Hello,
This is my first time posting and I need some help, so any advice would
be great. When I attempt to record an overdriven guitar I get a very
hollow and sloppy sound, and it's only when I record overdriven guitar.
When I record clean guitar, or bass, or vocals I get a clear and full
sound. But the distorted guitar's captured sound fails to live up the
sound coming from the amp. I am using a guitar with EMG Humbuckers
going into a Mesa Boogie F-30, which is then micked by a SM 57. The mic
then travels through a mono Pre-sonus tube pre-amp, and then into a
Digidesign MBox. I've tried the mic as close as 1" just off the center
of the speaker cone, and 6" away, but all I get is either a muffled low
end heavy sound, or a very hollow washy sound that is just
unexceptable. So any help would be greatly appreciated.
"Bird222" <edward22@cc.wwu.edu> schrieb im Newsbeitrag
news:1125137560.050110.281530@f14g2000cwb.googlegroups.com...
> Hello,
> This is my first time posting and I need some help, so any advice
> would
> be great. When I attempt to record an overdriven guitar I get a very
> hollow and sloppy sound, and it's only when I record overdriven
> guitar.
> When I record clean guitar, or bass, or vocals I get a clear and full
> sound. But the distorted guitar's captured sound fails to live up the
> sound coming from the amp. I am using a guitar with EMG Humbuckers
> going into a Mesa Boogie F-30, which is then micked by a SM 57.
> The mic then travels through a mono Pre-sonus tube pre-amp, and
> then into a Digidesign MBox. I've tried the mic as close as 1" just
> off the center of the speaker cone, and 6" away, but all I get is
> either a muffled low end heavy sound, or a very hollow washy
> sound that is just unexceptable. So any help would be greatly
> appreciated.
Use omnidirectional microphones or cut off the low frequencies.
This proximity effect is a bass-boost at distances of a few inches
only for pressure-gradient mikrophones, like the cardioids are.
Also play with the amp's EQ. I almost always end up cutting some ~250Hz
during mixing, so if you can pull some of this mud out at the amp itself you
should try it.
Try some heaviy cutting of some mids or low mids. Notch out a narrow
band - cut atlest 6dB and sweep it around for a bit. See if you find
somehting that opens up the sound. Sometimes one frequencey masks the
whole tone.
Also, if you've gt the amp cranked, you may suffer from fletcher-munson
effcts at the amp. You might need a lot more high end at the amp than
you think.
Try this,
Get a set of head phones to where the amp is. Set up your input channel
and turn the cans up loud. Then with the gtr plugged in move the mic
around until the noise is loudest or fullest sounding. This is a good
place to start for mic position. Try to get a mic with a switichable
pattern too, so you can use it in bi-directional or hyper mode.
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