16:9 Screens Popular, But Movies Go Wider

Have you ever wondered why the wide screens have invaded our living rooms and computer desks so rapidly? It’s a matter of cost. A wide screen, 16:10 display costs less to produce than a 4:3 screen since. The cost lies in the cutting stage of manufacturing where big panels, which usually measures around 2m x 1.9m, gets sliced up into smaller panels that actually go into displays.

Using wide formats a manufacturer can produce more 16:10 displays than 4:3 displays. The same logic applies to 16:9 in fact this aspect ratio yields even better results. You can get even more displays when cutting the panels in the 16:9 form factor.

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  • KyleSTL
    I'm not exactly sure of the point of this article, but it's interesting, and true. Why are studios using like 16:3 aspect ratios? It's rediculous. I'm watching my movies on a 42" 1080p plasma, I can't imagine watching the same ultra-ultra-wide movie on a 4:3 CRT, YEESH!
    Reply
  • hawler
    I hate the fact that now when I watch my movies on my 50" LCD I still get black bars on the top and bottom for the movies that use wider ratios than 16:9.

    Why don't movie companies just use 16:9? It's what all the HD resolutions are and it looks a lot better to use an entire screen than just a portion of it. NO ONE own anything but a 4:3 or 16:9 TV (or 16:10 Monitor) yet they release movies that are, i believe it is, 2.35:1 all the time.

    It's really starting to annoying me
    Reply
  • Maxor127
    I don't even notice the black bars and I kind of liked them since if they were smart making a dvd, the subtitles and closed captioning would be nicely in the bottom black bar.
    Reply
  • garydale
    The point about 16:9 not needing to scale is a bit misleading. You don't need to scale 16:10 either. It's just a matter of positioning. Having a 16:10 display (1920x1200) gives you some screen space for controls, subtitles, or whatever.

    And yes, I don't care for the ultra-wide movies either. 4:3 or 16:9 are reasonable approximations for a human's field of vision. 2.35:1 isn't. It's been a marketing gimmick since movies first went wide to compete against TV. Time to return to reality and start making movies in a standard, human, aspect ratio.
    Reply
  • xsamitt
    I agree 100% Garydale.........I wish they would adopt a standard and just go with it.
    Does any one know what the conversion is 2.35.1 would be what exactly?
    And when is going to for sale?i keep holding off getting a very expensive tv for the fact im not made out of money and it will have to do me for a very long time.
    As far as i know tvs in the next couple of years will be like 300 lines instead of the meager 1080.......so it would make what we have now look like junk.
    Reply
  • xsamitt
    Sorry thats 3000....Not 300.
    Reply
  • agree with maxor...
    Reply
  • KyleSTL
    xsamitt:

    it would be equivalent to 21.15:9 or 16:6.8
    Reply
  • I am a bit confused by this math:

    "If a user was using say, a 21-inch 4:3 screen but wanted to upgrade to a 16:9 display, they would have to purchase a 23-inch or 24-inch screen to give a similar working area."

    To equal the same area as a 21-inch 4:3, one would need a 22.257-inch 16:9 display. So saying one would have to purchase a 24-inch is wrong.
    Reply
  • Aragorn
    The 2.35:1 aspect ratio = 16:6.81 since someone asked I did the REALLY simple math.
    Reply