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Which mic type..

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Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

Hi,
If I wanted to relay the sound of a band from one part of a pub to
another, say on another floor, what mic would be best to use to pick up
the live band? They don't want to spend any real money, so I figured a
cheap-ish omni would do it hung in the middle of the room maybe.

Any thoughts? Some suggestions of good cheap mics would help too.

Thanks in advance.

Mark.
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Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

Mark <marks@nospamhere.com> wrote:
>If I wanted to relay the sound of a band from one part of a pub to
>another, say on another floor, what mic would be best to use to pick up
>the live band? They don't want to spend any real money, so I figured a
>cheap-ish omni would do it hung in the middle of the room maybe.

If it's an acoustic band with no PA, a 635A hung above the stage might be
a start. That's a common configuration for assisted listening systems
for the deaf around here.
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

Scott Dorsey wrote:
>
> If it's an acoustic band with no PA, a 635A hung above the stage might be
> a start. That's a common configuration for assisted listening systems
> for the deaf around here.
> --scott
>

Why a 635? I've always thought of this mic as a close-up dialouge/vocal
mic suited towards mid-range vocal freqs and lacking bass and highs. Why
not use a cheap stereo mic or a single SDC?

Jonny Durango

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

"Mark" <marks@nospamhere.com> wrote in message news:2IidnclVD6EQa3LfRVnygA@pipex.net...
> Hi,
> If I wanted to relay the sound of a band from one part of a pub to
> another, say on another floor, what mic would be best to use to pick up
> the live band? They don't want to spend any real money, so I figured a
> cheap-ish omni would do it hung in the middle of the room maybe.


Personally, I don't think I'd use an omni. I wouldn't be looking for reflections
from all of the walls and a bunch of crowd noise or cash registers pinging.
A cardioid condenser above and slightly in front of the music source might
do just fine. There are some seriously cheap LDCs out there right now...
down in the area of $69 or less. That's probably where I'd go first.


--
David Morgan (MAMS)
http://www.m-a-m-s.com
Morgan Audio Media Service
Dallas, Texas (214) 662-9901
_______________________________________
http://www.artisan-recordingstudio.com

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

Jonny Durango <jonnydurango1BUSH_FROM_OFFICE@comcast.net> wrote:
>Scott Dorsey wrote:
>>
>> If it's an acoustic band with no PA, a 635A hung above the stage might be
>> a start. That's a common configuration for assisted listening systems
>> for the deaf around here.
>>
>
>Why a 635? I've always thought of this mic as a close-up dialouge/vocal
>mic suited towards mid-range vocal freqs and lacking bass and highs. Why
>not use a cheap stereo mic or a single SDC?

You want a mono signal, so a single omni is probably the way to go.

A cheap small diaphragm condenser omni would be fine, but they won't
handle being soaked in beer. You can soak a 635A in beer, bat it around
with drumsticks, etc., and it will be just fine.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

>If I wanted to relay the sound of a band from one part of a pub to
>another, say on another floor, what mic would be best to use to pick up
>the live band? They don't want to spend any real money, so I figured a
>cheap-ish omni would do it hung in the middle of the room maybe.

If you want to use an omni, surely the middle of the band would be a
better place than the middle of the room?

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

Laurence Payne <lpayne1NOSPAM@dsl.pipexSPAMTRAP.com> wrote in
news:q8e2f1pk65mik5lfiqau4eri5c8njmghgm@4ax.com:

>
>>If I wanted to relay the sound of a band from one part of a pub to
>>another, say on another floor, what mic would be best to use to pick up
>>the live band? They don't want to spend any real money, so I figured a
>>cheap-ish omni would do it hung in the middle of the room maybe.
>
> If you want to use an omni, surely the middle of the band would be a
> better place than the middle of the room?
>

I would send a sub mix
if you must do it on a mic , over the band will give you lots of drums and
bass very little anything else try the mic in front of the stacks
of course this "assumes" a typical rock band
a string quartet would be all diffrent'
as would be jazz
george

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

On Wed, 03 Aug 2005 22:48:14 GMT, George Gleason <Bmoas@yahoo.com>
wrote:

>>>If I wanted to relay the sound of a band from one part of a pub to
>>>another, say on another floor, what mic would be best to use to pick up
>>>the live band? They don't want to spend any real money, so I figured a
>>>cheap-ish omni would do it hung in the middle of the room maybe.
>>
>> If you want to use an omni, surely the middle of the band would be a
>> better place than the middle of the room?
>>
>
>I would send a sub mix
>if you must do it on a mic , over the band will give you lots of drums and
>bass very little anything else try the mic in front of the stacks
>of course this "assumes" a typical rock band
>a string quartet would be all diffrent'
>as would be jazz


I read "live band" as not amplified. Doubtless erroneously :-)

Reply to Anonymous

Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)

 

"Laurence Payne" <lpayne1NOSPAM@dsl.pipexSPAMTRAP.com> wrote in message
news:q8e2f1pk65mik5lfiqau4eri5c8njmghgm@4ax.com...
>
>>If I wanted to relay the sound of a band from one part of a pub to
>>another, say on another floor, what mic would be best to use to pick up
>>the live band? They don't want to spend any real money.

Cut a hole in the floor. Saves money and makes firewood. You could add
furnace duct to help move the sound but that would cost real money.
-Sax

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