Why HDCP Sucks; Apple, Are You Listening?

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Let's get straight to the point: HDCP (High-bandwidth digital content protection) sucks--and so does copy protection in general.

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  • gwolfman
    Because, I for one, would like to be able to play the movies I own at any time, anywhere. I think this is true for everyone.
    Count me in!
    Reply
  • gwolfman
    Sorry for double post, but in addition to ^^^^^ I would like to add: "any way" or by any means
    Reply
  • justsomeone
    Tuan, nice job on calling these companies out on this crap!
    Reply
  • afrobacon
    This is one of the better articles I've seen at Tom's. Well thought out, supporting arguments, minimal spelling/grammar mistakes; and I agree 100%. Keep up the good work.
    Reply
  • ethaniel
    I completely agree. You buy an original movie, and you're still treated like a thief. Terrible.
    Reply
  • joebob2000
    Why wasnt this a QOTD: "How much do you hate copyright enforcement, and why?"

    I think it's a given that anyone besides those who make money off of copyrights (i.e. the creator and the middlemen) would love to see copyright protection go away, since it adds 0 to their experience and in many cases it makes it harder/more expensive to enjoy media that they paid good money for.

    Won't someone think of the copyright holder's children? Let's face it, if we had a world where your only incentive to produce music/movies/etc. was getting famous and you didn't get the piles of cash that go along with that in the current system, we would have a different but equally frustrating media system to deal with.

    Just to name one hypothetical, imagine going to your local music store to find that they no longer stocked material based on any rhyme or reason, nor did they coordinate their inventory to resemble any other store. You get to sift through thousands of CDs stacked floor to ceiling, most of them containing utter crap and very rarely do they contain a gem. Oh, sure, you could just hop on nap-tune-zaa and download the music from them, but it's a riddle of millions of different filenames, rarely organized by artist or album, with no way of knowing what other people liked aside from the download count, which may tell you it's a popular song or it may tell you it's a video of a cat doing a backflip that got blogged about a million times.

    Is that what you want?
    Reply
  • Ive had two expierences with DRM this path month that have utterly pissed me off.

    The first, was a retail copy of devil may cry 4. This game no matter what i treid would lock up and crash my computer every time i tried to play it. The demo worked perfectly. After much trial and error i found out the culprit was the DRM, securom. After downloading a cracked copy of the game executable i could play what i actually payed for.

    The second ws 2 days ago, with windows media player. It was trying to obtain a license to play a video and that was the last i heard of that windows istall. As soon as it tried to do this i lost my internet connection on that machiene(the others on my network all worked fine). On a reboot the computer refused to boot, in the end i had to do roll back the computer to a backup to get it to load again.

    This is a machine that had NEVER crashed or locked up prior to these 2 issues.
    Reply
  • zhelkus
    This topic is related to another theme where software giants just want you to use their product their way because "everything just works" that way. Everything just works... my ass!

    iTunes and many Mac products may be more stable than M$ counterparts but they're meant to be used one way only, just like copy-protected material stated in this article. When will you see iTunes as customizable as Foobar? Never! Lost you iTunes library due to a hard drive move? Sucks to be you (me :( )!
    Reply
  • tuannguyen
    joebob2000Why wasnt this a QOTD: "How much do you hate copyright enforcement, and why?"I think it's a given that anyone besides those who make money off of copyrights (i.e. the creator and the middlemen) would love to see copyright protection go away, since it adds 0 to their experience and in many cases it makes it harder/more expensive to enjoy media that they paid good money for.Won't someone think of the copyright holder's children? Let's face it, if we had a world where your only incentive to produce music/movies/etc. was getting famous and you didn't get the piles of cash that go along with that in the current system, we would have a different but equally frustrating media system to deal with.Just to name one hypothetical, imagine going to your local music store to find that they no longer stocked material based on any rhyme or reason, nor did they coordinate their inventory to resemble any other store. You get to sift through thousands of CDs stacked floor to ceiling, most of them containing utter crap and very rarely do they contain a gem. Oh, sure, you could just hop on nap-tune-zaa and download the music from them, but it's a riddle of millions of different filenames, rarely organized by artist or album, with no way of knowing what other people liked aside from the download count, which may tell you it's a popular song or it may tell you it's a video of a cat doing a backflip that got blogged about a million times.Is that what you want?
    Hi joebob2000 -

    Thanks for the response. Although you have a point, I think the main concern is is the invasive user experience that comes with copy-protection schemes. Piracy has gone up, in part, due to the wide-spread use of online access, but that's on the surface. We have an easy way to get media combined with harder to use media we own, creates this need to be simpler.

    There's a difference between pirating software, and what my article is about. The point I was trying to make was that troublesome copy schemes don't affect piracy, it adds to it. When copy protection schemes weren't around, there was already piracy. Then came the Internet, which made getting media easier. Piracy went up. The companies were like "Oh no," and produced endless copy protection schemes. Piracy went up.

    This tell you two things:

    1. Pirates aren't affected by copy protection schemes.
    2. Consequently, only honest users who want to play what they own in the way they want to, are the only ones affected.

    Because I don't have an HDCP LCD, I can't buy the movies from iTunes. I would love to, but since I can't play them, why bother? Sadly, I am at a loss, and I can't be Apple's customer even if I wanted to. What do I have to do? Replace my 30-inch LCD for one that is HDCP compliant? No thanks. Frustrating.

    / Tuan
    Reply
  • joebob2000
    tuannguyenHi joebob2000 -Thanks for the response. Although you have a point, I think the main concern is is the invasive user experience that comes with copy-protection schemes. Piracy has gone up, in part, due to the wide-spread use of online access, but that's on the surface. We have an easy way to get media combined with harder to use media we own, creates this need to be simpler.There's a difference between pirating software, and what my article is about. The point I was trying to make was that troublesome copy schemes don't affect piracy, it adds to it. When copy protection schemes weren't around, there was already piracy. Then came the Internet, which made getting media easier. Piracy went up. The companies were like "Oh no," and produced endless copy protection schemes. Piracy went up. This tell you two things:1. Pirates aren't affected by copy protection schemes.2. Consequently, only honest users who want to play what they own in the way they want to, are the only ones affected.Because I don't have an HDCP LCD, I can't buy the movies from iTunes. I would love to, but since I can't play them, why bother? Sadly, I am at a loss, and I can't be Apple's customer even if I wanted to. What do I have to do? Replace my 30-inch LCD for one that is HDCP compliant? No thanks. Frustrating./ Tuan
    Thanks for the direct reply. I have to say, the articles keep me coming back to this site, and not the tools who troll and thumbs-down comments... but I digress. The problem with the argument that "copyright protection aka DRM is bad, not good" is that it's only half of the story. If it were a perfect world and DRM was totally transparent and artists got properly compensated, that would be great. Sadly, it's not a perfect world. On the other side of the same coin, we cannot have a "perfect world" where all media is free to copy and bears no overhead or quality loss from reproduction, because the media is a product of the media *economy* and it would be fundamentally different if that were to change. That is not to say that the media companies aren't shooting themselves in the foot by trying to tighten their grip on old school media in a rapidly changing landscape; there is certainly a problem with the way they are addressing the change.

    So, what are we all doing here exactly? Why not propose a system that can protect the artist's right to get paid for their creative work, while allowing users an unencumbered, enjoyable media experience? Why not work toward that ideal environment where DRM is still there, but it manages the users' rights just as much as it manages the artists? That's where I think your frustration should be vented, since it won't do *anyone* any good to propose swinging our culture the other way toward a completely 'free' media society where we are drowned in bad music and movies since there is no way for the truly talented to rise to the top.

    And HDCP is the pits, too. I can't use my LCD monitor to watch cable HDTV since apparently it would be harder for me to use a component capture device (same resolution as HDMI) than it would be for me to use a HDMI capture device if I wanted to rip shows off of cable.
    Reply