db to -10db). attenuators or use of pads makes problem
>better, but seems a rather haphazard solution. Maybe that's normal
>though?
It's normal if you are overdriving the preamp input for there to be
distortion. If you don't have a clip light on the preamp, you have
to listen to what you're doing in order to know the input levels are
in the ballpark. Some preamps have a lot of headroom. Some don't.
>Does using an attenuator simply match the output of the
>microphone better to the mic input of the DAT? Do they degrade the
>signal from the mic at all (in theory or in practice)
It reduces the level. It may change the loading which is important for
dynamic mikes, but with a condenser mike it won't degrade the signal
at all.
Try the Shure adjustable pads. Start with the lowest setting, which
is 15 dB. If you still have problems, try 20 dB.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
> Can anybody give me more information on how much attenuation to use on mic
> inputs when recording direct to a DAT (tascam DAP 1) with phantom power
> (and two omni mics?) I often get distortion on loud passages (especially
> organ/piano) even though digital meters are well below 0db (as low as -5db
> to -10db). attenuators or use of pads makes problem better, but seems a
> rather haphazard solution. Maybe that's normal though? Does using an
> attenuator simply match the output of the microphone better to the mic
> input of the DAT? Do they degrade the signal from the mic at all (in
> theory or in practice)
"Pooh Bear" <rabbitsfriendsandrelations@hotmail.com> wrote in message
news:42A24CD1.BFDD9EEE@hotmail.com...
> Condenser mics are well known for high output ( you say you're using
> phantom pwr I note ) and I suspect you're clipping the internal mic amps
> *before* it gets to the rec level control.
>
> Try your pads ( attenuators ) again. It's not haphazard at all - just a
> case of a poorly designed mic amp !
I ask this question over at rec.arts.movies.production .sound ,twice this
week with no replies so maybe it's a dumb question but would Denecke AD20
be a better "on location" front end ? I sort wonder if the preamps in the
Denecke AD20 would sounded better?
I've had problem with my 184km with my DAP1, One person _thought _ maybe
the reason why I had good luck with a stereo Sony Microphone was that the
Japanese preamps are made for Japanese Microphones .
> "Pooh Bear" <rabbitsfriendsandrelations@hotmail.com> wrote in message
> news:42A24CD1.BFDD9EEE@hotmail.com...
>
> > Condenser mics are well known for high output ( you say you're using
> > phantom pwr I note ) and I suspect you're clipping the internal mic amps
> > *before* it gets to the rec level control.
> >
> > Try your pads ( attenuators ) again. It's not haphazard at all - just a
> > case of a poorly designed mic amp !
>
> I ask this question over at rec.arts.movies.production .sound ,twice this
> week with no replies so maybe it's a dumb question but would Denecke AD20
> be a better "on location" front end ? I sort wonder if the preamps in the
> Denecke AD20 would sounded better?
Any outboard gear tends to have 'better' mic pres than those built into
equipment where they are subject to a more stringent costing typically.
Whether you can hear it is subjective. You'd have to try.
> I've had problem with my 184km with my DAP1, One person _thought _ maybe
> the reason why I had good luck with a stereo Sony Microphone was that the
> Japanese preamps are made for Japanese Microphones .
There's nothing special about Japanese mics that would make a different mic pre
more suitable. Curious idea !
On Sat, 4 Jun 2005 16:56:37 -0400, Andrew Post wrote
(in article <nFa9qPGFWhoCFwmz@vif-records.demon.co.uk> ):
> Can anybody give me more information on how much attenuation to use on
> mic inputs when recording direct to a DAT (tascam DAP 1) with phantom
> power (and two omni mics?) I often get distortion on loud passages
> (especially organ/piano) even though digital meters are well below 0db
> (as low as -5db to -10db). attenuators or use of pads makes problem
> better, but seems a rather haphazard solution. Maybe that's normal
> though? Does using an attenuator simply match the output of the
> microphone better to the mic input of the DAT? Do they degrade the
> signal from the mic at all (in theory or in practice)
>
> any comments very gratefully received.
>
> Andrew
>
There's a comment in the DA-P1 manual about gain setting. If you only need to
set your mic inputs to "3" of so for full scale because the source is so
loud, you will clip.
Engage the onboard pads and increase the input gain and you should be fine.
Regards,
Ty Ford
-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com
In article <IHuoe.13046$uR4.4597@newsread2.news.atl.earthlink.net> edbridgeNOSPAM@earthlink.net writes:
> I ask this question over at rec.arts.movies.production .sound ,twice this
> week with no replies so maybe it's a dumb question but would Denecke AD20
> be a better "on location" front end ? I sort wonder if the preamps in the
> Denecke AD20 would sounded better?
The preamps will sound better than your DA-P1, and more important, the
A/D converter will sound better than the internal one in the DA-P1. If
you're willing to put up with another lunp, it would be a worthwhile
upgrade.
--
I'm really Mike Rivers (mrivers@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo
"Mike Rivers" <mrivers@d-and-d.com> wrote in message
news:znr1117972761k@trad...
>
> In article <IHuoe.13046$uR4.4597@newsread2.news.atl.earthlink.net>
edbridgeNOSPAM@earthlink.net writes:
>
> > I ask this question over at rec.arts.movies.production .sound ,twice
this
> > week with no replies so maybe it's a dumb question but would Denecke
AD20
> > be a better "on location" front end ? I sort wonder if the preamps in
the
> > Denecke AD20 would sounded better?
>
> The preamps will sound better than your DA-P1, and more important, the
> A/D converter will sound better than the internal one in the DA-P1. If
> you're willing to put up with another lunp, it would be a worthwhile
> upgrade.
Thank you Bro. That's what I wanted to know.I don't minded a extra little
lump and spending a little lump if I can get a good sound without spending
ton more on a Sound Device 722 or something like that. I know DAP1 are out
dated but it still works and if all it needs is a better front end, why
not.
I hope this info is something the OP can use.
Peace,
Ed Bridge
Brooklyn N.Y.
http://www.bridgeclassicalguitars.com/ please reply to edbridge@earthlink.net
Many thanks for all your suggestions; all of them helpful!
Andrew Post
In message <nFa9qPGFWhoCFwmz@vif-records.demon.co.uk>, Andrew Post
<andrew@vif-records.demon.co.uk> writes
>Can anybody give me more information on how much attenuation to use on
>mic inputs when recording direct to a DAT (tascam DAP 1) with phantom
>power (and two omni mics?) I often get distortion on loud passages
>(especially organ/piano) even though digital meters are well below 0db
>(as low as -5db to -10db). attenuators or use of pads makes problem
>better, but seems a rather haphazard solution. Maybe that's normal
>though? Does using an attenuator simply match the output of the
>microphone better to the mic input of the DAT? Do they degrade the
>signal from the mic at all (in theory or in practice)
>
>any comments very gratefully received.
>
>Andrew
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