Archived from groups: rec.audio.high-end (More info?)
In another article in stereophile there is a discussion about the
distortion this amp produces, on purpose it appears. The designer which
inspired the Wavac wanted rising harmonic distortion above about 1 watt,
he liked the "sound" and the rationalization offered for the benefits in
the article are a hoot:
This amp is to make the signal on a recording sound better, not like but
better. Now read a segment of the Wavac review and see the result of
this distortion production device:
" there's a flute solo that, if you've heard it once, you've heard it a
thousand times. Me, I've heard it a million times. Yet when I heard
that flute through the SH-833s during one of my many "I wonder what
that record sounds like through these amps..." sessions, I was taken
by complete surprise. I literally sat up, taking notice of that flute
as never before.
What had always been a thin and familiar-sounding, dismissible shadow
of a disconnected flute floating just above the music bed suddenly
became a compelling performance by an actual human being standing
there blowing air through his lips. The SH-833s reproduced the sound
of the flute with more of the tonal, textural, spatial, and
presentational cues heard when you hear a flutist performing live."
Archived from groups: rec.audio.high-end (More info?)
outsor@city-net.com wrote in message news:<cd4dos01to9@news3.newsguy.com>...
> What had always been a thin and familiar-sounding, dismissible shadow
> of a disconnected flute floating just above the music bed suddenly
> became a compelling performance by an actual human being standing
> there blowing air through his lips. The SH-833s reproduced the sound
> of the flute with more of the tonal, textural, spatial, and
> presentational cues heard when you hear a flutist performing live."
Hilarious. But not altogether unexpected. I'm a flute player myself so
I know what a live flute sounds like. And I've been fooled in the past
with recordings that have a certain type of distortion (whether from
the mics, the processing or whatever) which makes them sound more like
a live flute.
Many notes on the flute are close to a pure sine wave but there are
certain notes (with which any flute player is familiar) which have a
distinctly different tone quality with audible whistling or buzzing HF
overtones. Because of this, a good flute player can identify certain
notes immediately upon hearing them without needing perfect pitch. For
whatever reason (maybe the mics are too far away), many flute
recordings don't pick these up and the notes end up sounding the same,
the tone quality lifeless and artificial. But the Wavac's clipping
distortion may add some HF ringing that restores the HF "presence"
which was lost. It could hardly be called "fidelity", but purely by a
lucky accident (or in this case intent) it restores some resemblance
of that live sound which was lost.
I would imagine the above applies to lots of other instruments too,
especially trumpets and bagpipes.
Archived from groups: rec.audio.high-end (More info?)
On 7/15/04 7:55 PM, in article 8QEJc.82999$JR4.67297@attbi_s54,
"mike@mclements.net" <mike@mclements.net> wrote:
> I would imagine the above applies to lots of other instruments too,
> especially trumpets and bagpipes.
ARGH! I cannot believe that someone on a High End group is referring to
BAGPIPES in the same post as hifi recording! What;s the point! :-)
[This is spoken from a fellow that tried to learn to play, and with a proud
practice chanter managed to freak out his wife, scare the cats and cause the
dog to go and hide]
Archived from groups: rec.audio.high-end (More info?)
B&D <bromo@ix.netcom.com> wrote:
> On 7/15/04 7:55 PM, in article 8QEJc.82999$JR4.67297@attbi_s54,
> "mike@mclements.net" <mike@mclements.net> wrote:
>> I would imagine the above applies to lots of other instruments too,
>> especially trumpets and bagpipes.
> ARGH! I cannot believe that someone on a High End group is referring to
> BAGPIPES in the same post as hifi recording! What;s the point! :-)
Of topic somewhat...
I had bagpipes and organ when I got married. A piece on an old bagpipe and
organ LP called "Death of the Chief" was used because I liked it and an
organist friend and his wife (the piper) dictated it from the recording.
But we called it 'Salute to the Chief' so the parish officialdom wouldn't
get upset that a wedding processional was actually a death march. It was
quite a hit, actually.
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