Matrixmusic <kevindoylemusic@rogers.com> wrote:
>Looking for a sub from $300-500.
>Any suggestions?
No. Using a subwoofer defeats the whole point of the NS-10s. If you want
low end, you want a different monitor.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
Matrixmusic wrote:
> Looking for a sub from $300-500.
> Any suggestions?
> kevin
I recently purchased the Tapco 12" sub for use in my monitoring setup.
I have it so it can be used with my Tannoy Reveal Passives or my JBL
4410's. It is also set up to bypass and use those monitors without a
sub. When used with the Tannoys and crossed over at the desired
frequency, it clears out some of the 200 Hz and still delivers the rest
of the spectrum. I tend to not include enough low end when using the
Tannoys alone because they are so thick in that range and this gives me
a little more clarity and just a different picture. I am also getting
some very low frequencies when used in conjunction with the JBL's that
I can't get from them by themselves.
With due respect to the veteran engineers who are purist about using
subs, any monitor setup is only as right or wrong as your ability to
mix for a wide variety of listening situations. If you get used to what
it sounds like and how it translates to other systems, I believe it can
be a useful tool. I believe the idea that you can't use a sub with
nearfields is close-minded. I work ocasionally for a veteran engineer
here in Nashville who uses the Blue Sky 2.1 monitoring system. I was
knocked out by it the first time I heard it and that convinced me to
"go against the grain". I am pleased with my results and feel as though
I have options that I did not have before and hear things I did not
hear before incorporating the sub.
<peakester@earthlink.net> wrote in message
news:1122969038.790051.176730@o13g2000cwo.googlegroups.com...
>
> Matrixmusic wrote:
> > Looking for a sub from $300-500.
> > Any suggestions?
> > kevin
>
> I recently purchased the Tapco 12" sub for use in my monitoring setup.
> I have it so it can be used with my Tannoy Reveal Passives or my JBL
> 4410's. It is also set up to bypass and use those monitors without a
> sub. When used with the Tannoys and crossed over at the desired
> frequency, it clears out some of the 200 Hz and still delivers the rest
> of the spectrum. I tend to not include enough low end when using the
> Tannoys alone because they are so thick in that range and this gives me
> a little more clarity and just a different picture. I am also getting
> some very low frequencies when used in conjunction with the JBL's that
> I can't get from them by themselves.
>
> With due respect to the veteran engineers who are purist about using
> subs, any monitor setup is only as right or wrong as your ability to
> mix for a wide variety of listening situations. If you get used to what
> it sounds like and how it translates to other systems, I believe it can
> be a useful tool. I believe the idea that you can't use a sub with
> nearfields is close-minded. I work ocasionally for a veteran engineer
> here in Nashville who uses the Blue Sky 2.1 monitoring system. I was
> knocked out by it the first time I heard it and that convinced me to
> "go against the grain". I am pleased with my results and feel as though
> I have options that I did not have before and hear things I did not
> hear before incorporating the sub.
It's not about being a purist and the idea is not that you can't use a sub
with nearfields. By adding a subwoofer you gain bass extension, but you also
definitely lose the reference, which in case of the NS10s, being their only
real advantage, happens to be a serious problem.
On 2 Aug 2005 00:50:38 -0700, peakester@earthlink.net wrote:
>With due respect to the veteran engineers who are purist about using
>subs, any monitor setup is only as right or wrong as your ability to
>mix for a wide variety of listening situations.
But NS10s are for checking your mix on nasty speakers. If you want
nice-sounding monitors with bass, why buy NS10s?
On Tue, 02 Aug 2005 21:47:47 -0400, david <ihate@spamo.com> wrote:
>Scott's always there to delivers his jihad of ns10's. I actually live
>with them and love em. Yesterday I was recording a very famous person
>using them along with our big monitors. And I just heard from the
>client, now with the PT files in Flordia, this evening about happy they
>are with the result. So there!!
Fine. You're using them for the intended purpose. If a mix sounds
good on NS-10s it's a long way toward sounding good on anything. But
they aren't your only monitors.
I worry about the home studios who reason "Every pro studio has
NS-10s. So they must be good. I'll have them as my main monitors."
On Wed, 03 Aug 2005 13:07:34 +0100, Laurence Payne
<lpayne1NOSPAM@dsl.pipexSPAMTRAP.com> wrote:
> I worry about the home studios who reason "Every pro studio has
> NS-10s. So they must be good. I'll have them as my main monitors."
Which is exactly what a friend of mine did many years ago - his home
studio didn't work out but we did go on to use them as secondary speakers
at the commercial studio we ran together for over 10 years.
david <ihate@spamo.com> wrote:
>
>Scott's always there to delivers his jihad of ns10's. I actually live
>with them and love em. Yesterday I was recording a very famous person
>using them along with our big monitors. And I just heard from the
>client, now with the PT files in Flordia, this evening about happy they
>are with the result. So there!! ;>
>
>Maybe one day an ns10 fell off a console bridge while Scott was working
>underneath it, and it landed on his head and gave him this huge bump
>and he's never forgotten or forgiven them to this day. But I do agree
>about adding a subwoofer to it. It works quite well the way it is.
I'm not saying it's a bad thing... I'm just saying it's not a full range
monitor, and it was never meant to be.
I know folks who mix exclusively on the things and get good results. I
also know folks who mix exclusively on them and get recordings with no
midrange because they haven't learned to compensate for them.
>My two posts today were standing up for 57's and ns10's. Is Nothing
>Sacred?? ;>
Both the SM-57 and the NS-10 are useful. The reason people bash them is
when people try to use them for things that they aren't useful for.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
Thank you, I believe you are correct!
I am mixing surround with the Yamaha's
and they can't handle anything below 80hz
at loud levels; they just get worked too hard.
kevin
Matrixmusic <kevindoylemusic@rogers.com> wrote:
>Thank you, I believe you are correct!
>I am mixing surround with the Yamaha's
>and they can't handle anything below 80hz
>at loud levels; they just get worked too hard.
Okay, why are you using the Yamahas for surround mixing?
I would say they get pretty nasty more than an octave above 80 Hz, but
that's just me.
One of the things a lot of people like about the NS-10 is that they start
bottoming out and going crazy with stuff below 80 Hz... so you know when
you have that stuff and want to avoid it. They are for mixing stuff that
is intended to play on boom boxes, not on theatre systems.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
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