There seems to be many AT mics with similar characteristics (according
to SOS mag), so I'd like to get some user feedback. I have a 4047 and
want to add another AT mic for vocals, e.g., 4033, 4050, maybe another
4047. I'm doing mostly spoken word, but also for singing and
instruments. SOS says the 4050 is essentially a 4033 with multiple
patterns, then says the 4047 is gently flattering but similar to the
4033, which is flattering. (I don't even know what SOS means by
flattering. WordNet definition: "tending to reveal or represent
favorably." ) SOS says the 4040 is a cross between the 4047 and 4033,
but with alleged hi-frequency irregularities and apparent mechanical
noises. The price is lower than the 4033, so maybe the 4040 has
anomalies.
Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
experience/comparison with any of these mics?
<bayareamusician@hotmail.com> wrote:
>
>Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
>experience/comparison with any of these mics?
Yes, and they are all very different.
The 4033 has a very even off-axis response, compared with the others.
This is useful, but it means you can't do as much to get different
tones by moxing the mike around.
They are all worth auditioning for an afternoon. The 4047 has the
most peaked-up top end of the set.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
<bayareamusician@hotmail.com> wrote in message ...
> Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
> experience/comparison with any of these mics?
They're all decent mics. I have a couple of 4033s, and regular access
using the others. I like the 4033, and because I know it, I consider it one
of the 'go-to' mics if I need to trust a comparison on vocals.
On Fri, 15 Jul 2005 17:06:29 -0400, bayareamusician@hotmail.com wrote
(in article <1121461589.059292.271640@g47g2000cwa.googlegroups.com> ):
> There seems to be many AT mics with similar characteristics (according
> to SOS mag), so I'd like to get some user feedback. I have a 4047 and
> want to add another AT mic for vocals, e.g., 4033, 4050, maybe another
> 4047. I'm doing mostly spoken word, but also for singing and
> instruments. SOS says the 4050 is essentially a 4033 with multiple
> patterns, then says the 4047 is gently flattering but similar to the
> 4033, which is flattering. (I don't even know what SOS means by
> flattering. WordNet definition: "tending to reveal or represent
> favorably." ) SOS says the 4040 is a cross between the 4047 and 4033,
> but with alleged hi-frequency irregularities and apparent mechanical
> noises. The price is lower than the 4033, so maybe the 4040 has
> anomalies.
>
> Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
> experience/comparison with any of these mics?
>
You can check out some more definitive reviews in my online review archive.
Click on the link at the top of column #2 on my site.
Regards,
Ty Ford
-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com
<bayareamusician@hotmail.com> wrote in message
news:1121461589.059292.271640@g47g2000cwa.googlegroups.com...
> There seems to be many AT mics with similar characteristics (according
> to SOS mag), so I'd like to get some user feedback. I have a 4047 and
> want to add another AT mic for vocals, e.g., 4033, 4050, maybe another
> 4047. I'm doing mostly spoken word, but also for singing and
> instruments. SOS says the 4050 is essentially a 4033 with multiple
> patterns, then says the 4047 is gently flattering but similar to the
> 4033, which is flattering. (I don't even know what SOS means by
> flattering. WordNet definition: "tending to reveal or represent
> favorably." ) SOS says the 4040 is a cross between the 4047 and 4033,
> but with alleged hi-frequency irregularities and apparent mechanical
> noises. The price is lower than the 4033, so maybe the 4040 has
> anomalies.
>
> Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
> experience/comparison with any of these mics?
To my ears, the 4050 sounds NOTHING like a 4033. The 4033 is a bright
sounding mic, maybe even VERY bright. The 4050 is much smoother.
Unlike David, I haven't found a lot of applications in which I've liked
the 4033. I found the 4050 more flattering to most voices.
But then I didn't buy either one... I got a Neumann TLM193 (dark,
smooth, clean single pattern) and an AKG 414B-ULS (bright, coloured,
multi-pattern) instead.
--
"It CAN'T be too loud... some of the red lights aren't even on yet!"
- Lorin David Schultz
in the control room
making even bad news sound good
Lorin David Schultz wrote:
>
> To my ears, the 4050 sounds NOTHING like a 4033. The 4033 is a bright
> sounding mic, maybe even VERY bright. The 4050 is much smoother.
Makes sense, since they are entirely different microphones. People seem
to equate them because they look somewhat similar, but underneath the
covers they have nothing in common.
> Unlike David, I haven't found a lot of applications in which I've liked
> the 4033. I found the 4050 more flattering to most voices.
I don't like the 4033 much either. Bluegrass bands love them for that
"gather everyone around a single mic" thing - very retro these days. And
for that purpose they may not be a bad choice - the relatively small
diaphragm probably gives less off-axis coloration than would, say, a 4050.
On Sun, 17 Jul 2005 04:39:08 -0400, Lorin David Schultz wrote
(in article <MOoCe.95111$wr.76556@clgrps12> ):
> <bayareamusician@hotmail.com> wrote in message
> news:1121461589.059292.271640@g47g2000cwa.googlegroups.com...
>> There seems to be many AT mics with similar characteristics (according
>> to SOS mag), so I'd like to get some user feedback. I have a 4047 and
>> want to add another AT mic for vocals, e.g., 4033, 4050, maybe another
>> 4047. I'm doing mostly spoken word, but also for singing and
>> instruments. SOS says the 4050 is essentially a 4033 with multiple
>> patterns, then says the 4047 is gently flattering but similar to the
>> 4033, which is flattering. (I don't even know what SOS means by
>> flattering. WordNet definition: "tending to reveal or represent
>> favorably." ) SOS says the 4040 is a cross between the 4047 and 4033,
>> but with alleged hi-frequency irregularities and apparent mechanical
>> noises. The price is lower than the 4033, so maybe the 4040 has
>> anomalies.
>>
>> Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
>> experience/comparison with any of these mics?
>
>
>
> To my ears, the 4050 sounds NOTHING like a 4033. The 4033 is a bright
> sounding mic, maybe even VERY bright. The 4050 is much smoother.
>
> Unlike David, I haven't found a lot of applications in which I've liked
> the 4033. I found the 4050 more flattering to most voices.
>
> But then I didn't buy either one... I got a Neumann TLM193 (dark,
> smooth, clean single pattern) and an AKG 414B-ULS (bright, coloured,
> multi-pattern) instead.
>
>
I'm pretty much with Loren on this, but I want to make a point.
I have heard for years that a U 89, TLM 170 and TLM 193 (same capsule) are
"dark." Well I've been using a U 89 for 3-4 years now on vocals and I don't
think it's dark at all, even in figure of eight (which should have the
greatest amount of proximity effect.)
It's not as hyped as a lot of other mics, but they are hyped.
I have recent examples of vocals recorded on the U 89 up on my site in the
music recorded here section. Vocals on "String", "Wind" and "Existential
Boogie" were recorded with a U 89. They don't sound dark to me. In fact,
during mixing, I remember reducing 6k and adding some 200Hz for the gals.
4033 and 4050 sound different to me, though.
Ty Ford
-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com
"Ty Ford" <tyreeford@comcast.net> wrote:
>
> I have heard for years that a U 89, TLM 170 and TLM 193 (same
> capsule) are "dark." Well I've been using a U 89 for 3-4 years now on
> vocals and I don't think it's dark at all
True, the 193 is actually pretty neutral. However, in this era when
it's unusual for a mic NOT to have a ridiculously exaggerated top end,
it is "comparatively" dark. I should have qualified that description.
--
"It CAN'T be too loud... some of the red lights aren't even on yet!"
- Lorin David Schultz
in the control room
making even bad news sound good
If you have a 4047, which I love btw...I'd grab one or two of the
4050's. I think they're much better mics than the 4033 or definitely
better than the 4040. Maybe I shouldn't say "better", but definitely
they see more action....vox, instruments, etc. The multi-patterns work
very well. For $400-500 or whatever they cost new these days, it's a
very good value as well.
Ty Ford wrote:
> I have heard for years that a U 89, TLM 170 and TLM 193 (same capsule) are
> "dark." Well I've been using a U 89 for 3-4 years now on vocals and I don't
> think it's dark at all, even in figure of eight (which should have the
> greatest amount of proximity effect.)
>
> It's not as hyped as a lot of other mics, but they are hyped.
>
At the risk of letting the cat out the bag, I also don't think the
U89 sounds "dark", sounds like a slightly less hyped U87 to my ears. I
suspect when people evaluate the U89 as "dark" they are using micpres
that the U89 output stage doesn't like much - mackie micpres or
something with a similar input design. But for some reason, although
they use the same capsule I have never thought the TLM193 sounded much
like a U89 either.
Will Miho
NY Music and TV Audio Guy
Staff Audio/Fox News/M-AES
"The large print giveth and the small print taketh away..." Tom Waits
"Lorin David Schultz" <Lorin@DAMNSPAM!v5v.ca> wrote in message news:MOoCe.95111$wr.76556@clgrps12...
> <bayareamusician@hotmail.com> wrote in message
> news:1121461589.059292.271640@g47g2000cwa.googlegroups.com...
> > There seems to be many AT mics with similar characteristics (according
> > to SOS mag), so I'd like to get some user feedback. I have a 4047 and
> > want to add another AT mic for vocals, e.g., 4033, 4050, maybe another
> > 4047. I'm doing mostly spoken word, but also for singing and
> > instruments. SOS says the 4050 is essentially a 4033 with multiple
> > patterns, then says the 4047 is gently flattering but similar to the
> > 4033, which is flattering. (I don't even know what SOS means by
> > flattering. WordNet definition: "tending to reveal or represent
> > favorably." ) SOS says the 4040 is a cross between the 4047 and 4033,
> > but with alleged hi-frequency irregularities and apparent mechanical
> > noises. The price is lower than the 4033, so maybe the 4040 has
> > anomalies.
> >
> > Anyway, would the 4033 be suitable for voice/vocals? Anybody have any
> > experience/comparison with any of these mics?
>
>
>
> To my ears, the 4050 sounds NOTHING like a 4033. The 4033 is a bright
> sounding mic, maybe even VERY bright. The 4050 is much smoother.
>
> Unlike David, I haven't found a lot of applications in which I've liked
> the 4033. I found the 4050 more flattering to most voices.
>
> But then I didn't buy either one... I got a Neumann TLM193 (dark,
> smooth, clean single pattern) and an AKG 414B-ULS (bright, coloured,
> multi-pattern) instead.
Let me qualify, because perhaps the fact that my 4033s are both very old
makes a difference. In a rather flat, Russ Berger room, back when I was
actually doing rap... I made several comparisons for vocalists, using the
three mics we had handy for vocals... AKG-414, U-87, and the 4033.
Time after time, the vocalist was more impressed with the warmth and
presence of the 4033 than either of the other two. I also heard that
difference.
Having had these mics since they came out, I ended up using them a lot
and on a variety of things... so I grew accustomed to them. It's that sort
of familiarity that led me to say that I'd grab one fairly quickly if I wanted to
do some sort of quick comparison.
Since the OP was looking for male vocal, that's another reason I gave it
a thumbs-up.
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