Archived from groups: rec.audio.high-end (More info?)
Hi all,
I recently constructed a pure silver solid core/ptfe insulated speaker
cable. The aim was to upgrade emotionally a bit to the microphone
cables I normally use.
I once tested various DIY cables, coaxes, cheap and expensive cables to
notice very slight differences in sound. Slight in: can I discern the
klarinet player somewhere in the middle of the orchestra ?
To my amazement the silver things actually have a significant impact on
the sound. It is NOT harsh or whatever, but nice and clear.
So maybe the cable thing is not totally trivial.
The usually small effect in sound with good and bad copper may also
have something to do with the extreme quality #45 SET amp in parafeed
mode. It does 20 -100000 -0dB without feedback.
Archived from groups: rec.audio.high-end (More info?)
"hubert pellikaan" <hubert@feyecon.com> wrote in message
newseloia0l4s@news1.newsguy.com...
> Hi all,
>
> I recently constructed a pure silver solid core/ptfe insulated speaker
> cable. The aim was to upgrade emotionally a bit to the microphone
> cables I normally use.
>
> I once tested various DIY cables, coaxes, cheap and expensive cables to
> notice very slight differences in sound. Slight in: can I discern the
> klarinet player somewhere in the middle of the orchestra ?
>
> To my amazement the silver things actually have a significant impact on
> the sound. It is NOT harsh or whatever, but nice and clear.
>
> So maybe the cable thing is not totally trivial.
>
> The usually small effect in sound with good and bad copper may also
> have something to do with the extreme quality #45 SET amp in parafeed
> mode. It does 20 -100000 -0dB without feedback.
>
See the non-explicatoryexplantions thread and the debate over expectation
effects.
Calling an SET amp extreme quality, is sort of an oxymoron, they are among
the worst producers of distortion available. If you like yours, that fine
but what you are hearing bears only a passing resemblance to what was
recorded.
As to cable, the way to determine difference is to compare them blind, not
knowing which is which. If you can do it enough times to achieve
statistically valid results, then there's 5 grand waiting for you.
Archived from groups: rec.audio.high-end (More info?)
hubert pellikaan wrote:
> Hi all,
>
> I recently constructed a pure silver solid core/ptfe insulated speaker
> cable. The aim was to upgrade emotionally a bit to the microphone
> cables I normally use.
>
> I once tested various DIY cables, coaxes, cheap and expensive cables
> to notice very slight differences in sound. Slight in: can I discern
> the klarinet player somewhere in the middle of the orchestra ?
>
> To my amazement the silver things actually have a significant impact
> on the sound. It is NOT harsh or whatever, but nice and clear.
>
> So maybe the cable thing is not totally trivial.
>
> The usually small effect in sound with good and bad copper may also
> have something to do with the extreme quality #45 SET amp in parafeed
> mode. It does 20 -100000 -0dB without feedback.
>
> Any comments?
>
You better go the Steve Hofmann site with your vivid imagination, you are in
good company then. And you constructed the whole story here, didn't even try
to test. Right?
I can see that from your 1st sentence. Are you saying U use microphone cable
on the speakers or rather speaker cable on the mike lines?
And your imaginary silver cable will have the same clearness as the copper
cable, not harsh. Why should it sound harsh or whatever? It will sound
identical, but because you would have paid a gross amount of money, you
believe that the silver sounds better, otherwise you will not look too
smart, won't you?
Archived from groups: rec.audio.high-end (More info?)
When "testing" did you know which wire was being used? If so it suggests
the results reflect perception differences created in the brain which were
not in the signal in the wire. You mentioned using a sed amp, which
brings to mind the large effects resistance can have on their frequency
output, this too would have to be excluded as a possible source of your
experience as the same gauge of silver and copper have different
resistances.
Archived from groups: rec.audio.high-end (More info?)
On 26 Aug 2005 00:42:50 GMT, "hubert pellikaan" <hubert@feyecon.com>
wrote:
>Hi all,
>
>I recently constructed a pure silver solid core/ptfe insulated speaker
>cable. The aim was to upgrade emotionally a bit to the microphone
>cables I normally use.
>
>I once tested various DIY cables, coaxes, cheap and expensive cables to
>notice very slight differences in sound. Slight in: can I discern the
>klarinet player somewhere in the middle of the orchestra ?
>
>To my amazement the silver things actually have a significant impact on
>the sound. It is NOT harsh or whatever, but nice and clear.
>
>So maybe the cable thing is not totally trivial.
>
>The usually small effect in sound with good and bad copper may also
>have something to do with the extreme quality #45 SET amp in parafeed
>mode. It does 20 -100000 -0dB without feedback.
No, it doesn't - not at half-power.
>Any comments?
Try it again, when you don't *know* what's connected. There's a $5,000
prize waiting if you can still hear those differences.
--
Stewart Pinkerton | Music is Art - Audio is Engineering
Archived from groups: rec.audio.high-end (More info?)
What if he expected them to sound worse?
It seems he expected nothing, and in fact expresses surprise at the
result.
Stewart Pinkerton wrote:
> On 26 Aug 2005 00:42:50 GMT, "hubert pellikaan" <hubert@feyecon.com>
> wrote:
>
> >Hi all,
> >
> >I recently constructed a pure silver solid core/ptfe insulated speaker
> >cable. The aim was to upgrade emotionally a bit to the microphone
> >cables I normally use.
> >
> >I once tested various DIY cables, coaxes, cheap and expensive cables to
> >notice very slight differences in sound. Slight in: can I discern the
> >klarinet player somewhere in the middle of the orchestra ?
> >
> >To my amazement the silver things actually have a significant impact on
> >the sound. It is NOT harsh or whatever, but nice and clear.
> >
> >So maybe the cable thing is not totally trivial.
> >
> >The usually small effect in sound with good and bad copper may also
> >have something to do with the extreme quality #45 SET amp in parafeed
> >mode. It does 20 -100000 -0dB without feedback.
>
> No, it doesn't - not at half-power.
>
> >Any comments?
>
> Try it again, when you don't *know* what's connected. There's a $5,000
> prize waiting if you can still hear those differences.
> --
>
> Stewart Pinkerton | Music is Art - Audio is Engineering
Archived from groups: rec.audio.high-end (More info?)
hubert pellikaan wrote:
> Hi all,
>
> I recently constructed a pure silver solid core/ptfe insulated speaker
> cable. The aim was to upgrade emotionally a bit to the microphone
> cables I normally use.
>
> I once tested various DIY cables, coaxes, cheap and expensive cables to
> notice very slight differences in sound. Slight in: can I discern the
> klarinet player somewhere in the middle of the orchestra ?
>
> To my amazement the silver things actually have a significant impact on
> the sound. It is NOT harsh or whatever, but nice and clear.
>
> So maybe the cable thing is not totally trivial.
>
> The usually small effect in sound with good and bad copper may also
> have something to do with the extreme quality #45 SET amp in parafeed
> mode. It does 20 -100000 -0dB without feedback.
>
> Any comments?
>
> Hubert Pellikaan
Two comments:
- the comparison between two mic cables (apparently some posters did not
read carefully - MIC CABLES) is most valid when both cables are the same
construction except for the material in the conductor AND the same
length - ie. otherwise identical.
- many here would prefer DBT, or will doubt that you heard anything that
wasn't a self created illusion.
- ok, THREE comments: what output transformer are you using? As Lord
Pinkerton noted that is unusually good response for an output tranny.
BTW, Lord Pinkerton, I have in my possession a pair of output
transformers that pretty much do that trick but at ~100 watts or so...
so it can be done. And keep in mind that a 45 SE is about 3-5 watts max,
so finding iron that will go down is easy enough, the trick is going
up... which parafeed helps with... but I am wondering which iron is in
that amplifier - oh, depending on the rest of the circuit, the amp could
be pretty darn low in distortion.
Archived from groups: rec.audio.high-end (More info?)
thats right, I expected nothing really
after testing 6 different cable and expecting differences, I only found
very slight differences. The kind that vanishes when you use an other
brand tube as a driver.
When I did that test I concluded two things:
1 i use cheap mic cable as speaker cabl because it looks cool and is
just as good as any other.
2 improve the amp, not the cable
I merely constructed the silver cable because it is :
1 cheap (by the silver at automatic electric in schagen) +/- 100 euro
for a 2x3m set
2 some people laugh at you when you use mic cable for speakers
Archived from groups: rec.audio.high-end (More info?)
Hi,
thanks for the compliment!
It is in fact a output transformer made by automatic electric in
schagen (the Netherlands) it was made with very thin magnetic material
and used in parafeed. It reaches 130kHz -3 dB; this is at the end of
the speaker cable, in paralel with the speaker.
It does not distort much, altough I did not measure it.
Archived from groups: rec.audio.high-end (More info?)
Some comments:
- yes I did know what cables were used, I hooked them up! The result
surprised since it was unexpected and of a different kind then I would
think. I will try to give a description this week.
- Yes, the resistance may have an effect on speaker/amp communication,
altough the mesured frquence response was measured at the end of the
cable and in parallel with the speaker.
Output resistance is significant with SET's also in parafeed.
Archived from groups: rec.audio.high-end (More info?)
On 30 Aug 2005 00:50:27 GMT, "hubert pellikaan" <hubert@feyecon.com>
wrote:
Firstly, if you're going to post here, PLEASE quote the text to which
you are replying, otherewise most of us have no idea what you're
talking about.
>who pays the 5000$?
No one, until you pass the test! :-)
More seriously, a group of a dozen or so 'objectivists' who were tired
of all these baseless claims for the existence of 'cable sound' put up
amounts in the $200-$500 range, the pool total being arounf $5,000.
This has lain on the table for six years now, which may tell you all
you need to know about the *real* confidence of those who claim so
vociferously that they can hear differences among cables.
--
Stewart Pinkerton | Music is Art - Audio is Engineering
Archived from groups: rec.audio.high-end (More info?)
On 31 Aug 2005 00:06:15 GMT, "hubert pellikaan" <hubert@feyecon.com>
wrote:
>Some comments:
About what? Please *quote* the text to which you're referring.
>
>- yes I did know what cables were used, I hooked them up! The result
>surprised since it was unexpected and of a different kind then I would
>think. I will try to give a description this week.
The result doesn't surprise me at all. Try it again when you *don't*
know which one is connected.
--
Stewart Pinkerton | Music is Art - Audio is Engineering
Archived from groups: rec.audio.high-end (More info?)
The output iron is from http://www.ae-europe.nl/ they are located in
schagen, the netherlands. They are pretty cheak now, so I am shocked .
three years ago they were much more expensive.
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