Quality Tests: Viewsonic VG2428wm And Final Analysis
Trying hard to keep even with Samsung’s P2350, the CCFL-based VG2428wm defaults to Retina Blister Mode at 305.2 cd/m2 (0.3 cd/m2 minimum). This derives from a 100 brightness and 70 contrast. Even though the monitor states that it’s running at 6500K, Eye-Match reports 6300K.
Kudos go to Viewsonic for trying to take a more professional tack with its integrated color settings. Users can opt for various color temperature presets as well as an sRGB preset. However, Viewsonic and Eye-Match tend not to agree on matters. For example, Viewsonic’s 7500K gets measured as 6700K. The sRGB profile comes back as 6200K. We went with the 7500K preset, nudged the contrast to 75, and pulled the brightness down to 53, resulting in a final luminance of 119.8 cd/m2, a minimum luminance of 0.1 cd/m2, and a color temperature of 6400K. We should note that temperature stayed impressively uniform across the display, fluctuating between only 6200K to 6400K.
Luminance distribution was very good with this unit, peaking only slightly over target in the screen’s center and never dropping under 100 cd/m2 in any region.
Our calibrated Viewsonic does OK on gamut. What it gains in the yellows and reds it gives up in the violets, resulting in a total volume of 884 335.
Unfortunately, Viewsonic gets nailed with one of the worst Delta-E results in our roundup, with its navy blue leaping clear out to 5.21. Not even a fairly decent grayscale showing can save it from a 1.61 dE average.
A subjective analysis of the Samsung and Viewsonic trio reads much like that of the Dell and BenQ trio, only the Viewsonic’s vertical viewing angle problems single it out here. Straight on, though, the unit does well. It shows a bit flatter, less vibrant palette than its CCFL partner, the P2350, but the Samsung offers a blue/green cast in comparison. Personally, we’d take flat over skewed, especially with Viewsonic performing much better on power consumption. There are some exceptions, though, since we found that some scenes, such as backlit tulips, looked markedly more vibrant on the Samsung. Both monitors do well with detail in bright areas, with Samsung showing a bit more in the darks.
In comparison, the BX2350 stands out with its reddish overtones. The calibrated BX2350 is not overly bright, but it’s still prone to losing detail in very light regions. Conversely, it does exceptionally well for an LCD in differentiating tones among blacks. You see this particularly well at a distance.
Wrapping It Up
Looking across all nine of these monitors, we can generalize and say that LEDs definitely look more dramatic. The blacks are deeper, the whites brighter, and the colors more vibrant. At the same time, we found LEDs more prone to skewing toward a given color and needing more calibration in order to remedy this. CCFL displays often look semi-lifeless when sitting next to an LED, but their colors appear more photo-realistic. CCFL definitely renders more detail in shadows because the blacks haven’t been pushed down as strongly. Yes, sometimes the measurement data contradicts this, but we’re going by side-by-side visual comparisons, and it’s important to weigh both.
Ultimately, we’d pick LED for media consumption, but we’d pick CCFL for editing work where detail and accuracy are paramount. LED is more fun to watch; CCFL is more reliable. If we bring power consumption back into the equation, displays with the latest power circuitry, such as Asus’s MS246H, or with only two lamps, such as Dell’s ST2310, look like much more attractive options. Dell in particular earns our admiration, mixing a great image with low average dE. It’s blacks could be better, but it’s not a bad total compromise. The Asus, Dell, and Samsung LEDs all skewed toward red, but Dell was probably the least offensive here, plus it did relatively well on shadow and white details. Add in the fact that it consumed the least power of any monitor reviewed, and we’d call the ST2320L our pick of the litter. It’s definitely the screen we choose for general use.
Yes, you pay a price to get the advantages of LED backlighting, but the power savings and color enhancement will be worth losing some accuracy for most users.
"Ultimately, we’d pick LCD for media consumption, but we’d pick CCFL for editing work where detail and accuracy are paramount. LCD is more fun to watch; CCFL is more reliable."