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micing a spinet piano.

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Hello I have to add a piano to a rock song. it's a small spinet. The
song itself kinda builds from quiet to louder straight rock. I'm
posting because I've never recorded a piano before and was looking for
a good starting point. The mics I have are 2-57's, a 421, mxl603,
ev635a, c3000b, a marshall ldc can't remember the number never really
use it...THe piano isn't really the prominent thing in the song more of
a layer.I guess one of those thing that is "there" but not.."there"..if
that makes any sense. I just thought I'd see what others could suggest
as a starting point.
Thanks,
Brian

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thadjanus wrote:
> Hello I have to add a piano to a rock song. it's a small spinet. The
> song itself kinda builds from quiet to louder straight rock. I'm
> posting because I've never recorded a piano before and was looking for
> a good starting point. The mics I have are 2-57's, a 421, mxl603,
> ev635a, c3000b, a marshall ldc can't remember the number never really
> use it...THe piano isn't really the prominent thing in the song more of
> a layer.I guess one of those thing that is "there" but not.."there"..if
> that makes any sense. I just thought I'd see what others could suggest
> as a starting point.
> Thanks,
> Brian

I'd have to know how the piano was 'configured", but...

You want full range, but not in your face, I'd use the MD421. (I'd
suggest the 2 SM57s, but you'll have phase issues.

Placing the mic in an open top always sounds like shite - uneven, boxy.
Is the back or the front underside open? If not, open either. Place the
mic on a stand about 2-3 feet away, as close as possible to center,
straight on-axis. A test take might make you favor one spot over
another. If you can eq while tracking, roll off about 2 db at 100hz and
push about 1-2db at around 8000hz.

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

thanks, it's against a wall but the lower front panel by the knees
comes off.

Reply to Anonymous

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In article <1123774569.612995.113600@z14g2000cwz.googlegroups.com>,
thadjanus <vivacaramel@hotmail.com> wrote:
>Hello I have to add a piano to a rock song. it's a small spinet. The
>song itself kinda builds from quiet to louder straight rock. I'm
>posting because I've never recorded a piano before and was looking for
>a good starting point. The mics I have are 2-57's, a 421, mxl603,
>ev635a, c3000b, a marshall ldc can't remember the number never really
>use it...THe piano isn't really the prominent thing in the song more of
>a layer.I guess one of those thing that is "there" but not.."there"..if
>that makes any sense. I just thought I'd see what others could suggest
>as a starting point.

What do you want it to sound like, and how does the song fit together?

I suggest putting the 635A behind the soundboard, probably a couple
notes up from middle C. Play a scale and make sure the level is pretty
uniform.

It will sound clanky, clangy, and clattery, but for a rock song that
might not be a bad thing at all. And trying to get a spinet _not_
to sound clangy is usually a huge fight.

Note that this will tend to fight less with vocals than a more natural
piano sound world, but whether that is important depends on your
arrangement.
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Brian,

Please take my advice on this one. There are a gazillion different right
ways to mic a piano, and even more "wrong" ways. If you really want to
do it right I'd suggest some more research on the topic. If you just
wanna get it done so you can move on, I'd suggest a pair of 57's, placed
about 6"-18" away from the BACK of the piano (the soundboard) and spaced
about 3 feet from each other, so that one picks up the high notes and
one picks up the low.

Another option for better isolation is to remove the lower front cover
(underneath the keys) and place a single mic (I would go w/ the 421)
facing upwards away from the pedals....also, since the high strings tend
to be quieter, the mic should be placed a little closer to them. Of
course this gives you a much flatter mono sound, but maybe that's what
you're going for.

Good luck!

Jonny Durango

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

thanks for the replies yes a mono sound is in order..not a pristine
thing really. Kinda Dylan basement tapes..it would fit in as an
accompaniment instrument more than anything, there are vauge counter
melodies..but it would be kept simple to avoid the clutter of too much
going on.
thanks again,
brian

Reply to Anonymous

Archived from groups: rec.audio.pro (More info?)

 

Jonny Durango wrote:
>
> Please take my advice on this one. There are a gazillion different right
> ways to mic a piano, and even more "wrong" ways.

Agreed, and the room plays a big part in what works or doesn't.


> I'd suggest a pair of 57's, placed
> about 6"-18" away from the BACK of the piano (the soundboard) and spaced
> about 3 feet from each other, so that one picks up the high notes and
> one picks up the low.

For my taste, the presence peak of an SM-57 is a bit much on any piano.

Reply to Anonymous

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On 11 Aug 2005 10:38:32 -0700, "thadjanus" <vivacaramel@hotmail.com>
wrote:

>thanks, it's against a wall but the lower front panel by the knees
>comes off.

You might decide that pulling it away from the wall delivers a sonic
advantage.

Reply to Anonymous
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