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Our LED-based Dell pops out of the box with the exact same settings as its CCFL partner. We see the same 6500K brightness, but with LED that brightness gives us a pounding 290.1 cd/m2 luminance and a 0.3 cd/2 minimum. Clearly, this is way too high, although we should add that, to the untrained eye, it looks strikingly good when you first turn it on. Too good, apparently.
With calibration, we actually raised the contrast all the way to 92. Just to show you the difference, a brightness setting of 100 here still yields a luminance of 264.2 cd/m2. To hit our 120 cd/m2 target, we had to dial the brightness clear down to 19. That’s almost unbelievable. At this level, we ended up with a final calibrated luminance of 121.4 cd/m2, a minimum of 0.1 cd/m2, and a 6800K color temperature. Note that this yielded a bit more separation in the color channels than we expected, with green noticeably leading red and blue.
Even with a 19 brightness setting, the ST2320L still ran a bit strong across most regions, only dropping under our luminance target in the top-left corner.
Sure enough, that stronger green channel comes back around in the volumetric gamut graph. From this nearly top-down view, you can see how far in the ST2320L exceeds in the greens and yellows, but, as mentioned earlier, that isn’t necessarily bad if the other colors compensate. In this case, the red and blue channels counterbalance well enough. The monitor ends up with a total gamut volume of 909 126.
Finally, we once again see a big pop in the teal and blue Delta-E bars. Still, despite topping out at 4.87, the display’s overall average remains an unshabby 1.46.
Now, we couldn’t stand the BenQ at 45 brightness. Even though it was calibrated, the screen looked hopelessly bland and muddy alongside both of our Dell screens. The whites looked gray, the vibrance had all the vitality of overcooked pasta, and the detail loss in shadows was massive. On a direct head-to-head against Dell’s LED, BenQ got its brains bashed in.
At 75 brightness and 75 contrast, the BenQ still feels like a CCFL display, meaning that the blacks aren’t as deep. With a CCFL, normally sacrificing deep blacks means getting more detail, but not so here. The EW2420 even loses some detail in bright whites, and we noticed less pop in yellows compared to the Dells. The only place where we felt BenQ had an advantage was in showing less banding and blockiness through mid-tones, especially grays.
The Dell ST2310F (CCFL) similarly shows much muddier blacks compared to its LED counterpart, but now we get into the expected trade-off. For example, in one test photo showing a night sky within a black border, the line between sky and border was obvious with the ST2310F. With the ST2320L, there were places where we couldn’t distinguish the two dark shades. In watching videos, we found that the CCFL showed more color banding, particularly in blue and violet regions, but the LED was more prone to drawing attention to blockiness in DVD artifacting. The increased contrast makes the darker artifacts more noticeable.
With that said, both monitors exhibit very natural color. You really see this in photographs. In a direct comparison, the ST2320L shows a bit more of a reddish cast, but it’s not bad, and the screen doesn’t lose the same amount of shadow detail as our other LED options.