Page 1:Turning The PC Into A True Hi-Fi Audio Platform
Page 2:Four Devices Tested: From $2000 Down To $2
Page 3:Benchmark DAC2 HGC
Page 4:JDS Labs O2+ODAC Combo
Page 5:Asus Xonar Essence STX
Page 6:Realtek ALC889
Page 7:Test Setup: Sennheiser HD 800 And AKG K 550 Headphones
Page 8:Test Setup: Volume Matching And Testing The Listener
Page 9:Test Setup: Cables, Software, And Tracks
Page 10:Test Setup: The Blind Testing Process
Page 11:Results: Dragonborn / Jeremy Soule
Page 12:Results: Soothe My Soul / Depeche Mode
Page 13:Results: Through The Fire And Flames / DragonForce
Page 14:Results: Get Lucky / Daft Punk
Page 15:Results: Symphonic Dances / Andante Con Moto / Rachmaninoff
Page 16:Bonus Test: DSD Versus PCM; Billie Jean / Michael Jackson's Thriller
Page 17:Why We Need To Test Low-Impedance Headphones Soon
Page 18:Why Audio Formats Above 16-Bit/44.1 kHz Don't Matter
Page 19:Anything Above $2 Buys More Features, Not Better Quality
Most hi-fi audio is stored in digital form. With advancements in lossless compression, bit-perfect ripping/streaming, HD audio formats, multi-terabyte storage, and PC-friendly DACs, has the PC earned a place among high-end audio gear? At what price point?
Hi-fi stands for high-fidelity. Specifically, the high fidelity of a reproduced audio signal compared to its original source. Recording and reproducing sound introduces artifacts, and your listening environment has an effect as well. So, playing back recorded audio never sounds exactly the same as the original. You can get pretty close, though.
McIntosh MC275 50th Anniversary: A $6500 amplifier with no DAC capabilities
Hi-fi often is often associated with exotic (and expensive) equipment. Tube amplifiers. Silver cables. Gold-plated interconnects.
Yet, unless you own a dozen shelves of 180-gram vinyl records, most of your hi-fi audio is probably stored in an affordable digital format, either on optical media (like CDs, DVDs, SACDs, and LaserDiscs) or magnetic storage, in the form of files on your hard drive.
In order to play back that content, you need a few different components. You need something to access the information (a CD reader, perhaps). You need to convert the digital signal back into an analog one using something called a Digital to Analog Converter, or DAC. You need an amplifier. And finally, you need something to create sound pressure waves in the air around you at the right frequencies set by the signal (speakers or headphones).
As long as the content arrives to the DAC in a bit-perfect state, the source really doesn't matter. A quality CD-player or a PC playing a bit-perfect stream over USB should sound the same.
The challenge for us as PC enthusiasts is that uncompressed audio takes up a lot of disk space. A CD-quality stereo stream uses two (channels) x 16 (bits per sample) x 44,100 (samples per second) = 1411.2 Kb/s A 60-minute CD, uncompressed, ties up 635 MB of storage. That was a ton back in the days of gigabyte drives, 1 Mb/s Internet connections, and slow Wi-Fi. The solution was lossy compression in the form of MP3 (first) and AAC (later), which addressed the capacity issue with a quality compromise deemed acceptable by most consumers. But audiophiles balked at the idea.
Creative Labs' Sound Blaster 2.0 from 1991, the first PC audio card capable of 44.1 kHz playback
Of course, today we enjoy multi-terabyte drives, very fast broadband connections, and almost gigabit-class wireless data rates, and advanced lossless compression schemes like FLAC and ALAC, the latter of which can halve the size of an audio file with no quality loss whatsoever. And so, the story changes.
Suddenly, a $60 1 TB hard drive can store 3000 CDs at their native quality. That's a lot of shelf space saved. Buying and downloading a new disc takes minutes, at most. Finding an album or track in your collection happens quickly. Online stores are never out of stock. And if you back up your library, it will never get lost or degrade. What's not to like?
One part of the pipeline that remains constant, and where PCs traditionally lag, is the translation from digital source to actual sound. Thankfully, hi-fi devices natively supporting PCs are becoming increasingly common. And if the quality of more traditional hi-fi equipment can be matched, then a case can be made (given overwhelming convenience) for our PCs becoming the ultimate audio source.
But what are the options for hi-fi audio on a PC today, and at what price points? In today's story, we're looking at the differences in sound quality, features, and value of a few pieces of hardware able to turn your system in the ultimate hi-fi machine. In the process, we'll introduce you to blind listening tests done right (at least in our view), and why that's so important.
Four different devices are on the bench, ranging from $2000 all the way down to $2: the Benchmark Media Systems DAC2 HGC, JDS Labs' O2+ODAC, Asus' Xonar Essence STX, and Realtek's ALC889 multi-channel codec. That's a 1000x factor in cost.
- Turning The PC Into A True Hi-Fi Audio Platform
- Four Devices Tested: From $2000 Down To $2
- Benchmark DAC2 HGC
- JDS Labs O2+ODAC Combo
- Asus Xonar Essence STX
- Realtek ALC889
- Test Setup: Sennheiser HD 800 And AKG K 550 Headphones
- Test Setup: Volume Matching And Testing The Listener
- Test Setup: Cables, Software, And Tracks
- Test Setup: The Blind Testing Process
- Results: Dragonborn / Jeremy Soule
- Results: Soothe My Soul / Depeche Mode
- Results: Through The Fire And Flames / DragonForce
- Results: Get Lucky / Daft Punk
- Results: Symphonic Dances / Andante Con Moto / Rachmaninoff
- Bonus Test: DSD Versus PCM; Billie Jean / Michael Jackson's Thriller
- Why We Need To Test Low-Impedance Headphones Soon
- Why Audio Formats Above 16-Bit/44.1 kHz Don't Matter
- Anything Above $2 Buys More Features, Not Better Quality