Would anybody be brave enough to reveal what sample rate you are
recording with?
I'm just real curious what MOST people in this newsgroup are using with
all of these converters coming out coupled with the power of the new
computers and speed of the new hard drives.
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
15ips for session and final mixdown
16/44 for test mixes
24/96 for digitizing the 2-track tape
--
JP Morris - aka DOUG the Eagle (Dragon) -=UDIC=- jpm@it-he.org
Anti-walkthroughs for Deus Ex, Thief and Ultima http://www.it-he.org Reign of the Just - An Ultima clone http://rotj.it-he.org The DMFA radio series project http://dmfa.it-he.org d+++ e+ N+ T++ Om U1234!56!7'!S'!8!9!KAW u++ uC+++ uF+++ uG---- uLB----
uA--- nC+ nR---- nH+++ nP++ nI nPT nS nT wM- wC- y a(YEAR - 1976)
On Tue, 13 Sep 2005 14:37:17 -0700, Here in Oregon wrote:
> Would anybody be brave enough to reveal what sample rate you are recording
> with?
Don't know what bravery would have to do with anything...
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
"Here in Oregon" <hereinoregon@hotmail.com> wrote in message
news:1126647437.372261.121670@g43g2000cwa.googlegroups.com...
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
"Here in Oregon" <hereinoregon@hotmail.com> wrote in message
news:1126647437.372261.121670@g43g2000cwa.googlegroups.com...
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
24/96 here. Start with as much information as possible before mixdown/edit,
then decimate later, when you are ready for the end delivery format of
44/16.
Here in Oregon <hereinoregon@hotmail.com> wrote:
>Would anybody be brave enough to reveal what sample rate you are
>recording with?
I record at 44.1 for stuff that will be issued on CD, and at 48 ksamp/sec
for film work that will be released at that rate. When I am not running
analogue tape, anyway.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
"Here in Oregon" <hereinoregon@hotmail.com> wrote in message
news:1126647437.372261.121670@g43g2000cwa.googlegroups.com...
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
24/44.1 almost all the time, except for microphone tests and technical stuff
which I do at 24/96. And occasional remotes still go to DAT at 16/44.1.
Here in Oregon wrote:
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
Will you publish the result of this poll?
For the record, most of the time, I record straight to 2-track with the
intent of burning a CD, and therefore use 16-bit 44.1 kHz.
For multitrack work with my Mackie HDR24/96, I usually use 24-bit 44.1
kHz just because I can, but I don't find the difference between 16- and
24-bit, with that recorder, in the circumstances in which I usually
record (not a dead quiet studio, usually on location with a fair amount
of ambient noise) to be earth shaking. Before I installed larger hard
drives in my Mackie recorders, I always used 16-bit to get 1/3 more
recording time on a disk when working on all-day shows.
I've never acutally used 96 kHz sample rate other than to see that it
works. And sometimes I record or mix to analog tape. No sample rate
needed.
"Here in Oregon" <hereinoregon@hotmail.com> wrote in
message
news:1126647437.372261.121670@g43g2000cwa.googlegroups.com
> Would anybody be brave enough to reveal what sample rate
> you are recording with?
>
> I'm just real curious what MOST people in this newsgroup
> are using with all of these converters coming out coupled
> with the power of the new computers and speed of the new
> hard drives.
16/44 for 24 track 30 minute live recording sessions. The
space requirements got to me, even at the current low cost
of hard drive space. If anything my recordings sound better,
but probably because I cleaned up other parts of the
process.
Here in Oregon wrote On 09/13/05 14:37,:
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22 >
"Arny Krueger" <arnyk@hotpop.com> wrote in message
news:uIednTn0X8ujjbXeRVn-gw@comcast.com
> "Here in Oregon" <hereinoregon@hotmail.com> wrote in
> message
> news:1126647437.372261.121670@g43g2000cwa.googlegroups.com
>> Would anybody be brave enough to reveal what sample rate
>> you are recording with?
>>
>> I'm just real curious what MOST people in this newsgroup
>> are using with all of these converters coming out coupled
>> with the power of the new computers and speed of the new
>> hard drives.
>
> 16/44 for 24 track 30 minute live recording sessions. The
> space requirements got to me, even at the current low cost
> of hard drive space. If anything my recordings sound
> better, but probably because I cleaned up other parts of
> the process.
"Here in Oregon" <hereinoregon@hotmail.com> wrote in
news:1126647437.372261.121670@g43g2000cwa.googlegroups.com:
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
44.1/16 for tracking on site, converted to 44.1/32 (only option I have
above 16 bits) before editing and mixdown.
"Here in Oregon" <hereinoregon@hotmail.com> wrote in message news:1126647437.372261.121670@g43g2000cwa.googlegroups.com...
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
Record to PT 6.9.1 on 32 channels of 192 I/O @ 24bit / 44.1K (analogue desk)
or
Record to Digital tape @ 16bit / 48K (analogue desk)
Mix to PC SoundForge 16bit / 44.1K (analogue desk)
or
Mix to 1/4" analogue tape (analogue desk)
or
Mix back to PT at 16 or 24 bit at 44.1K (analogue desk)
Here in Oregon wrote:
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22 >
24/44.1 for reproduction. 24/48 for test and measurement.
Bob
--
"Things should be described as simply as possible, but no
simpler."
Here in Oregon wrote:
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22 >
24/96 for anything that will see optical media...test and "proof of
concept" recordings are 16/44.1
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
Depends on where the project is started.
A lot of stuff gets started on HD24 in other
rooms as 24/48 and that's OK. When the choice
is mine I start at 24/44. If I start something
on PC it's 32/44 and gets converted to 24/44
(the CEP/Audition file format issue).
Occasionally some ADAT based stuff shows up
and that's 20/48 or 16/48 of course.
"Geoff@work" <gwood@nospam-audioproducts.co.nz> wrote in
message news:094We.11668$iM2.1032834@news.xtra.co.nz
> "Arny Krueger" <arnyk@hotpop.com> wrote in message
> news:zumdndJHM_ZLqrXeRVn-
>>> the process.
>>
>> Oh, and I mix at 32/44.
>
>
> Make up your mnid - 32Khz or 44KHz !!! ;-)
I'm probably among the few who have done much work at 32 KHz
this millenium. ;-)
I've been doing everything at 24/96 lately...but 99% of my work is
mastering, so that little one percent doesn't amount to a whole lot.
The bulk of what I receive for mastering is 24/44 follwed by a close
second place with 24/48...but 96 is slowly becoming more common...I've
only gotten one project at 88.2...which doesn't surprise me.
> "Arny Krueger" <arnyk@hotpop.com> wrote in message news:zumdndJHM_ZLqrXeRVn-
> >> the process.
> >
> > Oh, and I mix at 32/44.
>
>
> Make up your mnid - 32Khz or 44KHz !!! ;-)
OK ... I'll bite.
What IS the correct syntax for expressing
bit depth and sampling rate ?
I would have thought that "kHz/bits" was correct
but I see that most answers in this thread are
in "bits/kHz"
"RD Jones" <annonn@juno.com> wrote in message
news:1126754284.645368.280080@f14g2000cwb.googlegroups.com...
>
> Geoff@work wrote:
>
>> "Arny Krueger" <arnyk@hotpop.com> wrote in message
>> news:zumdndJHM_ZLqrXeRVn-
>> >> the process.
>> >
>> > Oh, and I mix at 32/44.
>>
>>
>> Make up your mnid - 32Khz or 44KHz !!! ;-)
>
> OK ... I'll bite.
>
> What IS the correct syntax for expressing
> bit depth and sampling rate ?
> I would have thought that "kHz/bits" was correct
> but I see that most answers in this thread are
> in "bits/kHz"
There is no standard. Except the 'odd' 32 and 24 KHz sample rates, there
really is not much chance of confusion.
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22 >
44.1/16, because I have a several devices that
output that format digitally.
Here in Oregon wrote:
> Would anybody be brave enough to reveal what sample rate you are
> recording with?
>
> I'm just real curious what MOST people in this newsgroup are using with
> all of these converters coming out coupled with the power of the new
> computers and speed of the new hard drives.
>
> 24/44, 24/48, 24/96 16/22
Thanks for your input JP, Dave, Agent 86, Geoff, Mark, Scott, Paul,
Mike, Arny, Eric, Chris, RD, Fletch, Carey, David, Bob, Jonny, Danny,
Timo, and Les.
The consensus out of roughly twenty respondents....
11 are using 24/44.1
3 are using 16/44.1
3 are using 24/96
1 is using 24/48
1 is using 16/48
1 is using both 16/44.1 and 24/96
Mike Rivers wrote: >Will you publish the result of this poll?
Only in the "New England Journal of Medicine"
Kidding!
Thanks to all the participants,... I can now sleep at night.
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